| Show I M I I I I I M M I I M M MM I I M 4 M-H M 4 4 4 M 44 4 4 M 4 3 M 4 M Mur 4 4 4 furs ur With Silver r fox ox in Ead tOad ft I Pr Predominate on Paris Boulevards t Ff t t t tf M t H tl t t t I t I p I 4 t 4 44 f The mode of the moment is to go to the Bois Bols in the morning and f here laere between 11 and 12 Just before lunch time the most beautiful and f novel ovel toilettes are to Be ve seen Furs naturally are much much to the fore f fand and silver fox predominates Many fair wear princess I f 4 gowns gown and no sort sou o of ot our door garment at all with the exception of off f ff f perhaps a heavy stole or shoulder wrap of fur Ah An n exceedingly smart f havanah colored cloth dress worn in the Avenue du Bois Bols last Sunday f ff f morning was made In princess shape and had a series of narrow and f t. ff f 4 much stitched box pleats pleatS' from neck to hem each pleat ending at the f 4 bottom of the gown grown in a sable tall tail f ff f 4 The waistband which was of dull gold and had a lovely new art 4 V Vf f 4 buckle was passed under the pleats Walking with the wearer of this f 4 4 novel toilette was a very pretty haired dark d woman In a red cloth gown f 4 of most peculiar fashion The front was princess shape and at the f 4 ff f back bacle there were long coat tails talIs which fell from a narrow narrow belt of red f ff f and gold embroidery f Another well-known well woman of fashion who is to be seen dally daily on f 4 the Avenue des Acacias was attired in a neat little homespun gown of ofa ofa off f ff f a pretty shade of grayish blue cut en en princesse It fitted superbly and f 4 ff f had for sole trimming a couple of rows of tiny gilt buttons A large f silver fox was muff carrl carried d with this gown I- I f ff f Fashion succeeds fashion In rapid evolution and as the season advances ad- ad adf f ff f vances one can trace attempts to go back to the time old beauties of an f 4 ff f 4 epoch when the rich luxurious and artistic grace of the grandes dames of social elegance reigned supreme The only difference In the varied f 4 ff f 4 reproductions is that each couturier interprets these styles according f 4 to their theli own ideas f At the tle present time when a distinct style of Marie Antoinette elm elm- f rU ity Is coupled with the luxuriousness of the First Empire there ls f 4 ff f a remarkable tendency shown by the couturiers to favor extravagant 4 f and costly embroidered materials rather than the pretty printed muslins mus- mus f ff f lins and taffetas f the epoch f 4 A clever combination of the Louis XVI style is carried out In rich f 4 ff f materials embroideries and lace inc incrustations which only display a n note te teOf f ff f of cf simplicity in the cut and shape of the garment or the dainty f 4 ff f fichus and elbow sleeve which Marie Antoinette so becomingly IY f 4 ff f 4 adopted and handed down These shoulder draperies which are en enjoying en- en f such a vogue arranges arrange with a delicate touch certainly add a af f fascinating charm to the he toilettes 1 f ff f It is to be seen on the day gown gown reception dress and evening gown f ff f and is always appropriate to the d dress ess on which it appears A A f ff f 9 adornment either in cloth shaped as a shoulder trimming g or ribbon velvet velvet vel- vel f ff f vet on guipure and will wm be seen on all an the early models for 4 f spring IA l I f 4 ff f A chic toilette tollette has recently been ma mane e lo Io Be fie e worn by a well-known well f society woman at the Nice races It is blue satin cloth made f ff f with a fo ron g T g-T habit coat oat laced across in front over a white f 4 Jabot with black ribbon velvet elvet There are aie neep pleats on f 4 the skirt t. t laced across in the the same manner f fA A broad black velvet collar falls over dark ecru guipure while from f beneath the velvet elbow cuff cut appear long pleated white f ff f sleeves caught tightly to the wrist by narrow bands of black velvet f ff f 4 It is altogether a a. very neat and effective gown s says says ys a Paris 4 t dent 4 |
