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Show STAGE ONhKri' WHAT'S GOING TITIAN' Saturday, Tom Mix in 'Tainted Post and Harrison Ford in No Control"; Sunday, Monday, Tuesday, Wednesday, Temple Haileys sensational story, "Wallflowers Now playing, John Barrymore in "Tempest"; starting SatPARAMOUNT urday, William JIaines in 'Telling the World and, on the Htage, Panchon & Marco presents Radio Television Idea. OGDEN Saturday, Rex, the horse, in "Wild Sunday and Monday, Fred Humes in Quick Triggers." COLON AI Saturday, William Haines and Jack Holt in The Smart Set; Sunday and Monday, Monte lllue in Across the Atlantic; Tuesday and Ik-uut- By Whose Thursday and Friday, James Murray and Helen Costello in Wild Beauty at Ogden is Full Of Big Thrills All American Film K(j Wednesday, Ricardo Cortex and Eugenia Gilbert in USEM ENTs SCREEN - A picture as happy and as free as the great outdoors in which it was filmed is "Wild Beauty, the spectacular wild horse story which is now at the Ogden theatre. Rex, the famous Morgan stallion, is the star of the picture, which is at the same time unusual in theme and in treatment. The mountain country of the great west furnishes the beautiful and elaborate setting in which this dramatic picture takes place. "Wild Beauty is probably more general in appeal than any motion picture we have seen for months. The sports man, naturalist, drama turgist, and the exacting motion picture fan are a few of the classifications for which this picture was seemingly especially made. A horse who can act just like a man is a marvel in itself. The story is built around Rex and Rex has his wild horse herd and has to battle fox supremacy, win the heart of a Kentucky mare from an Indian pony rival, slay a lion in mortal combat and sacrifice the free life for his love. The picture is intensely gripping. and The human cast is the animal and human plots are cleverly interwoven by Director Henry MacRae. June Marlowe is a beautiful and completely fascinating heroine, while Hugh Allan makes a dashing In spite of the fact that some of the locales are laid in China, William Ilaines starring picture, Telling the World," might truly he called the movie, for the entire technical staff of the production and every member of the cast hails the land of the partially free as his an In this era of cosmopolitan producHand; tions embracing a Babel of tongues In Old and a multiplicity of the cast that produced the pic- LCEUM Saturday, Tom Tyler in The Desert Pirate; Sunday, Patsy names, comes Saturday to the which ture Rex Ruth Miller, Lease and others in Red Riders of Canada; Monday, Paramount stands out as 100 theatre, When the Wifes Away" and Eva Novak and Roiiert Ellis in The cent American. per I Northern Code; Tuesday, A Wilson in Air Patrol; Wednesday, Haines himself was born in StaunI Patrice Joy in Tho Blue Danube; Thursday, Billie Dove in 'The ton, Virginia, and a trace of the Stolen Bride; Friday, Alias the Deacon." drawl still lingers in his WHITE CITY CARDENS Regular dances every Tuesday, Thursday and Southern Anita speech. Page, his leading lady, Saturday. Music by Jack Passey and his band. is a New Yorker and proud of it. Sam Wood, the director, was born in Philadelphia, has never been abroad in his life and is satisfied that Hollyhas been adapted for the screen wood is the best place in the world to and its direction has been entrusted to Leo Meehan, a former live in. Even Bill Daniels, the cameraman, and Eddy Brophy, the asOgden man. It begins at the Egyptian Sunday. sistant director, are American born. The remainder of the cast, Eileen Percy, Frank Currier, Bert Roach and William V. Mong are mostly descendants of individuals who date their entrance papers in the days when Ellis Island was nothing but a quarantine stop. Even Polly Moran, who has made hero. her reputation as a player of Irish The supporting cast consists of real roles, was born in New York City troupers: Scott Seaton, Hayes Robinalthough she proudly declares icr son, William Bailey and J. Gordon Russell. parents came from the "ould sod. As with the principals, so with the ONE COW VS. A DOZEN story. Telling the World is a distinctly American type of story exAnalysis of more than 100,000 yearploiting Hams character as a typiindividual records from cows on cal American wealthy youth. The ly situations and the comedy were de- test in dairy herd improvement assigned by Yankee minds for Yankee sociations indicates that, on the average, cows that produced 100 pounds enjoyment. The story of the production was of butterfat a year returned $14 each over cost of feed; those that produced r- -rrr n,wn and adapted to the screen by 200 pounds, $54 over cost of feed; 300 Dale Van Every, who hails from Lan400 pounds, $128; and $06; pounds, sing, Michigan. Sctm from 'WALLFLOWERS The central theme cows returned $178 over deals with the romance of an American-ccost of feed. Thus the man milking reated institution, the press a H Based, ? producer would have upon one of the Stevenson, Jean Arthur, Lola associations which cover great the earth Todd, Mw. Temple I'igott, Craufurd Kent with their wires and bring home the more return than if he milked a dozen f. th r&VZi" cows, and this would take th. Temple BaHey and Reginald Simpson. news of the day. vv no account of the added labor of milkstory brought to the screen for FBO by Leo Meehan, comes to the Egyp-tia- n ing and caring for the larger herd or Human-Intere- st theatre with an already well esof the much greater expense of protablished reputation behind it. viding stable room for a herd instead It is scheduled to open Its run on Sunof a single animal. The figures from returns are based on farm prices from day. Harrison Ford, who pluyed the title all parts of the country, including Coming from the pen of an auin "The Nervous Wreck whole-mil- k districts. thoress who already had more than half role and A who is featured with Phyllis Haver in the horrible realization Jy no,v,el 10 ho' credmado an orphan of a it, sold like wild fire the Metropolitan picture No Connu has the most strenuous role of 10 enforce the " throughout the country before the ink trol, Tom Corrigan, the hero of ."The had barely had time to dry on the his career in that production that of Iiiv I esert I irate, now showing at the a man who by force of circumstances pages of its first edition. becomes an acrobat unwittingly yJ?e?n.the,ltAre turn in h badge Its success is laid by authorities not In "No Control Harrison is out with the homeless called only to the popularity of the authoress upon to become for new country, youth a as a adept trapeze a,8a s. t5e iH,wcruI drama it in the picture, hut not un-t- il . That is the beginning of this thrill-jnperformer This drama is what so admira-bl- y g he has also displayed his ignorance drama of the Old West, suits it for screen presentation, a of the apparatus starring which is suspended thing for which so many literary mas- from the mainpole in the gigantic cir- mJhi Ty is a iatrepid ace of the story that steps out terpieces are considered unfit. cus set built at the Metropolitan stu- of the regular path of Western tales "Wallflowers attacks from a new dios. and gives the audience a The first day went along fine for angle the ago old struggle between love and hatred in the human soul. Harrison but the day that followed OiJeofCthCtl0n ?.th a huma touch! breathless epiaodes th 8U8Ponse, pathos, was rr filled .7 with woe, for the muscles iene.f,Imed Wetern is revealed s and Harrison of a young man who which had brought into play to the final climax must decide whether love for one the day previous, cried out with aches. or hate for another shall ,unarmed. Wnt?anV invading the guide And it is no idle jeat, according to arn,ed enomies, plays Jus destiny. But despite this, its tone Ford, to be swinging fifty feet above with his enemy with a ranch is not sad, for the picture of a pure the floor of a stage on a trapeze and beautiful girl adds knowing, if he loses, he a touch of nap. tne first time youvo ever been on pinesh and the grim humor of a de- one of those things and believe me, f hatie Rirl as ?el1 88 the land, and 1,18 certaIn feated woman of the world .death is his lot. 1 provides if you don t know how to hold on sardonic well, niany its blackbird." laughs. nvi 8U8pense with a vengeance A careful search of the Scott Sidney directed this Metro- screen colony was conducted by Meehan to gath-e- r picture with Tom Wilson, To-a cast which would exactly fit the aromatic wi All. v (4i juvenile tory. lie finally decided upon Hugh st 3? the supporting cost. playti f be re- Trevor, Mabel Julienne Scott, Charles K!ii0iMpnipro' on be Bame Mix in latest success, jaw-breaki- ng Kentucky TEMPLE BAILEYS well-chose- n, .s Pits 1 500-pou- nd 500-pou- nd t,"!,"'' 100-pou- Ford an Acrobat in Comedy nd Gripping No Control Western at Lyceum Theatre .,tJ"1 i?0881 23. TEMPLE BAILEYS Starting Sunday con-tain- nr-th- y heart-break- e Sensational V wo-m- an SK8 Wak?a bye-by- e, Kl: Lyceum Theatre SATUIIDAY, AUGUST 4 Tom Tyler in The Desert Pirate1 SUNDAY Patsy ltuth Miller, Rex Dint and Distinguished Cast in Red Riders of Canada MONDAY Double Feature Program! A Screaming Farce When the Wifes Away featuring an All Star Cast and Eva Novak and Robert Ellis in The Northern Code TUESDAY AI Wilson in Air Patrol WEDNESDAY Ieatrice Joy in The Blue Danube THURSDAY aur ttheERyptiant FRIDAY Jean Ilersholt, June Marlowe and Ralph Graves in II othir cinema masterpieces. From Villainy to weI1 known motion tiirfnn-ther Screen Comedy is Hersholts Record Few indeed are the screen or actresses who can shift fromactors one thc' have been fkv?al.,tV definitely in the in another type of role. public mind But one of the few who have the difficult feat is Jean Hirsholt, the prominent screen char-actartist who has so impress'd the public with his ability as an actor that th support Tvler in tk;a n id.X"'nTftSrP,,,n' A1 Dallas his role was played with fiuhsm almost Russian in ' : lossness. I "Don u x? 7t,hi Uve- - My OW D&h pictures his work was a combination rwation and light comedy In The rong Mr. Wright he turn- -' f?.rce OldtVUirT, his con,edy, character Ihe delightful, whimsical drawing old tfpiW' tMrred in h own Pro- - won the unreserved praise ofPl)un Auctions Marauis, author of tlus nlav f which the picture was In his screen made. of the last portrayals w h years he has ranged from villains finds '.lia8 the ot the most despicable to light itVhVvmpathGt,c lvblo personal-- 1 variety, comedy, and finally, to 'uas 8tarted in The Old character interpretations. sympathetic his superb acting has en Ileis seen !V Part in "Alias HS iuinS 9f ;lttr,SVTT p,aud of his'1 the Universal-Jewcl production which conies to the Lyceum j theatre here Friday. Another Version production, Giced, Ilersholt s characterization Absent-mindeDentist (to his car of the moan, grasping, conceited small-tow- n emPloye inserts the ,8.taion "sport was the outstand-in- g hose into gas tank): Now breathe feature of the picture. In Stella deeply. Louisville Times. ..A er CforusGiH i !Lillhj i ONE DIME ANYTIME Now llayinj; First Showing in Ogden C&UIAEMMU fmtfftr Ihe. yhiVaijt Society Girl Jlapper' Query! miUUMOIB- d QGDEN THEATRE1 j e Soul Searching r to This Age -- fr I Tmodortf - cirlnood Irobs iith authoress. lays bare the problems of tender vet spnrrttintF fimvowc sn $ A jl hrertimy0nhrhhthihTOb,!i,,B dramatizaton S.mLoTortcrst'rieatothl the latest Wi br0UBht the great KINOOF Added Features IN WILD BE&UTT A HENRY MAC RAB PRODUCTION Alias the Deacon A UNIVEnSAL PICTURi: - Tremendous Drama of Modern Girlhood .WILD HORSES The Stolen Bride First National Picture. "!e Mng Billie Dove in A 2 Ar, & On the Stage JACK PASSEY AND HIS BAND Coolest Spot in Town I B8BDBN Always a Good Show |