OCR Text |
Show Next Week at at the IdesSaturday Ides . Saturday and Sunday-"The Sunday "The The Sunday--"The Sunday - - - "The The " Bar-I Bar I BarIretts Bar Barretts Bar-retts Bar retts - - retts of Wimpole Wlmpole Street , " starriniNorma starring starrini starringNonna I IShearer Nonna Norma Shearer , Frederic \ March l\Iarch l Iarch ant antCharles and andCharles andCharles Charles Laughton , withtaurCen with \taurCen taurCen Maureen ) \ .Maur Maur . , en Sulllvan Sul . livan llvan and Katherine Alexander . I , IIn In Tn "The The " Barrets of Wimpole Street Street"has Streethas ; , " has been en b achieved the finest fmest filmization fUmlza- fUmlza filmiza fUmlzaof filmlza-tion filmlza tion - tion of a ' lamous 'famous famous stage piece ever to tc tobe tcbe tobe be rc recorded < : orded in celluloidFor celluloid celluloidFor toI I For "The The " Barretts Barrette of Wlmpole WimpoIc WlmpoleStreet WimpoIcStreet WimpoleStreet Street " is a brilliant production productlon- productlon production- productloni productlonbr productionbrilliantly productionbrilliantly - br brilliantly llantly conceh concehed conceited ed , , written wntt.en wntten . , , acted , , di- di directed directed di directed - rected and framed Norma Shearer Shearerand Shearerand Shearerand and Fredric March do more than pre present . sent a tender , poetic love story ; they theyactually theyactually theyactually actually bring thp the invalided Elizabeth ElizabethBamett ElizabethBarrett ElizabethBarrett Bamett Barrett and the poet Robert Browning Browningto to life And as the grim uncompro W1compro- W1compro uncompro- W1compromlsing uncompromising uncompromising - - mising mlsing father whose diabolical Influ influ- influence influ- influ influence Influence - - ence motivates the drama , , Charles CharlesLaughton CharlesLaughton CharlesLaughton Laughton turns tun1S in a performance performancewhIch performancewhich performancewhich whIch compares well with his recent recentI recentInterpretation recentinterpretation recentinterpretation Interpretation of Henry the EighthNext Eighth EighthNext I I INext - Next 'Vedne'day-"Marfe 'Vedne'day Vedneday "Marfe Marfe Wednesday-'Marie Wednesday 'Marie Marie ' Wednesday " ' - ' "Marie Marie " Galante Galante"starring Galantestarring , " .tarnng tarnng starrmg . Spencer Tracy , Kctti Ketti GaUIaD Gallian GaUianNd , , I Ned Sparks Spark . , Helen I1elen Iielen ' Morgan l'tIorgan ltIorgan and Sieg Sieg- Sleg- Sleg Slegrrled Siegtried Siegfried - - fried tried rrled Rumann Rutn\nn Rutn nn . ' \ . . Kettle KetUe Gallian , exotic and lovely im- im importatIOn importation Im Importation - portation from the European stage stagemakes , , makes her screen ' debut d'ebut in "Marle Marle "Marie Marie "MarleGalantea "MarieGalantea "MorieGalante MorieGalante " Galante-a Galante a " - a debut which should shoutd here hereand hereand hereand and now be set down as one of the themost themost themost most notable in screen annals . Ketti Kettt KettiGa11ian KetttGallian HettiGallian Ga11ian Gallian will win go tar far In American pie- pie pietures pic pictures . - tures . She has the qualities which whichshould whichshould should hould > place her among tho the really big bigpersonaUties bigpersonalities bigpersonalities personaUties personalities of or the screen ; beauty beautytalent , talent tlent , great ' . personal glamour and andcharm andharm andcharm charm harm : . . As tho the wistful "Marie Marie " Galante Ga1ante , ' " Jpstfar lost Jpst lostfar ! far 3r from her homeland in a maze of ofinternational ofnternatlonal ofinternational " international nternatlonal Intrigue , always seeking seekinga seekingi seeking"a seekinga a . i return to " tho "the the dear Prance France from fromwhich fromwhich fromwhich which she lias bas leis been torn , Mille Galllan Gafian Galllancreates Gafianreates Galliancreates creates reates ; one of or the most touching GalllanI and andpoignant andpoignant andpoignant I poignant figures ever to reach the thecinema theInema thecinema cinema Inema ; . - _ I.L IL , . , _ I ! ; jj JI JIf i 4 f + , |