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Show D8 The Salt Lake Tribune ARTSSunday, Septem See-Through Art: Modern Glass in Boston others. there is beauty — but also BY JOHN J. MULLINS THE ASSOCIATED PRESS BOSTON — There's stor at the Museum of Fine Arts prising diversity in the works. that colors, textures and shapes what the artists did and how they did it the guards think thecurrent displayof glass art is the most beautiful exhibit ever held in the Fos: ter Gallery Glass as an art medium is held There are 75 pieces by 28 artists in “Glass Today by American Studio Artists.” the museum's first exhibition devoted to contemporary studio glass. in high esteem thesedays. anddis plays of similar interest and quality are on showin avarietyof mu- seumsaround the country Atthe Boston museum, asatthe It will bethere throughJan. 11 as will a complementaryexhibit z As Sculpture,” in the mu- seum’s American Contemporary Crafts Gallery Studio glass is the product of an sheets of glass and stood them on edge with slight gaps between art-glass movement that hasre- coordinator Pat Warner. “This is a showthat emphasizes how differently each artist han- through the adaptation of massproduction glassmaking technol- dles glass,” Fairbankssaid The exhibit features works made of blown glass, cast glass, discoveredglass asa fine-art medium, largely since the 1960s, ogyto thescaleof the individual artist’s studio This glass is an extraordinary material in the hands of extraor- dinary artists, said Jonathan L. Fairbanks, the Boston museum's curator of American decorative arts and sculpture. He organized the “Glass Today” exhibit with them. Shealso painted text from bird books and poems on curved end sheets of glass that resemble pages of a book. Fairbanks said many of the artists were painters, sculptors, draftsmen or other types of artists before turning to glass. Some work in their new and old fields. Mary Shaffer. of Washington, laminated plate glass, fused, ground and polishedglass, painted glass and fused glass fibers. There are glass benches, vases and jars — some with animal representations. In “Little Compton,” artist Carol Cohen of Cambridge painted birds, grasses cattails on thin D.C., began as a painter but says her painting has not influenced herglass art, which includeslarge blobs of drooping glass hanging from old iren hooks. But Andrew Magdanz, of Cambridge, ma! es use of his early CANDLE COTTAGE schooling in tool and die making, not only to make his owntools but in cutting into colored glass to create white lines and in breaking pieces off with a chisel to produce a diamondlike sparkle Catherine Thompson, of Seattle, used to paint stained glass, and traces of that remain in her new work. She drawsfigures on blownglass with a black marker and paints them with vitreous enamels. Her worksarefired at least four times. Otherglass artists explore the effects of light on layers and planes of glass or use pieces of crystal symbolically to express emotion. 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