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Dan Aykroyd and Harold Ramis are bounced out ol their cash research posts at Columbia University and are laced with the terrifying prospect ol actually working lor a living. Murray reasons that their fortunes could be made as ghost exterminators. Amazingly, he is correct Soon, the trio is swanroed with work, bombarded by publicity, and rolling in dough. Every movie establishes its own reality, governed by its own laws of possibility and rules of logic. One movie's Yellow Brick Road is another's Main Street USA. In Chostbusters assorted spooks and specters rampage throughout the Big Apple, the exquisite Sigour- ney Weaver and the riotous Rick Moranis are possessed by a pair of hellhounds, and an ancient Sumerian demigod is preparing to exterminate the entire human race, and it all makes perfect ManouS sense. That this scenario is rendered rea sonabte is not as remarkable as the fact that DU Murray emerges as the perfect man to deal with this super- natural onslaught. The marvelous screenplay, penned by Aykroyd and Ramis, wisely and sell lessiy spotlights their pal Murray with his free floating, laid back improvise-tona- l style. Murray, off set by Ayk- royd's child like enthusiasm and Ramis scientific sobriety, doesn't really buy all this mystical bunk, holds no degrees, and exploits his position for all the money and women it's worth. In an insance, amoral society, this quietly anarchic opportunist is the ultimate sane man and something of a modern-day hero. Apart from the inimitable John Candy (comedy's Little Big Man). Bill Murray boasts the most exciting and promising comic persona to surface in several years, helping to make Chost- busters a supernaturally satisfying entertainment while, incidentally, saving the world from total devastation. |
