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Show The art scene The Salt Lake Tribune, Sunday, June H. 1982 l !i Art Barn offers public instruction, lectures and exhibitions meetings, etc. By George Dibble When Mary Lee Peters, recently appointed director of the Salt Lake Council for the Arts, looks through the windows in her office in the Art Bam, she views the environs of Reservoir Park through a pleasant leafy screen that constantly color changes receptions Funded by City Mrs. Peters notes that the program is funded by grants from Salt Lake City Corporation. Grant applications for the performing and visual arts are available after Tuesday and must be returned by July 30. Similar dates apply to applications for scheduling exhibitions at the Art Bam next year. Artists should submit slides of their work A varied program of visual and performing arts is scheduled during the summer season. Riverside Park, Lind- r ceiling-to-floo- performances, with the morning and afternoon light Mr- - Dibble The Art Bam stands for a fine tradition in the arts of this city and serves as an inspiration for continued effort, the director said, terming the historic building a community resource building. Impressed with the variety and quality of the visual and performing arts here, Mrs. Peters is enthusiastic about continuing exhibitions of art by local and regional artists. In addition to developing stronger and more active visual arts programs in the future, we are eager to involve a broad spectrum of the community in activities at the Art Bam. Programs aimed at the public interest include educational instruction, lectures and exhibitions. The Art Bam also provides rental space for art groups and others who need space for say Gardens, Fairmont Park, Sugarhouse Park and Memory Grove are sites of planned events for the current season. Mrs. Peters is a graduate of the University of Florida and while studying for a masters degree at the University of Wisconsin at Madison, served on the art faculty in art education. She was chairman of the Madison Art Fair, vice chairman of the Madison Civic Center Commission and director of Education at the Madison Art Center. Her son, Kent, is graduating from the University of Utah School of Architecture this month. Daughters, Sarah at the U. of U., and Leslie at the University of Texas, are studying on the baccalaureate level, and Anna and Adam will enter high school in Salt Lake City in September. An outstanding exhibition of works b candidates for the master of fine arts degice at the University of Utah may be seen for one more day at the Utah Museum of Fine Arts from 2 to 5 p m Mark Bangerter, whose oil painting received top honors at the Springv llle Museum of Art's April Salon, has pauitmgs of strength and vitality He describes the object and purpose of his work as an insight into my feelings and surroundings the environment in which I have existed . to bring to life my life and that of people who surround me. In his drawings and paintings, the artist invests an everyday activity with insight and skill. The Concrete Finisher reveals the facile skill of the worker swift, deft movements of the steel trowel, tensions within the figure reaching across unset surfaces in the heat of a summer sun Houses, more than mere replications, become fairly idealized arrangements of ordered material. A familiar, intimate character warms the bnck and mortar. Paul and Dad A portrait, Paul and Dad, represents the son in warm, youthful vigor. The dad is dignified more reserved in cool grayed tones. Mark B. Petersen's oils, which are large and done with such discriminate detail, should logically become boring in some aspects of the extensive surfaces. But they escape this for good reasons Because there is no tedious repetition, the exciting reaches of canvas sene only to heighten a pleasure that seems enhanced by amplification Says the artist, paint because I am harmony and complexity Yet the paintings here ui awe of I nature's i Art ?i)f . Salt tribune afce Bountiful Art Center,2175 S. Main, Bountiful, Utah Watercolor Society, 8th annual luried show, through July 15. Hours: Monday, 5 to 9 p.m., Friday, Tuesday through 10 a.m. to 5 p.m., Sunday, 2 to 5 p.m. Utah Artist Guild, 1988 S. 1100 East, original lithographs of contemporary Wests ern art by Veloy Vigil, by Leroy Neiman. Hours: weekdays, 10 a.m. to 6 p.m., Saturday.il a.m. to 4 p.m. Canyon Gallery, Alta, Little Cottonwood Canyon, paintings, sculptures and works on paper by Sam Wilson, Bob Kleinschmidt, Robert V. Douglas Snow, Richard Johnston, Lee Trevor Southey, Sharon Shepherd and others, fours: Thursday through Sunday, noon to 6 p.m. Intermountain Art Company, 1492 S. State, mam gallery, oils by Kent R. Wallace through June 19; upstairs gallery, works by Harrison Groutage, E.G. Bird, Ben Adams, Noel Betty, Dean Faucett, Glen Turner, H.L.A. Culmer and J.R. Hales through June 30. Hours: Tuesday through Friday, 10 a.m. to 5 p.m., Saturday, 10 a.m. to 4 p.m. Springvllle Museum of Art, 126 S. 400 East, Spring-vin9th annual quilt show ihrough July 3. Hours: Tuesday through Saturday, 10 a.m. to 5 p.m., Wednesday until 9 p.m., Sunday, 2 to 5 p.m. Gittins Gallery, Art and Architecture Building, University of Utah, Not an and Ink," Oriental art. Hours: Tuesday through Friday, 8 a.m. to 5 p.m., 7 to 9 p.m. serig-raph- Hall Side Gallery, University of Utah Medical Center, acrylic and lacquer abstract paintings by Archie AC-11- June. Phillips through Hours: weekdays, 8 a.m. to 5 p.m. Artists in Action Gallery, Heritage Square, 580 S. West Temple,oilscontemporary Western by Washington Artist Burt Dinius through 4. Hours: weekdays, 11 July a.m. to 7 p.m. Phillips Gallery, 444 E. 200 South, summer exhibition of Utah artists through July 23. Hours: Tuesday through Friday, 10 a.m. to 5:30 p.m., Saturday, 10 a.m. to 2 p.m. Tivoli Gallery, 255 S. State, paintings and sculpture by Nancy Lund, Harrison Groutage, John Jarvis, Ken Baxter, John Myrup, Don Ricks, Grant Speed, Fredrick Denys, Farrell Collett, Randall Lake, Gary Smith, Stan Wanlass, Larry Monte Anderson, Rod Serbousek, Jonathan Bronson, Tom De Decker, Jim Norton, Kimbal Warren, Doyle Shaw, L' Deane Trub-looPaul Forster, Mel Philip Barlow, Mark Durham, Susan Fleming, Win-bor- Jim Morgan, Darrell Thomas, Harold Demont Olsen through September. Hours: Tuesday through Saturday, 10 a.m. to 5:30 P.m. Whitmore Library, 2197 E. 7000 South, sculpture and drawings by Deanna G.C. Reeves through June . Hours: Monday through Thursday, 10 a.m. to 9 p.m., Friday and Saturday, 10 a.m. to 5:30 p.m. Brigham City Museum Gallery, 24 N. 300 West, closed Brigham City, 20 for through June repairs. Atrium Gallery, Salt Lake City Public Library, 209 E. 500 South, The Shopping Bag: Portable Graphic Art," 26. Hours: June through weekdays, 9 a.m. to 9 p.m., Saturday, 9 a.m. to 6 p.m. Kimball Art Center, Park City, collages and sketches by Italian architect Francesco Pierobon; bronzes by Dallas Anderson; Summer Arts Institute show, featuring works by University of Utah faculty members Paul Davis, Ed Maryon, David Pendell; photographs bv Russell Ogg; quilts bv Sandl Fox; oils bv David Ratner; watercolors by Mike Bums; and silkscreened ceramics bv Les Lawrence Hours: Monday through Saturday, 10 a.m. to 6 p.m., Sunday, noon to 6 p.m. Edge of Cedars State Historical Monument, 660 W. 400 North, Blanding, "Arizona and Utah: as seen bv Albert Tlssandier in May and June, 1885," through June. Hours: 8 a.m. to 7 p.m. behind my recDonse." If that seems esoteric, refer to the paintings where the idiom speaks even more clearly than words Passages that transform sky into trees lose none of the sensaperception of natural forms tions of light, movement transpositions that reach through memory to Another Garden The title Abalone Shell is only a handle with which to pick up the work These are pearly, iridescent statements globules of evanescence. October resounds with a prodigal, seasonal richness In Midnight, one senses a changing 1 J The Cliff Lodge Gallery, Snowbird, Little Cottonwood Canyon, paintings by Janet Millikan through June. Hours: open continuously. T.P. Gallery, 252 S. Main, stone lithographs bv Charles Lovato and R.C. Gorman. Print lithographs by Donald Vann. Sand paintings by Willard Johnson and Vickie Allen. Hours: weekdays, 9:30 a.m. to 6 p.m. Apple Yard Art, 3096 Highland Drive; photographs by Lyn Barrett; tile paintings by Lark Lucas; serigraphs by Brooke Morrison; water-color- s bv Dawna Barton, Phyllis Horne and Helen Paul; pottery by David Fernandez and Eric Minden; wood designs bv Ray Morrison. Hours: Monday through Saturday, 10 a.m. to 6 p.m. The Lodge at Snowbird Gallery, Snowbird, Little Cottonwood Canyon, and oils Secured Gallery, Harris Fine Arts Center, Brigham Young University, Provo, 40 original Rembrandt etchings, through June. Hours: weekdays. 8 a m. to 5 p m. B.F. Larsen Gallery, Har- Arts ris Fine Center, Brigham Young University, Provo, 13th annual Water-colo- r West through June. Hours: 7 a.m. to 10 p.m. Salt Lake Art Center, 20 S. West Temple, Main gallery, Willis Adams: a private collection, Sunday; Gloria and Donald Marron collection of. American prints June 19 through August 1; Upstairs and Corridor galleries. Art Directors show; Sales Gallery, Watercolor Invitational, Sunday; Raku by Stan Roberts works on paper by Marilyn Miller, June 19 through August 1. Reception Main gallery, June 19, 5 to 7 p.m.. Corridor gallery, 7 to 9 p.m. Hours: Tuesday through Saturday, 10 a m. to 5 p.m., Friday and Symphony nights to 9 p.m., Sunday, to 5 p.m. Admission: $1.50 for adults, 75 cents for students, children and senior citizens. Phranque's Gallery of Fine Art, 2735 S. 2000 East, paintings by Frank Erickson, Marilyn Smith, Jan Vern Bui lough, Betty Thomas, Ruth Pratt, Joyce Hanson, Joan Rollins and Mary Matz; wood carvings by Ron Adamson and Theodore Smith. Hours: Tuesday through Friday, 10 a m. to 5 p.m., Tuesday, 7 to 10 p.m., Saturday, to 5 p m. 1 1 non-verb- v are not landscape paintings I am involved in a search for the essence Art calendar mass and scale in "Wedged Ring A a portrait of a city at the watch steel sculpture, Cable Rock Display," night concentrates on the cntical adjustment Linda Wheadon of strident forms Linda Wheadon expresses a The purixisc of function," notes philosophy stressing an intuitive ap Kevin Frazier in his thesis ceramist pmach to relationships within the group, is to occupy space and affect comeveryday world, a that space in such a manner that some munication using common symbols kind of response is evoked from the ' The drawings tchareoal. paper and v lew er Although y ou can't serve tea in a painting or heat up soup with a paintl express, because of their simplification of technique and image, and sculpture, there still remain rules of their unprecious fragmentation, a more function that must be followed My goal is to apply functional rules of sculpture complicated and investigative over-to the functional reqiurements of the iew of times and places in the past and present The difficulty is m allowmg the vessels 1 create " Various processes drawing to create itself intuitively and and materials are effectively applied to knowing when to disassemble and his sculptural pieces reconstruct the symbols and their Primitive symbols abound in the relationships, so that by saying less, white earthenware creations of Ann E. they say more. Gleason My work derives, she says, A succinct, dramatic quality in the from symbolic structures from folk drawings raises everyday events and and primitive art Totems and masks of level artistic a to high objects are found m her delightful earthenexpression ware. Lynn Swensson leans his ideas down Coiling and Pushing to their skeletal and spiritual essentials The techiuque of coiling and pustiini g with startling intimations of weight and are direct and immediate and appeal t o scale in a variety of materials me," notes Connie Enckson Dry gla. ie Southern Utah Landscape stains and color are created slow) y, "The landscape of Southern Utah led layer by layer, through multiple f repeating more quickly the naturto image making of monumentality, inherent surface qualities, weight and al changes of actual weathering. balance of the sandstone formations Susan Carrolls interesting paintings more intimate directions through the combine with the acrylic use of symbols, color and surface medium oncollage white or tmted gessi i m treatment "formal relationships involving rej Four metal pieces express ponderous interval and variation," she si iid. of eti-tio- Marron collection opens at Center The Marron collection of American prints, which contains more than 100 prints by 27 artists, will open Saturday, at the Salt Lake Art Center, 20 S. West Temple. The exhibit traces the development of graphic art from the 1860s to the 1040s. There will be a reception in the Main Gallery from 5 to 7 p.m. beginning Saturday wi 11 be by Stan Roberts and Works on Paper by Marilyn Miller in the Sales Gallery of the Art Center. A reception will be held from 7 to ! ) p.m for that exhibition. Also Raku, Entries due for drawing eontesi: Artists interested in entering the American Drawings IV contest must submit their work by June 30. The contest is sponsored by the Portsmouth Community Arts Center A prospectus for the competition can be obtained by writing; American Drawings IV, Portsmouth Community Arts Center, P O. Box 850, Portsmouth, Virginia, 23705. The jurors will select 50 drawings representing contemporary American draftsmanship. The selections will bf: toured for two years to museums and sdkxils by the Smithsonian Institution Traveling Exhibition Service. water-color- s kirx HanSeptember. By dle through Hours: open continuously 13th annual quilt show to open in New Orleans Quilters from around the country are encouraged to enter the 13th annual Quilt Show of the National at De La Quilting Assocation, to be held July Salle High School 5300 St. Charles Ave., New Orleans, La. of Entries are open to members and the association. Deadline for entering is June 21. 17-2- 4 V7 7 Z7 7 7 7A For further information send a a self addressed, stamped envelope to Marion Mareke, 1717 Auburn Ave., Metairie, La. 70003. Season and Single Tickeis on Sale Tomorrow 10 a.m. b Fridays at 8:00 p.m. Symphony Hall Saturdays at 5:00 p.m. Snowbird JUNE 25-2- 6 FAMOUS ARIAS AND SYMPHONIC DANCES VARUJAN KOJIAN, Conducting ROBERT MERRILL, Baritone KOOALY RAVEL i 8TRAUS8 DVORAK I 1982 Galanta Dances Bolero Blue Danube Waltz Slavonic Dances Arias and songs from The Marriage of Ftgaro Don Giovanni Porgy and Bess and Fiddler on the Roof JULY 0 "INTERNATIONAL FAVORITES T--m ROBERT HENDERSON, Conducting LOWELL FARR, Pianist Rakoczy March Piano Concerto No 2 in BERUOZ LISZT Major Caorccio Espagnol SI Pajls Suite Norwegian Dances Three Pieces from Gaane MOIST GRIEG KHACHATURIAN GINASTERA . JULY auctionediatlpar QjESEDQSHiHD A Malambofrom Estancia dvacatio 30-3- 1 Q HOORAY FOR HOLLYWOOD NORMAN LEYDEN, Guest Conductor UTAH CHORALE Including Around the World in 80 Days Dr Zhivago The Continental Blues m the Night Smgn m the Ram The Last Time Saw Pans and many more AUGUST GBUuB0OS3fi'' 6-- 7 "JAZZ ALIVE ROBERT HENDERSON, Conducting r LIONEL HAMPTON COMBO i Dance Rhythmt Fancy Free Ballet Su te LIONEL HAMFrtON SELECTIONS RIEGGER BERN8TEIN AUGUST f I 20-2- 1 II would lik to attend the Depression Party and the Utah Movie Premiere Annie. I have enclosed a donation of $50.00 (or more) per seat reservation. would like to attend only the 'Annie' Movie Premiere I have enclosed my donation of $25 00 (or more) per seat reservation. ALL TCHAIKOVSKY ROBERT HENDERSON, Conducting OveMj'e Bo office open 10 am envelope tor mil order 8)0 pn Mon FfkMy Send etemped, eeH edijreeeed Number to attend f I I Drat! I can't be with Annie on June 17th, but I'm with KUED all the way1 Here s my tax deductable contribution o- f- Address Mail invitation toUNIVERSITY OF UTAH KUED 101 Gardner Hall Salt Lake City, Utah 841 12 Telephone Attention: Jeannme Gregoire Name r itf N' 1 CdU'tL' ,rj "3 "j 1 581-326- 3 |