Show Soloists o ois s Pl Please ase In ln Concert a at atT T Tabernacle By Dy w M. M C c. c ma Gluck soprano and Efrem Zuni Zun- Zun i 1 s violinist captured nearly Salt Saltair air alt music lovers at the Tabernacle last I gilt g in their Joint recital as the second lumber t of ot a a. series under the auspices the e Musical Arts society Although ss s offerings consisted In fn the aln of ot groups of songs of the lighter tin In her repertoire was well wen chosen and Millo 11 It offered her no opportunity to play play dramatic Interpretations it did of- of r er the chance of proving that she is ong the best in mellowness of tone and andS f S stone one of the most gracious es of an any on the concert platform rM t l ss Clucks Gluck s charming smile c her full tull 1 u u d tones and her clearness of ot on n whether she be singing In English a llan uan an or French always reminds me of ot i rd old or rare paintings of ot the m masters he e soprano was not in the best of ot voices voice s st night but her offerings because of ot P. P artistry of ot her interpretations and dc- dc g ed a a. most enthusiastic audience a as and ana s l waa forced to respond to numerous scores core Is rem rather ne new to Salts Salte Salt I i. i e s as ae a a. violin soloist won a mut multitude lade I r Ills His technique clarity of ot it nations his hi master bowIng lowing and his I Ig yet unassuming poise on the platform matte make him one of ot the lasters tasters of ot the violin While for forr de depth of ot I Dna he Is hardly equal to Kreisler r or v viral cral ral others of ot the worlds world's s greatest io all ail of his Offerings w were of ot the f lassie assle order In his of ot ar sates sate's Gypsy its AIls and his encore rigo s Serenade evinced a ancy of ot technique and a a. sweetness of n ng Q that fairly took his audience by br torm orm orm i biggest work was WaIl the opens open- open s umber of ot the recital Grande G J nde Concerto in D Minor lie played II movements the tho Andante ada adagio lo II Joso 11 and allegro especially the glo with that rareness that comes nl L to an in eartist whose whole soul Is Miss Gluck followed Vr with a a. group riffle CUt r tte son sons songs Haydn's Haydn s My Mother BIds I f le nd l M My Hair Mozart's Warning eg s 's Mi-ia Mi s Slumber Song I 1 I I lami's lamis to S 'S Sandman and Brahms' Brahms Theres The Tho t res ge Her encore My Iy Laddie overshadowed shadowed her singing of ot any I Uhe s songs In the cycle l then them offered Wagners Wagner's Prize Prize a as arram arranged for tor the violin by byi Nil i t and he ho gave to It a power and andr r ath th that was wholly satisfying I He lie Heed ed with Gypsy Gp y Airs and for en enre en- en r re responded with Drdla's Souvenir h l rigos rigo's rl rigo os o's s Serenade M rr s C. C Chuck Gluck uck came into her own In her here here e e offering a a. grot group p of ot songs which I jle pene ler d with s Little Russian Pile pJ S Song Miss l Gluck sang In Russian ost artistic artistically all giving the piece a a. Uc and Illuminating expression er other numbers were s The rho rh Answer s Psyche a Mile of ot Edinburgh Town arid and A A Little Song fl e elo Ing cycle cle consisted d of three I umbers by bv by Miss Mies Gluck with the obligates Of these three a Elegie Saint Le Leon I on eur and Goodeve's Fiddle and I I. I 1 le former was by far tar the best and sought ought out all the artistry of the two Joists Both oth Harry Kaufman accompanist forr for tor I r and Miss Eleanor Scheib to piano o. o for MIss Gluck played most ce a On 7 the London String I I tte Itte will appear as the tho next atti attraction action rider the auspices of ot the Musical Arts I |