| OCR Text |
Show -i-,- ,, . , . , , 1. . - , v 1 ' ' , . .. ' , , 1 RI IA Columns Ars And N ewe. 1 1 1 , Es 1........... , CLTA,Ii,-.APrr081,- . ,,. ...,.f A ,..., 1 -- 4 fi. - A , I , Boise,' r . ik ' - 0 Hl - TWO ' . -- - . ------ - - SATURPAY - , - 1 1 , I. EHR 1I ',kit - - ., , G---------- -, - 'KOTAT- -7 cWer.sc,1;7(,.- -- IN., - ,... .,, ,.,,,.: :,,, ., .,. , ,... .;"! . 7 - f. 17 . t, -.- , v -, . . . '- ' '. - - 74 ' - ..., 2.;.;1.. r..,, ' ,.... ' ',' .,, .'''' .i.., ,t ,.,. , : 4 ,. ,z, ' ! - 14 Y ri .' ."' ' t, , - .' ,e - 1- - ,.- -.4 ; !,,;,.1.54 ,''.- ",t 4:;,,Vf,i'L'"" ' i . c't , ' 'II' ..! f'.: .1,. , t ' '' - i. '1 ..; '"'' 7 4 ': 1I ', . : ,:.'; CITY UTAH SALT,LAKE ,. t,-;- : 7' '7 " III, 3 i , .,, , 7 ' ,,,,. .:. ,,..0.4.,x,,,,,,A - ' , ' . '." t .v2 , J , , - , ; - ,,,,.... -- ':''''. ! ' ,,,.. - rep - t stimid , re. is ? CIC414 I 4 .. 'i .. - . , . imel, t ' Mormon' mot the i iLitt 'faith I t lot .. .., - is '1"' ' ' : -- - - i(-- i , ) .' adriso ' ' - ' ; . Intnitlea t bla,,y0 , , , - t occur, ily, :tot !ratic at - t -- : itpit ,, , ;':". 44ktii i ( ;" 1 i ' standing In ilt apportel - "' ,. le ryl 01Jcovereo'lileniorth ,,..!..,..........-...- t- - - ; tnL J-- R. un .1 Eyre, an Eng' lish , ; , , Ws ' een tht y, urttlgI. , il --Version. of me eon election - By E. L. .17;cott - .d Et tted Int ,rimall..i . ..i k I. - 0 - 41 Fa. - , - - - true tn. I i. rus 1 , -- -a - - i 1 'etn , m- good, : help , item.... - L ONDON, For The,&i.turday version 5.Ada nye, Vinci's - t7r7rer'from montz Slin ; ling st" ,,stre'r I- - , . ., 5.,. . ' - , ''''''''',4"li v : ', .. . - ' r 4 I ,1 ' ; ' - i 114441::;': , . ; ; ' , - ;LA- ' 41 ' ,, 0-- ; - - ll ! I - '' Lisa I ,, tsaie ..;,..- .- ' ',.."'''...,;bonisekiilk. i ' .,1 '':i , -..,: -- -, :"' .,.,,. ,... 1,, --L: , 4., 4,,,vor,, 15, 1 ; ,..., , ....ts. .4. ,,, , i - ' ., ,s0 .'x ' , i. l, I - ,.' : ti , -' .... - . .. i .i e I ' -- .. - - . , "1 ,, - , o, ,..i-..- - , .... ' 1 ''' ; ' I. 1 I ' . ' ,' ,', ' ' . l ., ;'-'''- ,,, I- - . ..,. ' L', "i: il '" ,'', ( ; - - , 0;4 P g PiA ,(7127L Csm7.. fa, rd , - C1F1 , , 0 gig:en 1gi S 7176VrtIRC Illi 1 lort----- ye (5, a .- ... 0 e. 'k .... I .. ..., A, . 14,' f... 't'''; . . - t II-- tI - - I ' ! ,,,! : i ' ii:). A ',4a ViCE1 I , ,!i! ; i - . Lalf,!111 - 1 4 4 oC On at - , 1, ; - ' ; 2 1; Ile The three pictures reproduced herewith are causing much discussion in Europe anent the return of the stolen Mona Liss to the Louvre. The newly discovered Isleworth Mona Lisa belongs to John Eyre, an Englshman, widely knOwn- as .t novelist.- - Although hedoes not claim it as the original, it. nevertheless, has th.e. two columns mentioned by early wit horitic being in the original and nut appearing in the Louvre Theiwo columns referred tu are to be 'seen in tlie repr.Odu tion tem dark streaks at the right and left margins. Though not 'clearly shown in the photograph of the painting, the columns at' sear.supplirtel on bases and pedestillii, as seen in' the iRaphael sketch. mentioned is repnOilticed other interesting details; the trees to the left, which appear in the unlMished bad:ground uf nil the right is se7IT the Louvre version of Leonardo 7:Vinci's world famous painting. The differences in the bae?grirind w .1t once he noticed, while there is a striking difference in the face and '7-- , '.f.1.3-3.:3- t . , -- - :. r. , r t t '; 1 t 4 t - resort I Ij -- -. ,ir ove,e ,le., ii.,- l Go r,i's -- Medil:CaTir-s,:,-11-Fri-1,eonari- . ..:k the-reco- Ger ManYIS ope's Richest State- - NOtiv , , :i, , :2 , .pt-r- s - v '- - Ra-is- , . , hY B n,Ktiserdiplmnati, i!he,rn: weann ano Lola& income; anti SrIf. fotaia ratu- land too, In the whola world shr, a i0d04 aht - -- - , e . - - --- . l , , N 111,-- N . t. 1 Z , ', I . . , ' . . t ' '. ' t,, - . - ' ,- ' two-fifth- 1 . an,ea-osptiona- , . ' Is -- ' - - 'TP-''- Lionel 41. 'Well ker i h , aeattit as - . - -- , . wt.' rciat,e44.-441-a.,.- as . In income, and that !she, eastaissseissessiossoisamstesasseasiosssesssigs :,r4, 1 3 ' ,, a friund finally, he writes big Ihooks; Is a I . iooativ ' ite Is a travflPv: , . , 10. - loiais. - , It il Ymari in with the ut.. trt., and find it the same as my fathers in every respect. the same particularly in the coloring of the hands as (IIKIIIIgUiShed SO that at that distance I .could re. ', it t . rapidry increasing po;iulation, taken with a much I ,,n; r than obtained when Kaiser avereg;;"income higher PU.11111;ligli- .il ',l' . to the- I h ronp In litiringuy JusLorntI IS 1,. 111 i woks on (o nig, trtoe policy. and r, lathy easy to compute, because the ttierman , ha If aozed ottod sethtec. He ie still a youngish , tax on e,veity small int"Ome, As A atusa," income ley s,tate.s :mon iyar ei naSt fort., 'The nook,. !:: I ' "Deutschland 4 ril the limit of exemption- is ISO. The propor- Furthermor e, it is autho ritatively stated that the olt,,,,,o111,-i- l,t I,. I, 1 J i., t 1,,, 1, ,., " c ' i 4 ,rero dwindles IRtit) In rsiiitil:t. o' or tion lans ex,ented secretary lit 1,IJ 14 ,..,,oil Jt h;0 t D. is b i 4'in ,, I bad doubted the all: ',1'f two ,ilit of three headi, or families had smaller in that many experts ardson i 'if '14""il; irtl"""I'" 0 (;"-- comes b all list. 'F i Cift the An hei r ilialle L isa-- 1Tc M the ettrs,l,tter proporMans WM h,tc youl,,,1 to put their only hungry 'with a bigger point, one familiar with Richardson's Works will not :clues- tion bad fuitetn to ,I' a t n erhind h:t. , 1.., ti c,t u o r c o nen, lc: Huron, th e, cumber of exempted persons fell (man tion for an intant the high standard of connoiss t :"1, 7'1,000,0n0 to 16.000.000 and the number who paid 1VI''' krrif to A'hich he had attained. They evidence IN''W11-',seurship 1 :, i ;i1,.::: ... to 9i 011,0400. the former, Insight and knowledge of the works 1,4.,... 11;;I n criv's m ,,st i rguttleilt it, that o er- - .., .ear th e nOnal in ennie of starng , old masters. kierany watt S5,250,;- : of the ri, her Ahalt England in totiil loi..ome a nd many-.is,,- aes,a0a. la 1911 Iit. had grown ,Lo Lille ' discovery of the Isleworth Painting ulinnd: t,i)61 capital wealth. Most statisticians believed- - oh- This rise in the total nationtil income was, due only doubted I r intensifies the mystery tii lately' that. lierman'v's 'bigger working population In part to the quick Increase of population- 5'portralt of "Mona Lisa" ,. mentioned by .1 k, , : ing the ga v.ii her a higcr inttional income than France's, 4 due also to greater indliAdual prosperity..14-Iff- - èrich ' in quotation from 1'11e King' theifollowing .1 1.1rolvning last thatiEratate was abcadin accu.rnUlated wealth And l -' ,. the income of gveryears the .and the Book:7 '1 4 that England 'vas . .11,.?11 01.Germany both in in - -- lige Gerrnanrotte - f .eent,--bv50 per .. s n7 -- ;1' i ' Met-"PI ."711t h T disPrt'vegiL Be,--going ' tnen-ay.:rage wo-incomejc-onntingA qt. " l VV. . d- t., ' - ( - ,trWitIfir-a-lifttv-e- , (, . , t, 11,simise .. l. i 01.i i. This is what r ' :7 o,at -- -- , 11 ' .,, -- .. .4 n , :- i ., MarSIWIL himself says of. the effect of ,, draperies. the plvtufe:---"Ithis portrait of Leonardo's, on the :' contrary, there is so pleasing an expression and the cmile that while looking at it one thinks It '1 t -,- r.titerdivine than human, and it has- ever' been ' !, A:.'- '.. 4 esteemed a wonderful look mince life itself could ex. trig of the hair is exweity in the center, while that 1 !s, Lew it s ., -orehead a d runs toNkard:-.- the lb: oh of the ha at inhorities who refer to hibitnf) other appearance." .(ert;in -,:rt r,hf!a.1 and runs rowara5( the 1,a,17, et the, in 1,1,,t:11,io', This can hardly he said about the Louvre picture. Moot. std.tes. otcati Inc...I-ree...nigh,. The tunalit), of , in which the expression has been variously de. Fr.' NuviAatriat dc Pietro c , ,,I ,ii,,,,1,1 the picture lg darlior and the .roioring in accor:1- - ,' L,'W in tli, ti, his kit, scrilied as eYligmaik an- d enehihtingry 11110i:dicta find the lalc ol, ,Jo...!,, y,, ,f,,oi !, iih anee with almost aa tne I iI'..!,,!..e 1 M. 'that twefr 1,f hiuh the French hifttorian; paid fas-- 1 Mtehf.det, Leonardo's puptla. wcre, piut -- -'.2::,,, t,i- - ihin i i jt,', i Th, ha'r ,,,i!i, h folis over th, 1,.fi sh,0,11- is, the finish thc: bird. of a sr1iien glow,--kv- hit "vin.th,fi him as ardothat w .orlie- d upon ing portraits v. hieb b,. oceasionall.. la 41t.r is bar(11 , 1;(!st. tit, left i,r,. , t th o, irok,,it,,i o f--a hmis,-11.most, Min tit c har.otr It is hal illv prol,aid e that the A h- -,. pot,. -- 1,4 SAYS, The Lotirr c, pits IN whether from el. ailing or niffering fr1,111 t h, - 1.. 1, r.. i.,,.tor'e Th, t l'i, HAT RICHARDSON ,i.- tr,,if of Nli,tia Lisa was t he f,male portrait or- t i , a ITH di ;1,1,i M I,' 0, ,sorne other clu ,,,e., ,12" ,,,L. 1, '," de Mg. ', ',' hs .tig (,.( :41 ; atatedthatt been hitherto generally It had i is w hi oicinisn ", which !,,tud io l.y Cerdiffill D'.1iritgen ii:i 1516.; Leontirdo him- ch: Ito: v;.1,ole phstar, 1, -- ,ili amatomicaity Impossime----,r,i,a'. - l.:, i.,ti:ri , i nu es,. -- 0 4 . pedigree of the Paris picture is known beyond, Fontaine' of the never it palaces )eft tion and that , .t,.,. the Ideal' and Vermoilles until it w'as placed in . of ij.,'i; LoCivre. But against this We have 7111, el 'Ac- !,f '114 " Richardson, the old Engilsh painter.- in his , and Drawings in of Statues.,13as-rellef- g .. 44 italy,,,:.1;t itis ; t . France, etc.,'L published in London in 1754. At PagaLit 4: ,, ,..it 16 he actually describes the French kings pictures So an Unchallenged YinarwialAuthorL: Who Blings Amazing Figures to Support His ClaimUnited States the Only that all la not , as ,1,-,peclares 1)r Carl in coy ' col I t thv,-- . Iv ' ty...464-11:-,:e a Min' ' e -' l'i t - Responsible, Largely, For Their Prosperoas Condition-----Ti-Hin-l,h'u a th,tWurz-l- t Lil,id in Europe,They Ne.ceAheless, urrf't)t. ilq on 'More Oats '!' I . gwili1-:-and t!: r, states that he, saw' da, Vinci's "Leda, Barley and Potatoes Per Acre Than the Farmers of Rival ., .;i . . :I with the "Mona, Lisa" at Fontainebleau: but tho .. I il, i the .dteeppeared! niter "Leda,completely ' . 1 entxy referring to Leonardo dtt Vinci. Richardson. ' ' . ' 77- letter to ' Mrs. Heston statee in "Leonardo and his Works'. of that "Francesco del Gioconda, the hugband Mona Lisa,' does not seem' to have commissioned the portrait, at least it remained with the painter until he sold It to the 1rench Icing for 4,000 crowns, an enormous sum for that time." As there were twe portralts Tnentioned by- - Leonardo himself , may be very reasonably supposed that one or more replicas were produced, as was usual in artistic' studios of the period and that It was not morily the original which the French king pot.. h I : de .Chaumont. - ."3q ,1)tppared with The Louvre pivture in 1 I50. '',YPelts house, was identival with the Louvre ver- -- i Ji 1 If refers to ..two,portraits In' his 1 I ,. . , ...... (Continued .. on page two.). ' , Si , hero ... , I , , , ' 1 1' , :,..L t 'elt ,..L , ' "'! ; ''' -- ...: , - i 1 I ; ''''-- - , ' i - . .. - ;' , , " i , ,3-4.-- i , ; ' - ,,r ti ti - . . - . , - : l., ..l.i - , ,' . . - ' ,. , , . . ' . ,; p., ' 1 i-'- : lr - , .ir ' '' , - k, 1 ' I'. ,, ,,,,,-'- i.. ' ::2-;- - -- , , ,' :.- .; 1'1; ..: zt , , ''. ,. ''' i' . i - ,, ' i , t ' ' t b- . i. :, ,. '.l.,. , 14 . '..:10:', x , . : 1,,I ' s t, t. - ---, - .,',',,-..,t- 1 1,1 I - --- -- - , ' 4.01-- ' 0 .. k- 1 i 2,1! : ,', , 4"7- - ,.., , ,''- 4, '',',, t i' -.- , ,I 4' t ; , ', - 1 : ;',4''1,.,ilt1 - -: r c''. ' ,.' ,,,. . , ' t.! ,, i. '.. ,4 . pit74 , ,,,,,,: '''" t f - , . I, I, I i c3 ik,..,,:i - 4.'-t- .r.-- 71):411--::' ,",L .. ''sr ? i , ,.' , ' T, '''. vt ' l'' Two Paintings and a Sketch That are Causing Muchri Discussion in the Art Circles of Europe ' TM; ', r,,' '.' '.r. " ' 4 --i- ,,,-- , t tor; The Woik is said to be oonteroporary of "poor tier.. un the Louvre picture and much largew, and al- - People brought up on Inc, notio ?rimed many" now rub their ft, plit ,lerman y' S march t o ,Ltiv tthere are critnts Who say that it even h as As the I, .,t.,i.nts .;ot serious as 'the origtnal Inas- - material preefninence i s Pntirely of r oeent date: the '' ' nas t axen iliat,.in JO r,,,Aent,)-lis- e t whole proeet m The owner. however, is con- r1Pl'eti' li,Nmart1 k , ii,,,r', !,ears of the kaisers reign- - During . t , ',;til that the work should be judged on its own prab wil h k44 e-litads-t- itat it is m- mor...a , rmoig,the numberlests anniversary books It was put forward 044.1i t .1 of art than the famous Parts pm- I ,,,;ctiftil thie work i.8milext on ttie 14W444,111 Do alo heel f ion eso e its foundat by th anniv ersarv gt e; it fir ', lair tiRTANT PEATCRES. n 4,1i. ., den- hank. S ow it is d eal t with. 1.c prof, Dr, ek ri Ess. ,,,, Belfferich, an .unchaenged authority, tto e mph ' paint ing has at som e. time or other been ith,11,0" , until 4 F from panel tr, ,,,,,was.., Th, size-- is ,3 ti - treilV, proclaims 1,.. England, ,,,..;et rowitil., r arid 5 feet iA"ider than the 'Paris plc- - ' lately KuroPeis two 'richest states., are tar "tothind higher ilatila k tl'ire, and on each side a column rune ..pp as men- in ail, that rakes for prosper- . German. y . ' .:, HY.' ." ,,,,,pd, in contemporar y decriptions Of da yinci'm ren;1 .. pe ture, The backgrUund la entirely different and um. ,, DrCari.lielffcrielt iseneioface new 'In.iSh.e11-7-,fgn sul)stuntUiting the statement ma.de, mOst interesting personalities. He i44 known. to- - the- ' ' '4'. . ' ta' SrOttit o le Origtna w - p , 1 4 L er 4 PrYer completed. '' . , Pfdinlh'etit-rnenibot -- mea --The-- head : e'ne I Of more T,ow--t?ithe. scientific , utultimillionaires part---and . 'league, ak i ; ,..... 1 In biography .1' da Vinci, ILIA regarding. whieh he says, "()ne .H tail which has been overlooked lis that the por- 1.' ,it is 'entrained by two beautiful.- frainted columns; 1,,Pse are hidden by the fram eAs a matter Of l'a. t thf J r t- ,.., -- - of the "NI Ono famous painting Lisa," Leonardo which has just been returned to the 'Loutre, has betn discOvered in the possession of John n. Eyre. a novelist living in Isleworth, near. Lon- r d.,n it,. iis a picare of extraoTdinar - in . a -onsidembly from the Louvre version, and show-mentioned on either columns side, ,,,oH. the early Italia,n art historian. as being in 1.r,, ortginali picture. It is a signifivant fact that h,0,n,,,ÜLtheAraipa ),f I ,11. -- ti- t q ( irs. i i5 A CSO gggicygd, -, 1 f , y- .1 bticans : , ''' ' : I Frenchf., 1 A i - r. 4 traordinary Resemblance-t- o the Old Master That Has Returned to the Louvre. , Just 1 Is Said to be Much More . Thank J. Dot v.' , '; - , 'v , ;. : . ,t f A t'L ,'t s''.:; : : .ast MI at tNY III ' 04 , - - Chunk ,...., ow, , , ..,. 7--- .. ' , ,,; ,ere to hightt ver intl. how I ,nt. A107ó1 4 i Iresident You - .. e -- ,', , t .2".'-- ,......-r-- "' I :ition ... .,:., ,. . N.; .. , front i ore l', ?' Willi9B1 1 ' , Novelist, Declares he has a nyson;, on da Vinci Painting That in City. i i ateneat Many Respects Bears an ExI Wititt i c. be always ,ublicsa UN heft .,0:1,,;71), 1 'li ,,, ts L , t -, ,,,:,, .' . ., . , f....' , .ton Calf., t ,., . are' it, and-Pa- h urk of as told - :,4:1'C" ,t. ,i, , r, .. at -- '" i iicind once ' et f 1 r .4. ,,f st - ; 1 upon , .. t- ., . 1 . trine 1 :::.,,,,,,,,?,.. 5 ,,.'1,. , 14. ' .,7,,, r' 5r iiC ',. marke. e Waiter. ction . . ' .. . r e ,,, , M. cans of the hist , -- .' .' saprot g to ''' " - -- 1 )ublicant is cond. - I ,- - ii that n f - 1 .4 . . 11"44.N(''''-- art: ln-tr- t i', , - .4;1a 7. , i':!; ,,, ... - , ., , - - 1 - - 1 have al, that! I telly& was .ie 1 . ii , . , 5 1 ,',...-- .,- ,.,' 4 .",,,l ....410...,-- ' ,e1,..,, t, .,, ..., - 0.',.MNRI.MeNt0gling0E001.11WWMStOMMSOF.. a ' . , 1- i ' , 1 he clot for Hart and bis ftirsont -- tan- - - '' ,, ; re - . .. , ' -- -- Ay.,0e,'; , . iii accorded le - - -- - 4,, v,,t, . , in .licaus T.,.. -- - - ', '1, . -I - otto-fo- , , -- what '' , 4,t, - - , 0 1 , Linc)k in . - ..A,'" ...; k. t,v' 't k . I ' - all roe . . . -- , ,,' t74, 41ibloilk '.t - '200 , , (14t: - .., , ; 4.,,,, ' T. ) ' I 1'4444, ' - . TEN PAGES --- '' ' c- "';' , 09 ''.,,'..;:, - , ; T , . '''. A- ",,Att,' ', ..,,V14",i, ,A, 1- Ill " , ''''2 t , ' ) . t',.; t 0 007,,, 1,y,N,', o- ' .., , . - , .4,, , , , Ti - l ' ---7- y,:,,da.usAd,a.,,,,.ce,,,,.,,:iii...Thietsetetk,einA:..,,,,,,,,cted..yew....tre.,,.H-- , ' ' i I ,4;.,.,,..... , I . 7 7 .:,,,...t. , 4 ..,.- . -, -: , . . ,, .' - , . I, 14, ,- -- -- ';'--' A 0 $ L',,, :- v V 11.r;:f4 - -- a ! 1 - . A , 4, 11-- 1 f; 1. 7'4'3 '",.... Is ' i ..; ) ' - ' ,.. ,r- - . et l''',Ici.,ist . . Simitedba .4 . . . . I rp ,4 S--1 N ' , . , - .4.'f:. , I i., - . c:,rS714,..1- 40 :' 1' , A , - r .,. - . - , ' ' - i, ' 1 , At . v- i- ) .. . 1911 1 , r 4' , ..., , .';,,,, il ,:'i'l.',',-- , :,,,.41,-- ':-- ,. . ' i'',. ,t ,,,,, - v,,. impels., 1, . - , 4, i . - , ' - ... . . . , . - t, c , . ,,----,- L , i V '4 tt, , , rThBIDUe; ' - - , , 4)) - , .- T 0 . Yet Axnotherclviona.: isa Adds to Mystery of.t.louvre-Pictur- !ENCL , .- . , 9 Politict ., - , , TRITTII AND LIBERTY 1 -- 4 I I '' ,. -- , 4:' I. - , , SECTION ' , . - - P. - - , , , - I . ' ',- --N- , . - - v-1 - , , , - , - - |
