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Show Friday. May 3, 1991 The Daily Utah Chronicle - Page Seven dead women dancing. After intermission, Jerry played his new song, "Foolish Heart." "Saint of Circumstance," and "Crazy Fingers" were played back to back. The combination was exceptional, with Jerry's lead stealing the show. A couple got married in the midst of the harmony with the blessings of the entire Dead family. Next "Truckin" enlightened the crowds with awesome rhythm guitar from Bob Weir. "Deal" was next, from page six appreciative crowd. surprise Carlos Santana came back on stage to join Unexpected the Dead for "Birdsong." After Bob Weir cranked up the sound for Santana, the talented musicians jammed to a raging crowd, highlighting the show. Carlos and Jerry alternated leads. This IN mellowing. "Sunshine Daydream" was played on its own, without its usual cinema Edison pops in and out of the from page five Saturday. An exquisite encore of "Box of Rain" provided an opportunity for electric guitarist Phil Lesh to sing. themes. It is a montage of The usual "Phil chant" wasn't required to get the magic man singing. The concert ended on an upbeat note. A full moon was rising from the desert in hues of radiant orange, and in my afterglow, I separated from our group. I fantasized I wouldn't find our car, but would it matter? My nomadic nature and I could just hop on a communal bus, do the tour scene and gambling town. An atypical "drum space" followed. After the band left the stage, monotonic sound effects of slot machines created an eerie effect, and from our basecamp perch at the top of That's about the extent of the understandable plot line. Thomas companion "Sugar Magnolia," which was played in the second set on appropriately effective in the masterpiece lasted over 20 minutes. After this mind-alterin- g music, I cruised upstage, stopping for a group shower on the way, witnessing a bevy of fascinating phenomena, including groups of meditators and topless ALICE the stadium, we observed the crowds narrative structure or discernable wondrous images that are meant to contrast the birth of the 20th century with the hopes and dreams of two women that are born into it. Lili and Dora (both played by Segda), are identical twin orphans. One Christmas Eve, they are adopted by two different men. Thus one turns out to be a poor political activist and the other revels in the luxurious life of a rich courtesan. never look back. picture, as does a man named Z (Jankowski) who falls in love with each of the sisters, but doesn't realize that they are twins. The stars in the night sky also talk to the sisters, and a shaggy mule that seems to be straight out of a film by Bresson also shows up. Don't ask me why. For the most part. My Twentieth Century is a confused array of images that never seem to get anywhere. I don't mind seeing a film that doesn't have a distinct plot if it has some point to it, but My Twentieth Century just seems to meander. CHAINS AKIRA JIMBO FACE LIFT PALETTE OPTIMA W-- 77 'f - THE RADIATORS THE SOUP DRAGONS TOTAL EVAPORATION LOVEGOD rliLm J wrr I THEReSwndk J,.ft -- JOHN WESLEY HARDING ,1 THE NAME ABOVE THE TITLE y -- I ,mm 1 I A MARC COHN TRASH CAN SINATRAS III CAKE WYNTONMARSAUS standard time vol 2 INTIMACY CALLING n I KILL UNCLE j . A I iNwy rk fr THF ALARM J'j V y .. I DIANE REEVES REMEMBER WILL DOWNING A DREAM FULFILLED II I i . n tfaj$$$i I I Q ,RS MORRISSEY fS 'VCN vrw . . I J C real life II j k marc cohn SIMPLE MINDS f TUCK & PATTI I I I EAST VS. WEST JIMMY SOMMERVILLE SINGLES COLLECTION HILL JAZZ - P DREAM WINDHAM VARIOUS ART.STS J ijfejjjffil) ' fJyj BOB MARLEY THE ROLLING STONES TALKIN' BLUES SINGLES COLLECTION as 1984-199- 0 t ii dJ blue NOTE OoTTTiTiYcTm P0UCT:V(umtilb1((roMHlo MUSIC O MOVIES A U W., 7200 S in Mklvile S400 S. Redwood Rd., In Plaza $400, 3 next to Laathcrby's 1 2100 South, 700 East SALE STARTS 51 AND ENDS 521. QUANTITIES LIMITED 7 |
