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Show Orchestra Concert, Last of Season, Brilliant, Vivacious U. By George Baine Tribune Staff Writer as soloists, and Simple phony, by Britten. Sym- Ronald Horton conducted both orchestras in two numbers in partial fulfillment of master of music degree requirements, and, in fact, directed with dash beyond his Danses years. He conducted for Harp and String Orchestra, by Debussy, with Shru-De-Smith as soloist, and Viola Concerto, fey Gyula Christopher David, MeKeller as soloist this as the final University of Utah Department of Music program for trie 19C9-7school year, the student Symphony Orchestra and Chamber Orchestra played with a verve certain summer-struc- k in concert Thursday night in Wh'-i- 0 the Music Hall on campus. And by virtue of simply being the last concert of an incredibly ambitious season, The viola concerto was the high mark of the program, witn soloist MeKeller playing a nicely relaxed, completely confident and sensithe His well. So honest and simple was Sud-wee- Planetarium Show The current show at the Hansen Planetarium, 15 S. State St., is Our Place to the The program feaUniverse. tures an awesome journey from earth to the edge of observable space in order to see how we are situated in a universe containing million million million stars. A, look, into deep space is a look backward In time, seeing galaxies and quasars as they were billions of years ago. They provide us with clues on the formation of the universe. Show times are Sunday, 2 and 4 p.m.; closed Monday; Tuesday, Thursday, Friday and Saturday, 10:30 a.m 2, 4 and 8 p.m.; Wednesday, 10:30 a.m., 2 and 4 p.m. V I -- xx v X-- X1 S - h . U V l. . ,,s - , " H. " A-.:-- ' , , v'"- - . v : , Wv 1 ; . v- I EisnnED nanesa cs "a r.inn iiAiaain nonoir Also Starring DAME JUDITH ANDERSON buricp J 22.50:45. 5:80, 7:11 a j WHO m&f mm SHELLEY BUfcW HER TOMMY GUN AND RAISED II FOUR SONS AND MORE HOB . imwm R.TOssr? , biMM ftwttW KEN SUSELL ROY BA1R0 CeiiuCtr ROSEN WT1N COLOR fclfcUlM Unitsd Artists txcLusive"" 1 NOW! ENOA0E MENT SHOWS AT 12 IS 2:0 4:50 7:10 40 t iL THAN MOST OF THE MOBS 1 ft, of WHO TOOK I v WINTERS. JENNIE LINDEN wth ELEANOR BR0N HER HYMN BOOK AND MCHOLSOMmo GLENDA JACKSON . , tMrphScMf.Mgab Tlie Reivers" MEET MA BARKER JMXSN SAMu&t OLIVER REED PIUS AT PARK VII ONLTI Steve McQueen 4I7 7IW IAN NGC THiATIE SHOWS ert ALAN BATES GP BVNAVISIONTECHNICOLOR wi.iiiiw.il LI32l4HlrffltTZiitIHi t JEAN GASCON g MANUTUPOU Introducing CORINNATSOPEI 120X0011 MARTIN ROSEN KEN RUSSELL'S again! FAITH FULL m LARRY KRAMER Is,, loose! MARIANNE I V I TUB ; -- f- - , ' OPEff Hain deldn v jv solo line. Mfc j - ' V -- - 4 , . r f.- - i ' ... ' by clearer as the work progressed. knows the Miss Smith Debussy piece very well maybe too well, as at times she missed her cadence. On the whole, she played very well, while Mr. Horton never forced volume against the vIIdT - XX. - the real weaving of terpoint inr v . ' ' L , x , melodies for a tight, complex become all the texture ,iT:G3 - .. f ing. Both violinists, while technically dissimilar, found underlying sonorities and tone colors in the score. . The Britten work was given In a sort of to verted pyramid as each succeeding style, movement sharpened in tone and harmony until it eventually got to the (sensationalized) point. It is a work of many faces, but rhythms and coun- ... v;; - I- - Reading In the Vivaldi piece, Mr. Tiemeyer displayed bountiful feel fo? nuance and innuendo, and movements of arms and elbows and eyes were as symbolic as cues and time designations of the hand and baton. His was a sensational read- Orchestral Works t;I x 15 21, 1S78 I Sensational Christian Tiemeyer conducted the Chamber Orchestra in the Concerto in two works A minor for Two Violins, by Vivaldi, with Barbara and Pamela Tompkins, i IiYed.-KathI- with came to the fore. IB his playing that he held the audience in total silence, and the only noticeable disturbance was the expelled breath that followed languishing lines at the close of the andante and vivace. Salt Laka Tribune, Friday, May Tfea r Everything is beautifully detailed...with complete fidelity and unflinching realism. Here is the American Indian aS he really eii Carroll, New York News U sheer tonal brilliance, after such accumulated practice, and the quality of togetherness instrument instrument Itself, in fact, is marvelously eraftea, and the darker, mezzoforte passages were terribly communicative. He played from memory as 5 IN CHICAGO. NEVER BEFORE WERE THEY TOGETHER AGAIN FOR THE SECOND TIME I tflNEST TiW DIVO PAT IIIHGLE DM! 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