Show B2 30 ort eu I liv til' ftli Jlje is nothing to feat I know about the robust woman weariog and the hat with horns but ihe’s nowhere to be seem at the Ellen Eccles Theatre Even the high notes are pleasantly miraculous mliltf tfre fftfffuijm frmUmn anfnpttt jih opera Why you don’t even have to visit a fancy department store to purchase a leisure suit dress and pune to match Sunday best is more than ado quate attire for this night out So it seems there really is nothing to fear about a night at the open At least not in Logan I wasn’t sure rd never been to a opera It seemed a little intimidating All thoac suits people looking down their noaes through those silly little open glasses subtitles Michael Bal-la- There ACHE Friday ONTENTS July 31 full-blo- 1998 I m - - K But after an evening of it the concept of open TK seemed simple to me It’s about music — the love of it TC In fortpeople in opens love music so much ii they sing every hne I’m thinking a person could apply the seme musical intensity to everyday situations perhaps giving them their due Like if you lost your keys You could suck in a deep breath warm up the old diaphragm raise your right arm high above your head and sing out: 40 Mi OT Si u ' ‘vr fcwr my KEYS!!!!! Your unsympathetic spouse could pipe in: YES I KNOW The dialogue could go on for hours or at least until you find them: inside But I've bit my KEYS!!!! i WHERE CAN THEY BET If I knew then I wotddnl be asking YOU you little HAN!! t 3 tiUy the dramatics if we were to treat our Thinkof iii as an open stage !S' everyday lives Bid perhaps that’s the most utu to open— the (hwnatics Andlmustadmitthe whole thing started to '3 seem a bit overdone Here was a simple plot and simple lines made complicated because they were nl offered in a different language or because they being sung in the mat place 'a : were And then it happened IK The down sang The song" Right when your exportations demanded it when the previous singing left you perched right in rt precariously on the edge of needing something cliT mactic Richard Sanches let loose me mtay of a broken heart Through his voice the audience fek ft- - intense passion agony anger betrayal love R was powerftal powerfol stuff As I thought it over later I decided all the other singing was just a foundation — a crescendo for those few moments when the audience was reduced to a mouth aape drooling mass of inanimate flesh as the nunc overcame them So perhaps there is a fittle something to fear from Logan's opera after alL Not the suits not the pomp not those silly hole glasses more a comt plete lack of control as if only for a moment the music steals your senses Td say it's worth the risk — that is if you can find your keys 8 —by Nancy j BodOy Cache Magazine odftor hn “ PAGE 13 Sure fa hot outside but some of tie moot spectacular scenery in toe world la created by the heat Enjoy f interview PAGE 12 — An Matvlsw wtti CapRol Arts AUanre! new avanithfe iWtawr ! up and coming PAGE 4 — Tremonton is homo to the 1st Annual Fwm Fok Feet —Farm Bureau is sponsoring an Amateur Talent Find art works slightly off PAGE 6 — Donnie Hnkarnp toairstuff PAGE 8 — Each oftho 28 Cacha Valley Stakes of toe Church of Jesus Chriet of Latter-da- y Saints presents A Time of Faith wMch Includes two concerts of toe Mormon Youto Chores and Symphony and a concunent ait exhtok looks people and c ON THE COVER: ix Logan photographer Tracy Nielson m journey to Southern Utah with Ns '' ' ' ' ‘ us on a and will-- in the PAGE 7— to negotiate dark Mtahaol Flood n: ! n rw mgs V? 9lf8 nnon - : su me H istnsO yievostiC U£U 3 r |