Show tan think re english metropolis ut clever play why take risk 16 least dis course crane enough know bag grown fractious late bin own success anxious art world where belong therefore reason reason season inevitable chance crane might succeed ire ire here american born Lon fool fool tool BOOB BOOB goes abroad try business sandy audience TU sow york here talk crane europe tackle don london rather elusive affair crane ne hom hom horn try tar live hope hope bop hope bop hop friend experiment success nothing Lon peculiar tell hey success before word did Deer Deer beer tree en came here cry different public verdict gal LETTER LETTER DOINGS PLAYER FOLK 50 endorse alb london let let lot film take life bound go JESSIE MACKAYE ZV Z Z rye box box bon office bow cut see enter theater moan york enormous enough cant tee tee see why let enough want crane here en let go england anywhere else go theater take off EDWARD MORGAN MORGAN MOMAN MORGAN MOMAN nolan tall indeed wilt still broad lofty cut off view rear past past post past post poet st st ut women height de ltd ltd wed ltd wed wee future theater quite go watch tall woman you door same ely superior smile neck bin bin bib chinese collar meet young usher shown ike tall woman theater bat crusade conduct several long earnest win end fervent sigh woman hey thought tar tar far potential foe however battle thy mettle theater tall woman next problem nine ten women ordinary altitude 6 5 40 de eli lew era fact fact tact daniel Fr theater company present member yet play play playa company thus far reason reason season role appearance therefore charles professional debut march 8 monday night next week theater city farce never again Ul cory daniel success fully york find youthful talent company vacant withdrawal people book book shook book shook hook un georgia still thought doom theater WM hubert took departure went cat cat cast heart maryland upon snug week play era era ere become warm peculiar exclusive Froh rich theater felt blight eat apprehension fully act came dally contact become conclusion am quite aware rather people center manage gain pretty own value condition whether young james hackett material CIA put forward capacity corner thus id mar emerge MB brother charles edward morgan thee present backbone company terse language street nay ix point fact become strong clientele amply aim va copy Hearte eat eat seat eat seat beat down bit smile still countenance off hat bow behind mutter something women earth weight worth fill us apprehension future come again actor known Dro broadway theater conversation offensive effusive young pa virtue down toot toot foot tory nothing tic tic sic rebuke few niche later garden theater henry miller tar tar star became loud conversation party people orchestra chair felt compelled pause state retire contest people whom referred noise serve serve servo illustrate increase york theater metropolitan opera house occupant keep fire fire tire conversation real music wish bear bear hear upon stage either here appropriate theater occasion aft jessie aye recruit dramatic profession born st louis mo mo ito order fit fit oat herself stage career came big city became pupil franklin FT Sa Sar school american academy dramatic art june promise prop tat |