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Show Combine A Little Glue, Canvas, Wire . . . v : 1 'ttircuTa1 cmmittee is presenting "The Collegraph," an 'urns Th! tt Glen Alps of the Western Association of Art ":ttee 'n seWt- Versity Art Department works with the com-AlPs com-AlPs f Sh0WS- The exhibit will hang until Dec. 19. 1"' is widelvP vFESS0R 0F ART at the University of Washing-j! Washing-j! kiTn8 Process W" &S the originator of Collography, a print ) f at,e' rnadeb TnPr "S essentiaI1y a proof pulled from a collage u as Paper mik 8luin& or stapling bits of various materials ' buttons, 'etatboard. string, canvas, threat, wire, glue, burlap, 'to texturesMQ,y BE T0RN or bulnt to form lines, shapes, areas Sed board m a plate composed of either upson board, sihl tthe finisnrtSrite' P'ywood or plastic. ays to nrn f ls laccluered, there are at least three pos- ot lt: the roll-up, the relief, and the intagloo. THE DEVELOPMENT OF THE collagraph began at the University Uni-versity of Washington School of Art in the fall of 1956. Alps, his students throughout the United States and Canada, and other printmakers have continued to develop the medium and have discovered dis-covered a rich and seemingly infinite series of possibilities available avail-able to the printmaker. The collagraph made its first public appearance in an exhibition exhibi-tion in 1956. Since that time, it has become a major medium for artists in many other countries, and they have been exhibited and collected by major museums and art collectors throughout the world. According to the Seattle Times, Sunday, Dec. 22, "Glen Alps is a talented, dedicated, sincere artist, unconcerned with sellers . . . or personal prestige. There are too few like him in the jungle of art." |
