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Show f The Sait Lake Tribune, Monday, March Whats Andre Previn presides over evening of contrasts Happening Today Utah t i It r By Paul Wetzel Tribune Staff Writer It was a little like juxtaposing the sacred and the profane, this pairing of the Vaughan Williams Fifth Symphony and the combined Suites from de Fallas d The Hat, but by doing it Andre Previn and the Pittsburgh Symphony proved that they can impress one equally with either introspection or brilliance. The occasion of this mildly adventuresome programming was the tour appearance by Mr. Previn and the Pittsburgh Saturday night in Symphony Hall. In addition to the two works already mentioned, the orchestra performed a rather obscure Berlioz piece, the Rob Roy Overture. Of these three, the major work in terms of both is the Vaughan duration and Williams symphony, a composition which is not new to the local audience even though it is not frequently performed by most orchestras. As coincidence would have it, Raymond Leppard conducted it with the Utah Symphony only a little over a year ago. Symphony, Robert Henderson, conducting, Chase Fine Arts Center, Utah State University, Logan, 8 p.m. University of Utah Student Piano Recital, Utah Museum of Fine Arts Auditorium, U. of U., 8 p.m., free. Brigham Young Un- 1? ' i hf Center, Weber State College, Ogden, 8 p.m. Planets of Doom, Hansen Planetarium, 15 S. State, 11 a.m., 2, 4, and 8 p.m. Clio Awards follow 8 p.m. show. Changes in Oscar program - HOLLYWOOD Some nominees have told me theyve stayed away from the show in the past because of that shot, that they consider it so embarrassing, it makes them feel like goldfish in a bowl thats being watched by 300 million people around the world. And Ive promised them Im doing away with it. Which might have a lot to do with the fact Koch View- ers of the March 29 Oscar-cawont have their usual chance of st has already received vi Beck such an unusually high percentage of acceptances he expects to have close to a 100 percent Marilyn ogling the losers reactions when the presenters intone, The winner is . . turnout of acting nominees at the event. Beatty, Keaton, Dudley will be there, Im sure Newman will, too. In fact, the only one Im uncertain of is Henry Fonda, which Im sure you can understand. No one knows if he will be in condition to attend. It will be a tremendously emotional moment for him if he wins, and, well, Producer Howard Koch reveals hes going to allow the TV cameras to zoom in for not their traditional splitscreen shot of the Oscar nominees at the traumatic moment they are waiting to learn their fate in the Awards race. were just waiting and hoping. Frank Sinatra must be taking the death of Pat Henry particularly hard. Because it turns out that Sinatra informed the comedian several months ago he was dropping him as his and, as of opening act March, would replace him with Shields and Yamell and Nancy Sinatra J r. Henry worked with Sinatra nearly 35 years, had been discharged by him once before. Yet when the comedian had a stroke in 1978, it was Frank who had him jetted to a Palm Springs hospital for treatment. the nuttiest, funniest madcap comedy of the yeari TONIGHT AT THEATRES!! AWARD COLUMAt 9:30 DLOCKOUSTER! 20th CINEMAS 355-388- 50 n tilery -mooom problems- -plus' cannomau. ttuir Chau 1 A in 30! 7:30, 1:45, 4:15, 7:00, 9:30 gBassig ftm C(NTu roa .JheTmch MERYL A i I .UUKHNI STREEP NOMINATIONS o BEST PICTURE BEST ACTOR j FAMILY 11?? E , Fsitumon lvd 4 pp 7:00 P.M. 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SHGDT I MGDN FILM GUID $2.00 ANYTIME SENIOR CITIZENS 1:30,3:30.5.30 WASATCH PaaBa KaU, THE NEW YORKER MAGAZINE .miTIilHEATRES 11211 IfMiUUlAE 3900 SO. r Ragtime Diane Keaton and Albert Finney give the kind of performances that in the theatre become legendary ,304 ei63 mMimi full-voic- Marilyn Beck Orchestras on Tour program. seldom-performe- As I already have suggested, this is a profoundly introspective and spiritual piece of music. Certain of its ideas originated as material for the composers as he preferred to call it) opera (or morality founded on John Bunyans The Pilgrims Progress. In addition, its tonal structure is deliberately evocative of liturgical music, and at least one piece of sacred music, a German Easter hymn, is quoted. Mr. Previns interpretation and the orchestras realization of it expressed with great power the spiritual profundity of this score. Even at the height the of the pieces dramatic climaxes the brass writing in the Romanza, for example reverential quality central to this symphony was never obscured. In this Mr. Previns interpretive style shared something in common with that appropriate to the performance of the great sacred organ works of Bach. It was dispassionate, that is to say free of romantic exaggeration or personal indulgence. It was disciplined and ever attentive to the musics carefully constructed architecture. And this was by no means heartless, mechanical music making; it simply was intelligent, thoughtful music making. This Vaughan Williams Fifth had a graceful sweep and power about it akin to that of a properly played chorale prelude. It also was distinguished by excellent attention to line. This symphony didn't unfold, it flowed. Clarity and precision also were characteristic of Mr. Previns view of the suites from the de Falla ballet, although the spirit of this music is entirely different than that of the Vaughan Williams. These suites are composed of lusty, sunlit Iberian dances, and into them the conductor and his orchestral colleagues poured a wealth of polished brilliance and pulsating rhythmic drive. Mr. Previn gave this music vibrant life by presiding carefully over studied contrasts of pace and dynamics. Rhythms were briskly accented and ss orchestra to visit Symphony Hall this season under the sponsorsnip of the Bell Systems American the bright colors of the orchestration glowed vividly, but everything was kept within exact proportions. Mr. Previn, it seems, does not abide excesses. In addition, this performance was beautifully detailed. The Berlioz Rob Roy" Overture, inspired by Sir Walter Scotts novelistic account of Robin Hoods d adventures in Scotland, is a piece which probably deserves to stay that way. Mr. Previn employed it as the concert opener. It is unremarkable except for its extended solos for English horn with perunusually animated harp accompaniment, formed securely Saturday night by Harold Smoliar and Gretchen Van Hoesen, respectively. The Pittsburgh Symphony is the third and last Music Salt jCakf Srihanr Three-Cornere- iversity International Folk Dancers, Browning & B 7 1, 1982 rthurS 10" (R) (R) ' Nuys Blvd. NQGHBORS KNIN BFIUSHI DAS A1KROVD COLUMBIA PiCtuBI HI AMZ1UCAN TOP imuti msmmm A It |
