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Show August 9-1- 200 1 The 5f A mericai h 1 exp. 9.99 5.99 Hour Photos Overnight Extra! nt elg hborhoyd' Page 3 1 HOURS: rharriacy 00 MON SAT 00 SUN 7.30-- 9 8 30-- 6 J Photo Service One-Ho- ur 35mm-2- 4 Times-fridepende- 36exp. 12.99 6.99 p. APS-25ex- 12.99 8.99 Walker's Is proud to sponsor the Times -- Independent TV Guide - RQQIWOTES Attention Readers: please alert theT--l of any errors you may find in these TV listings. Due to satellite feeds, the company that supplies this service may publish incorrect information. 5 35 E. Center St. By Keith Harrison Standards Our guide to the essential, sometimes overlooked components of a wisely stocked CD collection. Emmylou Harris and the late Gram Parsons have been forever linked, first because of their musical (and romantic) partnership in the early 70s, and lately as revered icons of the roots music scene. Now, it could be argued that some of this more recent hero worship is being slathered on a bit thick: Harris has created some great music, but shes actually at her best as a supporting voice, either in a duet or as a backup singer, and despite what all those Wilco fans believe, Parsons did not invent country-rock- . Still, each has created some fine music, and each has played an important role in negotiating that truce between rock and country music. c All of which makes them fine candidates for the from the Warner ArchivesRhino folks. anthology treatment In fact, the Parsons set (Sacred Hearts & Fallen Angels) collects practically every bit of his cosmic American music that youll ever need, from his formative efforts with the International Submarine Band, through his work with the Flying Burrito Bros, and the version of the Byrds, to his two lionized solo country-rocstudio discs. The key to both Parsons importance and his continuing allure is that he dug Merle Haggard, but hung out with Keith Richards. And if he occasionally played the hipster role a little too obviously, hell long be remembered for dead-osongs like Still Feeling Blue and Return of the Grievous Angel. c The Harris anthology doesnt offer the same single-handedl- y 259-752- THURSDAY PRIME TIME 7 00 trend-settin- n s l ' t KUfciHKwHoMrJJiw lahmr jvoaowmoot Iprow if flj mmtslsabnna 14 flfi KizIf needs icr Ifma r tcci (Mom -- cable Sad Laht AltE Nothing to Lo jBiographjf mas Ed iMaOoca (cci it) (Ttmo it lAppaM Spa fBhnd Smtpoont Prune Turn Public Aftairt Now 0mt Bioytphy Mow (cc) Myaton Cwwontood Run 2001 (199?) 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And in that capacity it works just fine, offering beautiful duets with Roy Orbison and Don Williams, a bunch of songs featuring her rightly revered old backing group, the Hot Band, and such signature songs as White Line and Boulder to high-profil- e &Mp,Tfr (5 Tnt R7 tor ClMttl 30' Anguna Dwwondbadtt f uoamg lAamart (uw tec is ubicagc Wnat bar Wadcait f,966 tGotdw Hawn m i at Ananit Brow Howaa jMchan jpad Anpat (cc (t R idaoa icc (s A Amancan Wrbart ioumay Through Hrslory i R (Lwai fop Apprawal r le H fot ft R KRc JBhnd Dati Twm Pubdc Aftarr Arrwat(Tna Affairs Tommy Boy 199 jChnt fanevi JMow Cosmir) Ravangt n 990 jMow )Mow Accidam A MomaK of Truth Mow Birmingham. 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The Warner-Reprisfor instance, rules out any tracks from her atmospheric recent work, which began with the great Wrecking Ball disc. Plus, shes already been the focus of a bigger boxed set, and by its nature, this anthology can only scrape the surface of the recently reissued jewel of her early career, the live Last Date 8 30 tLrbi C nmt Scan t ix; "Who? Iwho ? 'Who WanttAddtonaira knwd. (CCI ISpy TV ,cc) IwiWGnc. ju d two-dis- 8 00 jthj Braaw Uww two-dis- self-describe- August 9, 2001 I ajKT jwret jChnt wa Myamry RiaaM 1999 Lo r 9 15 2? uavx jvr Show s Omwt tvgs fsc Uorw hv Unknoem i4 mn fcyac 'Mow Amancan tMow Brubaker ' J Pit Dian iMoww j 'Labt Pacid ' |