Show WOMANS WOMAN'S PART IN NEWS OF THE DAY I American Americ n Fashions Fashions' By BT Cora Con Moore re and Toun Young Tho charm 0 of delightful color Golor schemes made possible thron through the use of transparencies transparencies' continues es tomake to tomake o make mako itself felt ia in th the n new w spring and summer models In the free int introduction introduction tion of laco lace particularly that o of bold old patterns such a as 31 the macrames and of more moro aristocratic pura and ana Chantiny Chantilly Chan Chi tilly tiny an n entirely different effect is produced from the veiled models mod 1 othe of o. the post past two seasons seasons to So that it Isto is safe safo to 1 predict a a. new lease of life for the fashion of 01 sheathing thin one fabric with another which ich 1 ot otherwise must aIro already have about run its fits course couse Tho The model sketched for today is illustrative il of this point Poin Without th the guipure graceful as es t the lines and the general eff effect might be the could hardly be written down the noV nor it d distinctly is J in its ts present ont tate stats Old blue tinted cream chiffon fn cloth doth and guipure Pure lace Be banding arc are tho the 1 materials used in iii its t tion tio on The foundation skirt very n narrow narrow nar nar- r row i fa is banded ed at the foot toot with tho the laA lace t to be met snOt by br th the aPron apron tunic orthe of or the chiffon which is hemmed d. d up p seven COven inches deep s back is a 8 section see sec c- c tion tin of or tho tie draped raped at b knee knee- depth o over r a old cold braid ornament and allowed to fall from t there ro in a tr train train- that four or five live inches on the floor is turned balk back and caught to th the th-e foundation skirt Th The surplice bodice is of f the th chiffon banded j just st st. above the belt bek narrowly with Then Ihen on ono one side it in draped with t the lace which cro crosses ee di diagonally over the th shoulder and I down the back and front terminating in iP a 1 while following the sa same r e course chiffon drapes the tho other ide side Tha sleeves are arc of th the chiffon cloth cioth bemm hemmed d and SI Sleeves are always long or very short in the latter ca case t they end rat rather ratier ea t than at any t point int below the el elbow I bow of tho the evening e dresses have no sleeves at at aH merely a a. shaul der draper drapery while oth others have the sleeve an dm important orta t and aud conspicuous con con- con con- Frequently of course th the sleeve must most take l its us cue from tb the c character of th the d dress drs s. s a as aa for example with the Louis Lom XV XVI stylo and aud its panniers Here Hera th the straight B sleeve eTe I gathered a a. little along alone the in Jn inside side fUd seam eam and finished with a is IB seam t With 4 th the th t frocks fc h. close chose straight nt 1 sleeve e seems to be b tb the thO appropriates appropriate and whore a fichu fichus IS s introduced the sleeve is shorter rp i I I A charm new summer model wider and nd usually longer lomer on the inside than out finished that tSat is i in a line I that slants toward the inside inarda Soft but colors axe are beIng be- be inQ Ing used need for ev evening D. D now rather than V very rt ethereal looking lookin tones and tints that 11 usually come with spring beautiful beautiful ful effects effects- being produced by jn mn nar them so 80 that th t certain sections are veiled while others are left clear and lustrous A great deal also alse is being l done ne with the idea of ot working out a on a fo then foundations then sheathing the whole olG with a a. transparency Es- Es Bt B- B t in th the use of summer materials have ha lave many novel effects effe been evolved this treatment tm t. t I |