Show i C I PA IR WS d dG j i 1 I G COMES OM En U TO TOW TON i j x p pi fc i JI V 4 Primate of the tho Piano Arrives This Afternoon from Denver in r Private Car CarI I 1 J ui LOSING HIS FAMOUS HAIR fBi ii I S 2 lIt Judging from U 1 Perform t f f Ills 1114 Musical lu ot I 41 wK liming vir J i In t O Jan I thc tho prima Ie i jek the thu h 0 greatest of ot flU all a II living II I IF r arrived this afternoon I IA A Denver over Ovel the Hlo Jib Grande remained In III his uk private car prior priort t his appearance this evening in the tho The Tho in tint mot InOt with a 11 01 great reception In III the Queen ll City j he ho played In the Central Prosby Proby cAE leilan ion church corner cornor of ot Seventeenth and I ll avenue to nn an au nu audience n 11 nce that filled fillo the auditorium to the tho As AN that church will hold hohl people on a II pinch the extent ot at the Ow at al attraction traction Is tIO tie more lo Imagined tin hn ut was vas given slen u a hearty hoarty recap OI that must hasu warmed Up lp his hlf musical l u lc enthusiasm considerably und for two hours he ho sat Bat bolero beloro his piano and In held that Immense audi to his lI hi will According to lo expert local like Iko Dr DI L WIO rapa ie te lethe the tho recital for tor the Dener Denver sews News ewA It I was wag the th let best thing that has conic come to this city this year yeU bar bal ba none The he general s Impression the tho produced Oh h his hlA hearers that ho he Is par ox i c not only the interpreter but buti i also ul ui the performer of at the day do ekI is l u a I performer who noel never slights his is work Ho 10 playe well velI all ni through Din and without any lY spectacular feats The Tho he he h gave save In 1 the Presbyterian church was WIN as R follows Variations anti and 1111 Fugue Op II 23 Sonata Op I LE iE B lIaLi f p Beethoven Aut ut den Was as r zu Soiree de do A t Nocturne F T V sharp major m jol Op OI IK 15 Ii Etudes J ldes Nos Nus 1051 10 and ami 5 Op 10 Scherzo Seh ro JJ n lInt Hat nt minor Chopin dAmour kl kli i No o 13 Liszt it 1 s TilE The manner In which tho the artist In Infused Inn n r fused his poetic spirit Into Illo tile his own composition the tho first number nUn was wal ro re as ns a wonderful won performance while tho the In which ho he presented 21 n different variations of or o the original wis ws marvelous But Dut tho the artist appeared at nt his best hest bestin hestIn c in the Liszt numbers with will perfect execution a n a touch tonch that suggests 1 te the limpid m Its I it most sense nse a it n melody Lyric I In Its I purest sense sone and a n richness that OH dramatic In InU the high highest est cst Interpretation while what must musi musicians q call cul tone Lone poetry was wrought in with an In original and dramatic rich that was vas fairly overpowering 1 seemed to hiLve selected hla hl hh program with a view to musical p posy esy which was waN brought out In Its ls ux ox tOUt tent in tho thu performance Attention has hl ft been becI to a the fact that many litany i lets Its J f select 1 the Liszt odle Ither el j as IJ musical stunts stunt with Jh an nn eye rather rtUH U Lj ii l j the UtI th spectacular and overpowering r y But converts thorn them Into tone lone ho makes the tho piano sing f for or this very YO vot I reason makes 1 7 such l sue ch an un Impression as us u a 1 Chopin player r works are Iru of at tho the hOSt best pattern pator of at poetic art rt In Illano composition no In the thu Nocturnes the Po Pa lish IsIt ly h understands this thorough n IS S LOSING HIS fils HS HAm HAin Homo of ot the tho critics have lug Ing I other othel things thing bout about the thu great groat pianist besides his hla hl performance at lt the tim piano Tile They lf C have hav been critically examining his hil hiI nhi and they thie claim lo 10 Jag Ing It I Ills It la 1 x coming cominG out There hurs Is no more back backward ward wand lr Mowing hawing pompadour The front Is II clipped off Ot short In front und III thu th sides uro are trimmed lo a small i boys One critic wonders if Ir when his lila hirsute ornamentation is l gone geneS his mus Inus ical strength will wi go with wih It I as lS did SlIm HOIs when Delilah Dilah succeed cd 01 In Iii II loading leading the judge In Israel Ismel astray astr Then Than hon tho the mans inane lingers fingers have been hee ex ox examined by critics who claimed they WOre Wro short and und rather stubby currying carrying a ut ul the Ilia ends enda cog sug suggestive uS Of oC use Ule of a I tyro tyr 1 writer and Ind the of lf tho the klu ekin of ot those hands hantl in Is led to tn bo ho neither soft ot nor line Then his hla arms are long lOl and lanky Illk nOd and 1111 his gait suit Is consid some somewhat lome somewhat what nut Hut when hu ho sits site down and Inc begins lo to play piny people forget cown all 11 about any uny qualities of oC ap IP n l und they think f t nothing but hut tho music ni Ute fion thu the piano Is always cordial He will ox ex tend the aim 1111 anti and hand ho 11 ml to the tho critic who Ihl Iu writes him hll him up anti and then Ihen i turn tur and shull Just JURt ns as ni i with tho the wih stage Hinge hunti who to hi lii hla piano for or him around aroll tho the tago II Jt lie a good goo deul rv S people always II wal nc 1101 l more sleep than of ot a n phlegmatic temperament Il hue lian hll u a I gentle eloper amper though he ho hI occasionally oC can show Dhow when whan there th rf Is for Cor it It artist ought to 10 ii be bo In good trim for tor I performance at tho the tab ns all nt ho has hns had Ind a 1 good rest and andon 11 on III Oi his hll hii our ear ho he has hus his meals to suit his hie C und tan cali UH Us lK hs hI likes I el elt 1 t |