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Show C-4 7ie ParV Record SatSunMonTues, June 29-July 2, 2002 hhh.ll.ll Tin: SLCHIiT IS OUT . . . iiViiKY Wi dni:siay nk;iit SPECIAL DINING three immlihlr eourus SPECIAL PRICE $15.95 SPECIAL PEOPLE our customers SPECIAL PLACE ilinc outside, itiside or in Truffle Hollow lit I'M r H Mil Ml HI M'M I'.l N H UMI (Wf W - V rfuc Bear nn A HI.SI'AL'UANI "JT 3007 T VI AM M tl'MINI.S H'lAII MIDWAY I I AM H fS4 l400 Builder's pcrson.il homo, top quality construction and materials, lour bedrooms with two master suites, 5 fireplaces, open space on two sides of the home. Great mountain and sunset views. $l,990,fH)() Prudential Utah Real Etlat ( .t.lij; I'rur, ( i- n 4.VS-M7-.HDI7 8(H)-55 V4M . r.iiv! " I'liii oli iii.iii.niin www. i iit'tv. t i .iom I, , , I,,, I. ,,,,., Iv, V, I ), . , ,11. , n. 4 v A'' " " 's PHOTO COURTESY Of RICH WYMAN Park City's "Piano Man" Rich Wyman recently announced two free shows in Park City. He will perform at 8 p.m. July 4 at Harry O's and again at 6 p.m. July 10 in City Park. For more information informa-tion about Wyman, visit www.richwyman.com. Have a Fun and SAFE 4 th of July! V1'" s? VrtM V The New York Times crossword puzzle COMPONENTS By Erk Bi ri in Edited by Wii l Shortz No. 0623 AC ROSS fi': Across l.ilinn ' ll.ikcin ' Down 1 2hHroii!hl up 71 ihhI lltiol.l i.ml;il;i DOWN Hon (i. hurt, h scr l"A cjIius I2ln Ihis ice) nusircss": If' Jo.'io 7 l .ilioi maii.iue l-.nit'rson I'lWinninjr SuX'r mcnl 2('ry ol ilisgusi Howl Will ,in.mj;fiiHMil RouihI lahk- pl.iyiT 7M)lxTh.iusiin litlc 20AiKifiil onf 4Jonson work 2 1 Shapes ol 7M'osia tlcl Miajipipe. e g things 77(iat l. loi one M'loscl Hem 2369-Across 7HRming uthen- 7Singer in a component iiirously hojie 2MS Down XiK)ne's sasings. Must ducky 16 IWn nielaphoric.il ')-Across 2ftSwintlle K component 27("ambtxli.m HM'CKl's rap duo 10' Joumey to currency Kross 2lAnniils K7('o renters. 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Continuing its mission of advancing advanc-ing the arts in all their phases, on May 28, 2002 the Utah Arts Council's (UAC) Board of Directors awarded grants totaling $1,059,412 to 169 nonprofit organizations statewide. UAC grants to nonprofit and tax-exempt organizations are matched by the recipient at least dollar-for-dollar with cash from other sources such as ticket sales, donations, local government grants, etc. Applications are reviewed by a volunteer panel of arts administrators and artists who make recommendations for funding to the Utah Arts Council Board of Directors, which then makes the final funding deci sions. The UAC offers a scries of grants, programs and services for arts organizations, schools and individual artists throughout the state. As a government agency, funds administered by the Council are obtained from the State of Utah and from the federal feder-al government through ' the National Endowment for the Arts. Four nonprofit organizations in Park City received UAC grants. In the multi-discipline category, catego-ry, Adopt-A-Native Elder, a program pro-gram devoted to aiding Native American peoples in Utah and Arizona, received $1 ,910. The Egyptian Theatre Company was awarded $4,300 in the theatre arts division. The Kimball Art Center, host to the 2002 Cadillac Park City Arts Festival, was given $14,340 of the $124,307 awarded in the visual artsarchitecture-environmental arts and design category. In the music arts division, the Park City Chamber Music Society was granted $2,390. tor more information about individual recipients or about the UAC Grants Program, contact Utah Arts Council Grunts and Endowments Manager Sherry Waddingham at (SOI) 236-7550. ' 'Dear World' to open Continued from C-1 simultaneously. It also meant that he had less time to see that his third production honored the text. Even with the disastrous overproduction, overpro-duction, "Dear World's" charms were evident in 1969. Mr. Herman's score contains worthy gems like the lyrical waltz "I Don't Want to Know" and the sweetly romantic "I've Never Said I- Love You." Even with the show's limited run, the potential of the title role was strong enough for Angela Lansbury to win a Tony Award for her performance as the Countess Aurelia. According to Himberg, he and McGovern worked closely with Herman to reclaim Dear World as its creator had first envisioned it, "gossamer and just quietly romantic." roman-tic." Mr. Herman even introduced songs that he wrote for the 1969 version that were hacked out and have never been sung in performance. perform-ance. "Now the lost songs are back where they were intended to be. All is well in the' world," smiles Herman. Returning to the original text from which "Dear World" was adapted, Jean Giraurdoux's The Madwoman of Chaillot, which Himberg calls a "delicate souffle of a play," the trio of actress, director, and creator revived the lost musical through simplicity and modesty. "This is not a big ol' brassy Broadway production," promises Himberg, "it's a chamber cham-ber piece with 14 people, no chorus, cho-rus, and no hoopla." This is Himberg's sixth season at Sundance, where he says the challenges of working at altitude with unpredictable weather are far overshadowed by the splendor of the setting. "I've been to outdoor out-door theaters all over the country, and nothing is as beautiful as seeing see-ing a play at Sundance with the mountain for a backdrop." Himberg met McGovern when he produced The Umbrellas of Cherbourg and later met Herman at a Sundance workshop. A collaboration col-laboration was born. "The role of the Countess Aurelia is a wonderful challenge for me." says McGovern. who graced Utah audiences in 1999 at Sundance as Mme. Emery in The Umbrellas of Cherbourg. This year marks her 30th in show business, busi-ness, with performing credits spanning all media, from Broadway and the world's most acclaimed concert stages, to television, tele-vision, film, and numerous recordings, record-ings, including the Academy Award-winning song "The Morning After" from The Poseidon Adventure. Mel Torme calls McGovern "quite simply, the most glorious singer ever to come down the pike." Many of the cast members are local, including Park City resident. Dee Macaluso. Macaluso is a professional pro-fessional actress who also teaches improvisational comedy classes. Himberg says that working with a predominantly Utah cast and crew has been rewarding and that he is impressed with the appreciation for musical theater he, has found in Utah. "I've found Utah audiences audi-ences to be' so enthusiastic and sophisticated," agrees Herman. McGovern, who has also performed per-formed with Keith Lockhart and the Utah Symphony, concurs. "Utah audiences are devoted, musically astute, and receptive," she praises. She recalls one evening during the production of Umbrellas of Cherbourg, when it began to rain. "The audience stayed," she laughs with amazement, amaze-ment, "they just put up their own umbrellas; it was very fitting!" The production of "Dear Worlj" is not without similar irony: during dur-ing a recent rehearsal, the cast was silenced by an animal bounding across the amphitheater's seating, prompting them to privately refr to the play as Deer World. j "Dear World" is the undeservedly unde-servedly neglected story of orje woman's quest to vanquish tfje injustices of capitalism. With ;a blessing from the musical's creator, cre-ator, Himberg and his cast will breathe fresh life into "Dejr World," more than 30 years aft$r its disappointing debut. inn m m - nyxw fclU-UI LtLv HOLIDAY VILLAGE CINEMA ,i.l.W.II.,H:IB.ti.lH.li.L rilJ:IAt!:l:ll.W.-Trm.li:rjg.Tli.tV;:!ll.'.H MR. DEEDS (PG) w SCOOBY-DOO (PG) ULO & STTTCH (PC-) THE BOURNE ENTITY (PG13) tt H33 1 it tv - 11 I '1, 1 Answers for June 26, 2002 AHiALAJiIii O P A lI outdo 5..JLB1...AM E R O C KjB O T T O M i I Z. B i. JJ"r AiLJl 0 R s '1i.o..silA.X.! N E E jR t C E DjClTlZ E rTTs A R R esTt B E T T E " m O N E j T EEL Z V E E ALJJjZ,.t i bTe s t vTT o l a H A T T R I C K H E A D S H R J t K E R NNjE H ASHE OWNS A C R E "sj f .!! R BE D" mi V U E . ... JL EASE j A B O MA N A j 'l I L WErJrjjN(3j.S TjJBJf3ArJE HOG AjN A L A S j M 0L E IE P E E A N A .. .. M 4 Q aIg A T E jC T S M j A I R C H ng ORDER S N Al Lj r - H t D ; SEATSTES LA T R A I T S fs I G M A V O T EN eo W A JT jC H T O WER"WR JS2 L jOS Ji A 3. 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