| Show Kyrle Bellew B I e 11 w on Live Stage Topics T a tho tile ctol KNOWING fuji for IJ nil 1111 ibl I hut 0 IJ 1111 thu thi at itt to I mil tilts tho i on l bI I it y upon 1111 hmil nt of MI Mr by h Will vi i I you till III iut I Y V Hi Ill 1 it lIed LU roil lly by ii ri it tunnel tin III I be Pu miti by Ii I its and 0 II hi Oil OilI I have u n 1 oi the thu 1110 eli ItO to In yon YU ou II IIii ii tun 1111 time t Iii hi Ic 11 Is us elsa en II tIle Hit Wll if r fun fui Ui ti to lo Hie tle ot If tile pit I itc It lit III li wife tA t I Ordel III rist ll hr il OllO WI V h the HID 1040 of or IAU 1 UK II I ii IOle sta ge Shit I u III I the theof I Ij rend I of ot lie th I III ili uin U ISit of nf It today I uda it 1 lidl Ills II lit I sIll i d d 1 1111 A iii I 1110 h hll hIlts no 1111 v thu tins 11 bI ini It 1101 or ro tin flit It II fur flirt the tho nulu huh Ilo I Ic tin Ihl lJ io J x jC Ami Dig mill tic lie W viii P I plays Will HI cud Wn I it itTin itI I Tin iii i Ot 11 U Mr otto Otis e sum i 11 t in UI Hero Ul III thai Him the Ih ono one of tin tut is 19 tu tO tuNo No u I ilo ito not nOl foi tOI oi I 1 i he f Hove 1111 t the thiu Ill stag tn n a very v Is il or if t tHIP I Hint hat Its III 11 ns us Krent aw III HIP Ihl Tin ye let a It 1 ill tier Jacket t I auth tho 1111 actor slipped lr Into lilt It then theU no lie ro I to Ills his choir unil 1111 continued HOI or IY I bolli It WIM II a very Ir when Ih h lo to th hb theater when whon the pulpit attacking thi Ihl the Ih outil the be of If Ines Illel Inestimable help to 10 tin the the tito 1111 lout You by 11 preaching Mr t I Hol 1111 Hollow low hew No So I T ilo do not Hint l is II In lii net fact ex ox exactly what hitt I T ilo do not hot menu lII nU I dilL dont think tho the IH Iii 1 1 a 11 place to I preach hut there jl I of or homo the HIP K son of or life anil of ut by h A piny plu need n ed not mint bo be 11 a 1 I mill yet el It II cnn till ill do Us Its II teachIng more h hII than II In 11 can CUll tho the word rom from the HIP pulpit If n ihli IB is n a good gol ono one It 11 holds the of Ut tile the mul tho follow foil 0 II Its It every eely word Are Aio you JU 1 I of life tho ibson Ibsen plays Oh Oil Lord Mr 1 I was WIM not lint T would HB its lell u tho Iho I devil ns nl sit lIt through an nl 1 piny hICY llo Only once In my m life lito hll I sucna II a lo lIel rol who 1110 had hinti the talent tn in mako mill thom them possible at lit all but more than Hint that No you Deliver 1110 mo Ibson Ibsen Then yon Ohl think ili tl of oC the of r these plays pIli as III far as 1 1 the Iho pub lie llo 1 Is 11 YS Sy So far as WI tho tile Is II concerned tho the ln plays 1111 ate y hlll 1 1 Anil ilo ulo you yon know why OW tin tb not lint contain COIl I itin tilt tho Ih 1 rut ii S Unit Hill t tho the pub public lIe lic recognize Tho duet chief point about It A successful s serious 1 pta play l Is 19 that Hint It II 1111 truth which tho the l and WhIch It admits Tho Tim the tho playwright hUH set ol forth ruch elich I a 1 truth the tho success of oC his play 1111 IH is Ii Now iou In tho the public lul lIc he looks hooks aghast u hl lit at the tho who peo peti people Ide his hili plays pin they Ihl do Ill di not know wo them never met any nn such por Ims doubt that they lucy Ihl exist or ver C have existed 1 I am willing I lug to In admit It that hole I are lIIl a re such nil II s lie up Ill to III our nil eyes l e that they talk In ho thi way Wit ho hc makes thorn hut but I 1 am an con that If Ir I f Ibsen I hili hi Is r actors from hiving models thou then he 1 must I h i 1111 Hi hit h In III S m lii hii 1111 Ill i n hiI 1 in of lII ill III i t tr C r t il HI iii 01 Instead of or th I n iI i i ii it foil fin the tho Ito MauR hi lii h bus i ain ii i l b thorn till mil fl iiI iiII liili 1111 I and him hili put bUt the tho I lI 1111 I mi I 1 tho th I ii tint Hint I SO bl hi Ii I t Is 11 the WilY why lh Hi do piu 0 not nol recognize tho tito chin chut feint OH it II Ihl I human beings rh lii to 10 nib ill o U towel lOwel OVIT hiM bin face Ihn MI If tf you think so Mil o tightly lightly oi ul III what wh do II you think of ut Mr r George SlImy Shaw I was Ill on ill tIle tho poInt or of telling you that I think I lilt Mr 11 r thin nothing more than thana a u ur He lie Is Ii clover cleVer oh tub yen ott but thou then H lt oil nil post IOS and 1111 filiC with Ill him himlie lie He laughs Inu h at lt hi hlo Hi Rl his hi ad ltd admirer and 1111 at ut Why Vh take Inke n ru Ills Il ly who laugh Bt III 8 t himself It Its n al I ni id But I 1 cult can toll 1111 you Ott of or o II i Ls Is l nut not taken nearly II oa 11 nt least feast not luot by ly I tIme tho and l Hint Is ill ono one Will ills His aro 1110 not hot given nearly often ofton enough gl tune limo wo we actors ap al approach ll malingers with a it proposition to produce plays III I wo WI O tire lire iv Ic KH gLI riled lell an eu demented Ask sk III me moo nn sri easier one do Mr 11 w for COl I c I 1 dont know what litS alls the th malingers who refuse lo tO II on Take the o Or of Ut r Mr Lr Hobort who Is hs ally n it 1 vel good goud actor and you ou wit wll wl hao a n living example Ho lIe 10 played around In one patt and amul 1111 another until finally 1111 hy he lie found foul n Ii I 1111 gOt with wih hi grit 1111 Inu h to 10 had biuk him In n a venture of or giving e plays What hul is tile the result III In most where hn 11 lb plays R Shakespeare hlll you ou itt cannot get Iet near loar Does that the theater for fot the Iho noel ll prove anything ii II regarding tho thu r rIty Ity of nt 1 I b It doH ho m l IY nut Hut t how 1101 ilo iii 10 you UI ii COt ill Ii I for rOI OP tilt tho UI popularity ri ty of or if to luis his hil bli lure uro not 1101 lit t replicas of living ving I I human hii beings lid tugs which the I 0 ICI ig not but his lIs plays contain those o hlat truths that grip fujI 1111 the multi multitude lull tude Hints time reason Shake Shakespeare speare Is II popular He lie belongs to II the tho universe tint not to tn tl any one 1110 Oi country You Yol have huu not hot mentioned any ItU Ameil Amell can playwrights In ill speaking of ot tile the leading lou modern ti ia S Mr tt II r Hollow BU 11 Do Dl you IU believe that Hint nothing dramatically good and artistic COil can come COl out of oC this country To Ful the Iho I lie contrary Ml MI Clyde Fitch has hal written some sommie very vel clever clevet plays and mine le very vory n successful cevel ones cues multi and Mr Mm Howard Howad also iilo has uris hUl some very CI Huot Ilu in to 0 1114 hl Hill Hillon h I on 11 J w line 11 j I In 11 ii u II do 11 nn OH n 1 ti itna a il n ii I mink hilt 11 ik ut ur ati ill 1 iv n t hl tivi ir r mi i U but hul I 1 lisp I It I tu If t II li ihs Ii 1 s sf f r si ln I H Th rh ri Man for or 01 ln which II hll linn has hl I proven 1 11 such n 11 IC In iii or nf yu III II Ii not hot go I II ill thin 16 If not hot IDl Of Or n IL type lypo I o familiar lo to audiences but hUl whon n nM as In thu InThe 11 The ho Man In you Ol get Iet n 11 play that I s to 10 I 0 them i u 11 piny pin y with elemental I emotion n It I l lan piny then It I l 1 is bound to In tobe be iii n im I huge hii go s over lIVer there t I hor huor mid al ill almost lt most too oo for fil that mailer mat Ito |
