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Show If I'ajje 14 Thursday, October 16, 1980 I he Ntwspaptr i'plt I& closed Ifpr ' fjjJj E Until Wy M November ' Sf j- 5"',it!Jf'" 306 Main St. Upstairs Only - Park City, Utah 649-6800 Does your health insurance plan help protect against large medical expenses from long term illness? Max O. Vierig 1700 Park Ave. Ml Air Mall 649-9161 Hours: Mon.-Fri. 9 a.m. -5 p.m. Open Sat. 9:00-12 Noon See me for one that does-State Farm hospitalsurgical insurance with catastrophic medical expense rider Like a good neighbor, State Farm is there. State Farm Mutual Automobile Insurance Company Home Office: Bloomington, Illinois ; iri'n h'-l WORKSHOPS LANDSCAPE PAINTING AROUND PARK CITY Outdoor landscape painting in Poik City area during fall. Two days of intensive Instruction, demonstration and discussion ranging from choosing the composition to finishing touches. Oils, ocrylics and watercolor. Suggested list of supplies available at KAC. Please register ahead of time. Saturday and Sunday October 1 1 and 12 (or if inclement weather. October 18 and 19). 10:00 AM. Kimball Art Center. $40 member. 45 nonmember. Instructor Earl Jones. Earl Jones has taught classes at the Salt Lake Art Center and University of Utah and has been represented in many public and private collections. He has exhibited at Phillips Gallery. Springville Art Center. Salt Lake Art Center, University of Utah and Boise State University, MODERN DANCE WORKSHOP In three sessions. Beginningintermediate, teen and a-dult. a-dult. Leotard or loose warm up suit will be needed. Wednesday, Thursday, and Friday; October 15, 16, and 1 7. 7.00 - 9:00 P M Kimball Art Center Main Gallery. S35 member, $40 nonmember. Instructor Lynn Topovski. Lynn Topovski is Assistant Director of the Ririe-Woodbury dance group. He has danced professionally for eight years and has worked as a dance movement specialist with the Artists in the Schools programs. CHILDREN'S DANCE CLASS In three sessions Geared to the 4th. 5th. and 6th grade children, class will emphasize creative movement and problem solving. Shoes off end comfortable clothing are all that's necessary! Wednesday. Thursday, and Friday; October 15. 16, and 17. 4.00 - 5.30 P.M. $20 member, $25 nonmember. Instructor Lynn Topovski. KILN DESIGN ON A SHOESTRING A workshop for ceramists contemplating building their own kilns. Design concepts.materials and construction wil be covered. Avoid costly mistakes and wasted time by designing a functional kiln that meets your specific requirements. A two-day workshop. Time to be arranged. $40 member, $45 nonmember. Instructor David Fernandez. ACTOR'S WORKSHOP Work on the craft of acting in a professional manner with professional coaching Cliff Osmond will draw on his extensive background, using scenes and improvisation to nelp students leam to create and sustain a character. Each class member will work in depth on scenes with other students dealing with interpretation, expression, emotion and movement. Bogins Tuesday. October 7. 7:00 $50 member, $60 nonmember. Instructor Cliff Osmond. 9:30 P.M 6 weeks. ADULT CLASSES All claaei begin week of October 20, unleu otherwise noted. CALLIGRAPHY Starting point will be the basics, also the history behind (tie subject, how the art can be used and a fianl creative project to ro md out the course. Materials needed: Osmlrold pen and nibs, Osmirpld black Ink. graphed practice paper. Monday. 7:00 - 9:00 P.M. 8 weeks. $45 member, $50 nonmember. Instructor Myle Jackson. d " - STATE FARM 3 INSURANCi KIMBALL ART CENTER CLASS SCHEDULE Hi 'i'jriljVyi -i rr YOGA FOR MEN ONLYI Stretching for the athlete with special emphasis on the back. legs, shoulders, and neck. There will also be work on relaxation techniques and stress management. Monday and Wednesday. 8:00 - 9:00 AM. 8 weeks. $45 member. $50 nonmember. FOR WOMEN ONLYI Start your day with stretching and feel really good! Wonderful benefits to the housewife, young mother, older mother. A perfect prelude to skiing, tennis and other activities. Monday. 9:15 - 10:30 AM. 8 weeks. $20 members. $25 nonmembers. CONTINUING YOGA Enjoy the benefits of flexibility, endurance and balance through the Yoga technique. We will deal with stress management and relaxation. For those who have done some Yoga with Bonnie. Thursday. 6:00 - 7:30 P.M. 8 weeks. $30 members, $35 nonmembers. BEGINNING YOGA A gentle beginning to a world of health and fitnessl Thursday. 7:35 - 8:35 P.M. 8 weeks. $20 members. $25 nonmembers. Instructor for all Yoga classes: Bonnie Van Schenck. Bonnie Van Schenck has an extensive background in yoga. Her orientation is the Iyengar style, emphasizing precision, alignment, strength, endurance, and flexibility. CONVERSATIONAL SPANISH Beginning conversational Spanish. Great for ski instructors and anyone else who might have a need for better foreign language skills. Tuesday. 6:30 - 8 30 P.M 8 weeks. $45 members. $50 nonmembers. Instructor John Bahoric. CLAY AND WAX SCULPTURE A class in sculpture for any level student. Based on a traditional approach to sculpture, this class includes history of sculpture, basics of human form, ceramic sculpture techniques, mold making, wax work and metal casting. Tuesday. 7:00 - 10 00 P.M. 8 weeks. $45 members, $50 nonmembers. Instructor Judy Summer. BASIC PHOTOGRAPHY An introduction to blackwhite photography. Course will include instruction in camera operation, exposure, composition, com-position, film developing and printing of blackwhite film. Students must provide own film and 35mm camera. Wednesday. 7:30 - 9 30 P.M. 5 weeks. $30 member, $35 nonmember. $2 chemicals. Note: This class begins October 29. Instructor Start Openshaw. STAINED GLASS, BEGINNING (all ages) An introductory course to the craft of stained glass. Students will be exposed to design patterns, cutting glass and soldering pieces. The first part of the course will deal with the wrapped foil method as It applies to making windows, wall hangings, jewelry boxes, etc. Students must provide their own glass. Some tools will be provided. Thursday. 7:00 - 10:00 P.M. 8 weeks. $45 members. $50 nonmembers. Instructor Dale Nelson. CONTINUING STAINED GLASS (all ages) This class is designed for students with some stained glass experience. Students will work more with lead andor more technical projects with foil. Etching and glue chipping will be Introduced to students. Students must provide own glass. Some tools will be provided. Wednesday. 7:00 - 10:00 P.M. 8 weeks. $45 members, $50 nonmembers. Instructor Dale Nelson. Meel World Family Drama 'Ordinary People' Succeeds With Unordinary Director and Actors fx 0 ah - si 7- f-y ( stood youth, lost parents and lack of communication is so cliched that it almost has become banal. This movie begins, indeed, as an ordinary or-dinary plot about ordinary people. But first-time director direc-tor Robert Redford and his actors have seduced the mood of the picture away from the commonplace. The cliches only become another symptom of the way this average family unit is dealing with a near-mortal wound. It's a pity Redford has to use cliches to begin probing the surface of his family, but they don't hurt the overall effect he arrives at. The older son in the family has drowned in a boating accident, ac-cident, and we gradually discover that the family is helpless in the aftermath, A Classic Recommended Good Double feature material Time-Killer For masochists only 1 Ordinary People The problem afflicting the Jarrett family a troubled son (Tim Hutton) who seems b?yond the reach of his vaguely concerned father (Donald Sutherland) and distant mother (Mary Tyler Moore) is the kind that could be remedied in 60 minutes' by your average TV psychiatrist or shrink. Even Robert Young and a potful of Sanka could solve things. The problem of misunder BEGINNING CERAMICS (adult) A class specially created to Include designing, forming techniques on the pottefs wheel, finishing and glazing techniques, qs well as kiln firing. Wednesday. 3:00 - 6:00 P.M. 8 weeks. $45 members. $50 nonmembers. $5 glazing, firing fee. Instructor David Fernandez. STUDIO CERAMICS A more detailed approach to design, formation,' glazes and firings. Thursday. 6:00 - 900 P.M. 8 weeks. $45 members, $50 nonmembers. $5 glazing, firing fee. Instructor David Fernandez. . CHILDREN'S CLASSES Classes begin week of October 20. DRAWING WITH FELT TIP MARKERS (Middle School age) On location drawing of buildings on Main Street and other Park City sites. Students will use felt tip marker pens. Perspective and stylistic variations will be taught. Drawing fundamentals will be emphasized, Sketch pad and Eagle Prlsmacolor markers In red. yellow, blue, black, and gray are recommended. Monday. 4:00 - 5:00 P.M. 8 weeks. $20 members, $25 nonmembers. Instructor Holly Rom. CHILDREN'S ART WORKSHOP (ages 7 - 10) Each week will focus on a new project, some things will begin in class and can be finished later on the student's own time. The focus of the workshop will be aimed at fun and individual expression. A list of proposed projects will be submitted the first week of class and will then be voted upon, allowing the children to create the type of workshop they want! Posslbilites include: bread sculpture, calligraphy, pumpkin carving, puppet making, paper mache, potato block prints, etc. Thursday. 3:00 - 5:30 P.M. 6 weeks. $20 members, $25 nonmembers. Instructor Myle Jackson. STAINED GLASS, BEGINNING (ages 12 up) Beginning . stained glass will cover fundamentals and information regarding pattern detail work. Monday. 7:00 - 8:00 P.M. 6 weeks. $25 members, $30 nonmembers. $3 materials fee. Instructor Mickey Smith. HANDBUILT CLAY POTS FOR KIDS (ages 8 - 12) Class will cover basic instruction in handbuilt techniques. Students should bring small plastic bucket, rolling pin, small towel. Items to be purchased are: needle tool and small silk sponge. Saturday. 12:30 - 2 30 P.M. 8 weeks. $20 members, $25 nonmembers. $3 materials fee. Instructor Pat Cluff, BEGINNING WHEEL THROWING WITH CLAY (Ages 12 -16) Basic instruction in wheel and handbuilt techniques. Students will need a pear shaped trimming tool and wooden rib. Saturday. 3 00 - 5:00 P.M. 8 weeks. $20 members, $25 nonmembers. $3 materials fee. Instructor Pat Cluff. a. Iliek Brough UK 'k because they've never learned how to draw together and deal with that kind of pain. Conrad, the son, who also was in the accident, has attempted suicide and still is seething with guilt and sorrow. Redford rams his camera into Conrad's sweaty face and heaving chest. It makes the boy look so neurotically self-absorbed that we identify at first with his exasperated coach and school buddies, who write him off as a nut.) It's only later we begin to understand Conrad's isolation, as Tim Hutton masterfully pieces together the nuances of the character, and psychiatrist Dr. Berger (Judd Hirsch) makes him unleash those feelings that are so painful and messy to deal with. Dare to connect with your feelings. Other films about family life, like "The Great Santini" have preached that message, but "Ordinary People" 's special contribution con-tribution is to show how sloppy emotions become they're unruly, unreliable; the painful ' feelings don't necessarily go away after a proper interyaj. This is what scares Beth, the mother, who has lost her favorite son and now has to-deal to-deal with the child she never could relate to. By nature, she is neat and orderly, and she treats Conrad's trauma as if it were an unruly shirt tail hanging out in public. Her effort to shut her son out of her life might look in weaknesses behind the wholesome persona that is so much a part of Mary Tyler Moore's personality. She shows the skillful selfishness of an attractive person. When Beth argues, "I'm sorry, but I just can't throw my arms around him (Conrad) every time he brings an A from school," you're almost convinced, left without an answer to throw back. Moore shows us how well Beth has defended her cold, orderly world over the years. Just as Moore shows us the dark side of her Ail-American Ail-American girl, Donald Sutherland complements her as a quiet, compassionate husband another switch in casting. Sutherland has discarded his usual . curly hairdo, flamboyant mustache, or roguish accent, and here, stripped to a bare face with an almost feminine look, delivers an irresistibly appealing performance that reveals the strength behind his bewildered effort to bridge the gap between his wife and son. Redford's style is at times too affected by TV-style gimmicks he uses jumpy flashbacks to the accident, characters listen to the anguished voice-overs of other characters, and a few moments amount only to a cheap dramatic effect. A worried Sutherland jogging himself into physical collapse.) col-lapse.) The early scenes of the dry, empty life in the Jarrett family have no distinction to them they're boring and credibly callous, except that Beth conceals her w Pinot Noir (Pee'no-noahre) i During the past decade, the acreage planted with Pinot Noir grapes has more than quadrupled in California. Approximately 2,500 acres of chalky soil were planted with this royal grape in 1969; the figure approaches almost 10,000 acres today. While this may not appear startling, considering the tremendous increase in wine consumption that has occurred, it assumes greater significance when we examine the frequent criticism of the Pinot Noir grape. That grapes have been grown in Europe for centuries largely explains their established respectibility in that location. It is with misgivings that the flavor, taste, aroma and color of European Wines have been accepted as a standard. Frequently in our attempts to copy these exact standards, we lose sight of the unique character that often may spontaneously develop as we import ancient grapes to new regions. California wineries have fared well, for example, with the Cabernet Sauvignon grape; our vineyards are in much the same proximity to the ocean as the vineyards of Bordeau. Each area nestles 20 to 100 miles inland in the westerlies at roughly the same latitude. In blind tastings, the California Cabernets often have been chosen as preferable in taste and color to many of the great Chateaux wines. Yet to many wine connoisseurs, the fabulous wines of the Cote d'Or of Burgundy represent man's highest achievements in the creation of wine. Chambertin, Romanee Conti and Musigny are acknowledged as the world's greatest Burgundies, if not the world's greatest wines. Unfortunately, the Cote d'Or is a region quite unlike California. Undoubtedly, Un-doubtedly, the Pinot Noir develops greater character in the chalky soils and harsh climate of the inland Cote d'Or. Adhering to established criteria, there would appear to be no competition possible between the California Cali-fornia Pinot Noir and the impressive French Burgundy. Considering the preceding, why has California continued to invest in the Pinot Noir? Considering all the factors involved, it would be decidedly illogical to dismiss the Pinot Noir simply due to its inability to look, taste and react like a French Burgundy. In the United States, the Pinot Noir has developed into a light, fruity red wine with much color. Tasting a great deal like the Camay Beaujolais (considered a clone of the f cliched. But he excels in revealing the family's mystery and their feelings. In Alvin Sargent's script (from the Judith Guest best-seller), talking is the beginning of understanding, and the short choppy scenes of casual conversation con-versation that dominate the early half of the movie give way to longer talks-arguments talks-arguments within the family, the sessions with Hirsch, and finally, the extended ex-tended monologues from the family members as they face their lives. Redford has said his frustrated ambitions of painting paint-ing went into his directing, and the evidence is there. The increasing gloom of the psychiatrist's office, where truth is uncovered, contrasts with the bright, sometimes blinding, sunshine where the family uneasily avoids confronting con-fronting their problem. And one suspects the director has studied the possibilities of sound almost as carefully. (Conrad first appears to us singing in his school choir, where his voice seems to leapTjout from the others in The picture represents a gamble for Redford, Moore and Sutherland they haven't done this kind of thing very often, certainly not in a picture about people, as opposed to ordinary sharks, or ordinary homicidal maniacs. "Ordinary "Or-dinary People" pays off, and breaks through to the jaded emotions of today's audiences. audien-ces. by Rick Lanman Pinot Noir), the Pinot Noir is generally less expensive than, say, the Cabernet Sauvignon, and frequently more versatile. Such a comment should not create the impression of the Pinot Noir as a lightweight. Some time ago at dinner, a Charles Krug Cabernet played host along with a Pinot Noir from Sterling Vineyards. Several people actually preferred the Pinot Noir, crediting it with more body and smoother flavor. The risk of encountering a poor Pinot Noir is greater, of course, than with the Cabernet, due in part to a less controlled fermentation process; some wineries even ferment using the natural yeasts entirely. In recent years, the Firestone Vineyard has produced some excellent Pinot Noirs. Firestone (carried at the Trolley Square wine store), is a quality vineyard producing premium wines at moderate to expensive prices. While the bulk of their wine is produced under careful controls, they prefer to ferment and age their Pinot Noir in the traditional French manner. Relaxed crushing that allows some stalk and pip to remain in the juice, natural yeasts and warm temperatures combined with previously used French Oak casts add up to a remarkable wine. Beaulieu Vineyard represents a contrast to the above. Growing its Pinot Noir in a region between Napa and Sonoma Counties, the grapes are fermented without stalks, lower temperatures, and with no natural yeasts. In addition, the wine spends' time in redwood tanks prior to entering the oak. Utilizing these contrasting methods, both wineries produce excellent and rather different Pinot Noirs. The Pinot Noirs of Sterling, Kenwood and Beaulieu all are first class wines and fairly expensive. Normally a fifth will retail for five to eight dollars. In today's market, however, these are not unreasonable prices to pay with Cabernets selling for eight to twelve dollars a bottle. Assuming the discussion so far has interested your mind but not your pocket-book, pocket-book, then you may wish to experiment with the half gallon Burgundies of Sabastiani or Inglenook. While less costly, you undoubtedly will not be drinking pure Pinot Noir. The generic name Burgundy often includes Merlot and Camay grapes. Nevertheless, it remains a reasonable buy if you're looking for the great character and uniqueness of Pinot Noir. |