Show l' l American Fashions BY CORA COR MOORE MOOR DESIGN BY BYLL LILLIAN ULLIAN LL YOUNG YOUG 7 It I always happens th that t the lattera latter of is marked by an in influx part o a season seon is i. i a lu flux flax of mor minor minor novelties pending tho the more mor important important changes changes that are aTe expected ex cx- later and ad this thi is true even reven this thui pet season when novelty of detail has been one of ot the characteristics of fashion This Thi is illustrated in the model mode sketched wherein the the blouse has hs one ono side falling over the belt in a tassel tipped pom poin point instead of being tucked in after tho the conventional manner and anda a again n in i the skirt skir where both skirt ski the and ad tonic are are cau caught ht up quite qute care care- cre- cre lessly albeit gracefully instead of falling fall fall- tal i ing mg fritt around as s heretofore heretofore An allowance is made for the inevitable touch of color clor in the te velvet bow bw with which bich the drapery is is' held held in position but a novelty note is introduced in that at the same s-s-me ue time timo it lt permits a modest moet display flay of ot hosie hosiery y above tho instep Th Tho gown WD itself is delicate green with straight around tunic of y lace Chantilly is Is' remarkably remark remark- ably popular just n now w. w by the Trav C especially es os where a a. wide expanse of or of lace Jace is IS' required Shadow which also has shared the favor of chantilly is now I preferred in the bolder designs themore the themore more Inon ethereal ones being too little of ot ofa ofa I a a 3 contrast against the gloss of satin A recent twist of this idea Ides of the lace tunics tunic substitutes a net foundation II built upon with flounces ounces a of lace laco wide or narrow narrow or it may be the net not netis is crossed an and with the lace in insertion insertion in- in m I finishing at atthe the lower edge with witha 1 a wide insertion with a deep self salt hem or 01 with a broad band of 01 black velvet or satin ribbon Blouses BIota l are still loose without being LoU fall and droopy without b bagging in o over er erthe the belt Bolts Belts and girdles are arranged ar ax- ran ranged ed as desired with many geometrically constructed ornaments used to h them them- themAs As for sash for sash ends one ono sees a a. great eat many man o all them as well well as short belt ends end wit bUt stoles are generally smarter and are hun hung at all aU sorts of angles Velvet ribbon is ii p playing n an n important Important tant part pm in the tho decorative schemes of both evening and day dr dresses for boys bop and other made motifs are much more more in evidence than the jeweled or or than thon those of ot metal mota Shapes of handsome embroideries are much used and always with telling effect ef ef- ef- ef feet and 2nd the moro curious or unusual they are fa the better they thoy are app For instance from torn a a banding of oriental I embroidery done o on any ny ma material ma rial whatever a a. triangular ar section is cut Its its' edge edRo trimmed and the edge edlo f d i ir 1 r f n f 1 j 1 s. s jf 1 i I jl ir T i 1 t i I i l to I t Evening gown of ot delicate green char char- me menso so and chantilly lace to be used as a a. base finished with tarnished tar tarnished gold or silver fringed fringe Then the ornament thus evolved is is' slipped in to intersect the girdle or oris is is placed where it holds a drapery and BO coon on Needless to say these made fripperies require considerable skill in the constructing since they must have havo the finished aspect of machine work to bs be entirely |