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BEETLE BAILEY L& You date? - h btartTn f it jutt ahespys After looking at Hollywood worts aad the aews business Naked NaskvUle is die latest ia a aeriesof i' Owt-Dsu- ng Nick Kent x couruy alty Mndr JuntlVISMlMoCnadyai In S Siwwrtdoeumanwy fcCWpatt ' 7 with Amrrican edebri-saidTCouutiynnisicis yery much the heart of a certain kiad of America America' i MWWaRal tuiZ£-'n- eace of actor “ v His outsider perspective works id the film's ’" " advantage- r : ugjg‘JgZZ ously gifted taapimi Matnca Bag aren’t major wiMojBBtt la ThesdayX episodeJMy Hemes Have Always TJefi®l esode Been Cowboyswaoa is contrasted with MCA hopeful Keith Hariiiig Harfing u shows having his wardrobe aad just about eveplhiag dw molded by : ffefarowdlKVMlii HiUMOy songwriters aad tomliatioM asHoilyw Broaduhnpefi ?dheiofHo£ywkws'in T yiasSsss'T'-Tphets ia country nuisic— Maay of the aerious both stars and power broken — spoke candidly far the documeatanw Xhew see interviews with record label heads Joe fuiwt (RCAVTboy Browi (MCAVEvelyn Shrivs in Elsewhere ia tdevwoa QOOOMXm&j 7HE6KEffF0MFKM HE'S60NEmI A FAL5EPR0PHETAr THE DOOR JtWAT WERETOTEatW ABOUT j tary McGteady is the star of the fint episode which a wtolMif itfwNiiitlv UteVtar M W heads with herro6oM label headTlanffThetwd'deSpiai leu dm' clash overMcfirtS&JuIS wwa saiuawiiasaw eawoewaww THINK &WSWM- -' i -‘- SUNSET GEn ANCX1HEX DANBC aas it has given its daytimedr year rcaewaL Network TV's youngest soap by ' HEYfMA!THER£'5 - hootokchewspeopkupaodlSo- aad the deaa of Nashville Hadaa HowanLVeteran Nashville jouriudist Bob Oomana ofiien aa opinionated tunning commen- iy- PEANUTS k TWtdmlk is CvmoR cosmopufta aod suXjuti-cated than one aught assume Seat swd Tie mthkwness of the couatry anask huaaewttras a aod dm rtvriatKin You think of ir ar 'ratings wwwowviiiiiwrmiflB ! — raw ysswj aIhMMtwaodnglolHdeaftffrsh&hittiiidwithhetVylinreietMitsSoiahcnCaEfaasaheadhlB—TW first album series fa dtemguishtid ia another way: hs the first As die cainen rolls Galante nearly loam his conh day time venture of legeadary prodacer Aaron Spelling (Low Bose Uebpae Haft tig- f'4'- posure wfaeaMcCteady ' fails to tnraup for ' a media ' ' V - s ’ Pr r -- ' - IS Dj nODGiI LMliBfllWn Scriooa Howwd News Service MOTHER GOOSE AND GRIMM Moviereview tual chops to address big questions and it j At timm I couldn't believe my eyes Here were times strains credibility to the hmddqg point Ate lan McKellen Brad Renfro xOavison Elias years of hiding DOsswier suddenly reverts to tjpe Kotew and Joe Morton in a biMoeen adaptation of when he puts on a Nazi awfons Bowden obtsbed a Steves King novella a brilliant cast stack in w at a costume shop He tries to Arow a Way cati movie that at times seems like a sligfady perverse his oven thusprovinr the the oU iastiwl lo tU"s m I don't want to join the chorus of Kiag badiea BO Bowden develops a sadistic side wol Ai ok something was lotf While traaslating his point he crashes a pigeon with a baikerbalLThe story fiompnge to stagfe Ask stands Apt fhpu is f Nazi withia rises to thewrffce lightweight movie carried by a heavyweight cast — This isn’t a casein which the pexfcnawceicw m assume I I : JN FOXTROT I- ’jt ! r M X rentes J wutowurN c oo Ndf Mtff SfotMPl MMwI ttwrwcRNooM evoBNar terns ruiocT 1 SuKBM MfMfS ooOMIHE TotWhvOL 1 (WMtt The movie un t shy about tackling big issues i teeth McKellen brings a aenre of awefimnedwen-aothin- g less than the evii Underlying the HolQcausLv ace to his seedy draaken charactet Reafio is a wiflun apparenay normal personalities Here's how k happens Rwfrp pUys Tbdd BouKn den a bright who becomes fascinated with the Holocaust He (fiscovcn that a former Nazi (McKellen) fives ia hb neighborhood He ttgeatens to torn the man over to Isndi authorities unless he ‘ I tells him about Ae Holocaust l'‘ who McKeUea'sKurtDussaadei helpedwt Jews ia Ae tas chambers is a war criminal ia fufi posset-norm- al sion of grisly details Bowdea waats to hesr every- - fa res ‘is£ v iipf-j- r The rehtioBsmp between Bowden ttt a nuyor flaw andemnaes Ae axrvie’s Althongh the Holocaust coataiaed enutieu of individual relief aa iwiniwi instance v-- g TO M cveOi tiiat u— unspeakable penowdraMAatrcatiLte doesn't provide wkh American kid might be A&aciedwsuch behavior It ignores the agznadizinr aszwsts of ar£ mwmSr ' h ' a' i1' At is the case with may rf aadlhHMndrr'ftyifaevr quite fjiMh forma the heart of the movie‘but it’s not well tv- - —x mTn movie dQen f ends again c- i awvif s Aft - r I fascination with Nazism As a result k last movie The CWSraxts was anushra Ae X teems like a coutrivance a gimmick that gives a y circuiL Singer’s "-- " adt-carious kid a chance to lose his souL- on quateIt's Ms choice of material Brandon Boyce’s script doesn't have the d REAL LIFE ADVENTURES trnti art-hou- se CLOSE TO HOME: ! 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