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Show C-4 The Park Record PARK CITY FILM SERIES.ORG CREATING COMMUNITY THROUGH FILM TALES OF THE NIGHT JOURNEY'S END Not Rated Rated R APRIL APRIL 14 15 Sat/Sun/Mon/Tues, April 14-17, 2018 APRIL 14 Sat 4pm Free screening presented in French with English subtitles, in partnership with the Park City Library. Underwritten by Park City Orthodontics Sat 8pm Sun 6pm JIM SANTY AUDITORIUM 1255 PARK AVE, PARK CITY • 435.615.8291 TANZI PROPST/PARK RECORD Katy Lillquist, the new music director for the “Park City Follies,” is backed by bassist George Dymalski during rehearsals Wednesday night at the Egyptian Theatre. Continued from C-1 Lillquist ready for year two minutes before the show, and people loved it,” Moffitt said. “They came early, got a drink, sat there and enjoyed the show. (So) we have decided to do it again.” The band -- bassist George Dymalski, drummer Ron Reich and guitarist Gary Howard -- will give a short 25-minute concert before each performance this year. “People can show up early, get a drink, have a seat, listen to the tunes, which will be totally separate from show tunes, and have a really fun night,” Moffitt said. “We have some real talent in these musicians.” Lillquist agreed with Moffitt. Although Lillquist’s title is music director, she considers herself the music coordina- The New York Times crossword puzzle ACROSS 1 Anesthetic of old 6 Forcefully remove 12 Very good, as a job 18 Purple candy’s flavor, often 19 Sea-dwelling 21 Things a spy may have many of 23 Stares slack-jawed 24 What caused the nosebleed on the playground? 26 Sponsor of U.S. Olympic swimmers 28 Ball hit for fielding practice 29 Burro’s call 30 Tagline in an ad for Elmer’s Glue-Ale? 35 Holiday-song closer 36 Bygone channel that aired “Veronica Mars” 37 Chill in the cooler 38 Finish filming 40 Gets up 43 Bernadette of Broadway 45 Succumb to sleepiness 50 High-flown, as writing 52 Big ox 53 Discreet attention-getter 57 Lash with a bullwhip 58 Deliberative bodies 60 Description of a yeti? 63 Parodied 65 Capacitate 66 Tip jar fillers 67 Novice parasailer’s fear? 73 Ingredient in a Roy Rogers 74 Coarse 75 What a Möbius strip lacks 76 Containers for electric guitars? 80 They’re easy to take 85 Unfamiliar 86 Quite a few 87 It hangs around the neck 89 Sandwich with Russian dressing 90 One-room apartment, to Brits 92 Motifs 95 Like the questions in 20 Questions 96 Very worst 99 “Law & Order” actor Jerry 101 Sealer for sailors? 102 Drawbacks 106 Best place to buy a platter of fruit-flavored sodas? 111 Square footage 112 Bishop’s headgear 113 Paradisiacal 114 Mend fences after Caesar’s civil war? 120 Maker of PowerShot cameras 122 Apathetic response to “What’s new?” 123 Leave behind 124 Something to live by 125 Market offerings 126 Trick-taking game 127 “Napoleon Dynamite” star Jon DOWN Easter ____ It’s a bunch of garbage Discovers by chance Pentathlon items Complete policy overhaul, in D.C.-speak 6 1987 action film originally given an X rating for violence 7 Winter driving hazard 8 Shell-game object 1 2 3 4 5 tor because the band she leads really works together. “George is very much in charge of the music we do during intermission and before the show as people come in to the theater to find their seats,” Lillquist said. “Ron is great about figuring out the tempos and keeping us on beat, and Gary adds his take on the songs we play.” Lillquist sees her role as the string that ties the music together. “I’m the one that has the extensive music background, so I am able to put all the different chords to the music and figure out arrangements and harmonies,” she said. Lillquist works closely with Moffitt, who decides which songs to parody and then writes new lyrics that tie in with the story. “Terry is the song genius,” she said. “After she gives me the songs, I take the music and add chords for the guitar and bass. And provide the drummer with the whole score.” Lillquist also downloads the music and transposes the songs into the keys that will be best for the actors who will sing. “The cast and crew are great people to work with,” Lillquist “TRIPLE SPOONERISMS” By Patrick Berry Puzzles Edited by Will Shortz 1 2 3 4 5 6 18 23 41 42 50 12 32 33 53 60 54 64 105 92 97 98 106 111 79 80 88 93 107 94 83 84 95 100 108 101 109 110 113 115 116 122 117 118 119 120 123 125 Cooper’s wood Game with 108 cards Small scraps Hedgehog predator Second, or worse Quibble Dresses There’s enormous interest in it Nut in pralines Caddie’s selection ____ terrier From scratch Fizzler Lays down the lawn? Classic seller of compilation albums Seek moolah from Alphabet ender According to Cal ____ Setting for a period piece Instrument whose name means “three strings” What shopaholics do “The Martian” star Long-armed climber, for 81 89 99 112 114 82 57 66 87 91 104 49 75 86 103 48 72 78 96 47 62 71 77 90 56 65 70 85 55 61 46 48 49 51 54 55 56 59 61 62 64 67 68 69 70 71 72 73 77 78 79 81 82 121 124 126 short Joins Own (up) Kick out Dance akin to the jitterbug Prized Siberian animal Bathroom floor, often Podcast that won a 2014 Peabody Award Detectives run them down More rare, perhaps Resonator guitar John Kennedy ____, author of “A Confederacy of Dunces” Charlton Heston title role Aids in golf course maintenance Irrefutable point Play at maximum volume R.&B.’s ____ Brothers Sideways scuttler Cutlet? “Life Itself” memoirist Roger Swahili for “lion” Actor’s last line, maybe Stayed sober 127 83 84 88 91 93 94 97 98 100 102 103 104 105 107 108 109 110 115 116 117 118 119 121 “That has forced me to do a little more listening and improvising...” Katy Lillquist, “Park City Follies” music director 39 45 74 76 17 35 44 69 73 16 29 34 52 63 15 25 59 68 14 22 38 51 67 13 21 28 43 58 44 46 47 11 37 40 32 33 34 39 41 42 10 20 31 36 17 20 22 25 27 30 31 9 27 30 9 10 11 12 13 14 15 16 8 24 26 102 7 19 Rules for forming sentences Mock sound of disinterest Exhausted Tufted songbirds Sweetie Multiplex count Dark-meat options Jimmy’s “Late Night” successor Deceived “High Hopes” lyricist Sammy Snacks in stacks Opposite of o’er “Frida” star Hayek Spanakopita ingredient Ones who grasp elbows in greeting, by tradition “How revolting!” Drum-kit component Lab coat? FISA warrant objective Genetic macromolecule Unmatched One of the Three Stooges Winner of the most medals at the 2018 Winter Olympics: Abbr. said. “I’ve been in Park City for 27 years, and being around these wonderful creative people is the best.” Lillquist, who had attended “Park City Follies” performances in the past, said her on-stage debut last year was everything she expected and more. “I had never played in a band before, and it was so much fun,” she said. “There was a lot of learning, but everyone was patient with me.” With last year’s run under her belt, Lillquist approaches this year with more confidence. “I feel so much more comfortable and prepared going into this year,” Lillquist said. The musician already is adding more of her own touches to this year’s run during rehearsals that started a few weeks ago. “While Shelle was partial to playing an actual piano, I use the keyboard and am able to add organ, strings, flute, trumpet and other sounds to the performances,” she said. “It all depends on the song we are going to do.” Lillquist’s road to the “Park City Follies” started when she was in third grade. “My mother signed me up for piano lessons, and I loved it,” she said. “Early on I got serious in practicing an hour a day and bumped that up to two hours when I got older.” Lillquist was an active member of her school’s band. “I played different instruments,” she said. “One year I played the drums. One year I played the trombone. Music theory came easy to me, so I was able to transfer to one instrument to the other.” By the time Lillquist got into high school, she resortedF to just playing piano. W “I accompanied the higho i school choir,” she said. Lillquist entered college as a music major. “I went to St. Olaf, a little liberal art school in Northfield, Minnesota,” she said. “They are known for their music program, and that’s why I chose that school.” During her first year, Lillquist attended a symposium about women in math and science careers, which shifted her focus. “Math also came easy to me, and I got convinced that was the route I should go,” she said. “I ended up majoring in math and concentrated in computer science, but I still continued taking music lessons.” Lillquist moved to Utah 27 years ago, after her husband Dean graduated with a Ph.D in environmental health and occupational health from Colorado State University. “He wanted to teach in a collage and the University of Utah made him an offer,” she said. The family settled in Park City because of the programs offered at the National Ability Center. “At that time our daughter Anna, who just got a job at Lucky Ones Coffee at the Park City Library, was diagnosed with cererbal palsy,” Lillquist said. “If it wasn’t for that, we would have lived in Salt Lake City.” During her time in Park City, Lillquist still enjoyed playing the piano. “I have done a lot of accompanying,” she said “I was the accompanist at the Park City Community Church for many years. So, playing with ‘The Park City Follies’ is fun for me. “I’m a classical pianist, so it’s different than preparing a whole piece,” Lillquist said. “I can play chords and little things with the band, and that has forced me to do a little more listening and improvising.” Lillquist said she would love to work on ‘The Park City Follies” as long as they will have her. “The No. 1 motivator is that ‘The Park City Follies’ is a fundraiser for the Egyptian Theatre, and while we have supported the theater with donations, I was thrilled to help in such a different and substantial way. It’s a win-win because I’m doing something I love to do. I love playing music with other musicians, and I love accompanying singers.” The Park City Follies will run from Friday to Sunday, April 20-22, and Tuesday to Sunday, April 24-29. Evening curtain is 8 p.m. Sunday curtain is 6 p.m. Tickets range from $34-$50. They can be purchased by visiting www. parkcityshows.com. |