Show P A BEGGARS ARTIST LIVES IN A CELLAR AND PAINTS 61QNS FOR MENDICANTS 7Nikln Lhl 001 w1 < hor 190 a 1allistse For Iterrian Than a logZa 100111 Ill 11 < 1 M lud anij What 110 Chl I 1ho A now school ut art has Iran dlscor end So far ua known tills city lilts its Mo nrofinor mid ho Is 1 us eld l us his art But this is Ibo source I henco come tile thrilling pictures whieh tho licufiar innlmcd halt or blind dlniliia whin 10 mournfully relate just how ho was ijurcd I and striven to Impress upon tlio I Is iritnLlo how deserving ho Is of nM In ono of thoriialiUeitstriitsef the city nway down lit a lawmenl n Hick irliii gas flamei lights tile ttndlo of Ihlii qnar genius Itl IN J u phco of bustucM Ruth wt would 1 appall the welt dieted bankers but it is no exaggeration to gay that its occupant has au lueuo whicb funny moro pretentious painters would Ijolco 10 receive Technique uud perfpectlio moot with wall consideration lit tho hands of title king oC tLe beggar a for inch lid Knt 10 Lo To watch itncipaj and okr as of his patrons would give a stranger the iinnnmioii that > tire phllalltll10pht hll id stablishcd u charity hospital iu till Luestrent When tile writer paid n Nisit to thU unique studio tho other elnj tire artist Wll8 found IIlIlrrollli n pair of ournlh and n greatly w uolcn shirt as gnlltlr of ornlUlieutlltioli nt tile neck rut mail I thonook Itself of aivjuaintinco with suip and water A bush U ird tint had evidently evi-dently been brown in other ehjs covered tho lower portion of tho artUla face And bill I 1 shocky hair stood up in indignant indig-nant protest against tile possibility ol invasion hy bmh or comb Prom undel rather bobby brows n keen pair of eyes looked out Mind was decidedly in net denco conventionality was below par Doth cleanliness and gullliicM Men quito ignored l Tho furniture of tho studio consisted of an old < couch cohered with material which in days gone by had piobably been cry pretty chintz Nowit WM thoroughly disguised Ly tho nccnmu lotion of eliit A real rug carpet coer ed tho floor but not n single picture was hum upon tho wall although lauding ntiout the room wero several picture In vurious stages of progress Permission was asked to examine them and they were well worth swing Ono Nviw a lurid representation of a powder eiploiion So rcalistio was the picture that if you ired to place your lInger on what wero alleged to be burnIng burn-ing Kralm of powder you coal < f1 tint tho grains were there though tho artist denied that that was tho intention lIe said tho painting was Intended for n patron of his with two wooden lcg Eubstttutei for tlio pair tint n powder I explosion robbevl him of The object ot tile painting was to show tho charitable stranger just how it happened and thd artist saM that In Ills inlnd there was no doubt that his legless patron would greatly benefit by tho social thus placed on cauva There was uother picture which rep reeutill1l1 Mouinp npurninan war 1110 flames tholpout1 from Ih docks I of tlio unfortunate vessel were far mom nil than tho light that shines from the chimneys of an Iron mill nt night Nil lure has never succeeded In producing Anything quito go glowluff as unmitl glted red paint is and there t was no lack of it in this picture Tho pen wl 0 wero Billing about In the air second to have suffered frightful Injuries and the aitlfct Raid that this was purely to In okn sympathy for his customer who won kuppme d to be ono of Iho actors iu tho scene MI graphically ortrayed Tho trice of uch palming varies from 1 to f 12 Ills artful can mplete ouo In about 1 12 hours if lie does lint hurry If it Is n rush order tile woik can bo concluded I within t an hour 1 though In Hint Case tho Price Is t Increas cd Kiinewlnt Mica asked if lio made much money by this 1101 t of work the artist replied that laidid tint lio Bilnid moro than many Painters 1 vilics I were Ftrlving to do treat things arc ublo to seenrill Ills patrons more generally prompt pay indeed tile ubuIII terms art cult on delivery As fer ciubarkliig in higher art the nrtM would Invonono of It Ho tensely remarked that he would rather bo n painter for beggars than n beggar paint cr and as ho waved a goodby there wan wa-n contented look tin Ills face which should that ho meant exactly nh it ho BiliL Phlladelphin liters |