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Show Amusement. "OIlJUBNOAUOAtE" waa freunted laat night at tho Bilt I.akn fhoatro to a fair houae. It la the famoua ktory of lliimAa, dramatist d ly Heron, and It hat create I quite a rtlia&tlon wherever ph)ol. Tfcu thiuiecfthu tragedy la apiece offeal lift, a pUturuof Ioti, iluJralou.y utd revenge nndaofar aa lUti drama tla plcta human at tloua and jinaaloiia ftiltti-fulo, ftiltti-fulo, no fur Itdreervoe recognlllon n nwcrkifarU Itaeerua, liuvver.W i r Hablo to wvcral itrave t,ole,'MiiiM, On la the enffra nrcnoa of any tt-ium'j tt-ium'j catitrtt. There la no ami .hint, lu the plume. All la aliadrd, Deception, liypwil.y, levity, Mill. Htaiie.a, ungiverntd paanlona mrtt the tecttor every wheie. Thla la not it rue riticiitII n of liuninn life, nallbcr In 1'rarico par anywhere el. o. riuroi.acmo virtue, luiu goodutaa, I aeme nohtlliy of charn ter l f ibo a hi ( ut r Ina no' Ii "run ;l,, I Ion I I in tin u I ami A llii llll tt t i i-lll I. ' i tin, !i i , i in eta. I, an I I ii iiof" trie tonal in II an I lii'mg i I I without the I art ray of Hum I in the q nct Ion naturally arlata, a hat giHrl cin the production of a play like tho "Clomanceau Ca.e" do? It la luwlbly Ititen led to Iml real thla let ton, thit trifling with Die inoat acred retallona that can txlat, tlio.e between the bi xea, la a crlmo wlilcli brln(autilihment with It, tooner or later, and thla cannot b loo alroncly urged In an ace of alnful tttvlty, like ouri. Until ladauttflll whether any cflect In thla direction can bo produced by thla drama. II. verj onel I.Jnwa prevtuta 11 from producing any la.tlng Uniflrlal Impreaalon. Hie ilmlli acerii, whloh haa raierJ ao much dia-mi.aloii, dia-mi.aloii, ateuia to U alligilner atiper tlunua. Itaollnilnailoii muM bu no delrlmenl to the lay aa 11 la In no way eaaimtlal bill On. objectlm la of laaa Kentral np Illation When tho lietraye.1 huetainl take rn-vrntra rn-vrntra hy killing hla fallhliaa wife In.taul of Ihe victim, w ilch the and htr nwthtr have.muithlln Hielr net, the gallant Ami rloain lerl loraite aprotcat. riila, however, la merely a matter of dirt. rnce In vlewa. Tho dmaan repreaeiitioK Irench llfo had to let Ihe hero act nceordlng to I'rench aentlnientt To give ti a I rent,hloaii Amtrlctri nallai.tr' wmild be a, initial, init-ial, auulogoua lo a aorecleru. The acting laat night waa good. Hlbyl Jolintoiie waa all that her friendly critlca haxo aald of her. At llrura the ncttd almlrably, every movemaut, cvrryexprrealoiiofcounte. nancotnlnx In oil liarmnny with her riMumed rot... Cenevleve Ilnroau had a correct ror.it pllon of "Count-11 "Count-11 lljinl.roirakj," tlm adevntur-eaa. adevntur-eaa. rlhe had lliToiighly nuaterml every dttall of htr lArlnnd rtnderodlt ciott rly. Mr. Hutton, who had "Clem-enctauVfiart, "Clem-enctauVfiart, dll not opiiear tender . nougli M A lover cf the Infatuating lia, hut m the Injure I hu.lii.il, ho nppearvd to much greater advantagtr. Mr. Newell did well oi 'Coittnllue lilll," and tho other aiiiiorliug (liar-ni (liar-ni tere wore filrlygiit.rrcept irhapa Mr. Matthew, whtoeparta. h count waa too much for hlra. riiollttlo maid waagooitaia Frtuili mall, w lit ti It la remeiulieruil that tho hired glrla ovr Iherearn not the enianclnated. Il dt- in.tent young ladlea with whom we arc fund liar ha,rp The pvrfoaTaanco allcltttl but Utile appltuao. NMUiattliaaclliiit where It waa waa good waa not ap.reclale I, but tho renllmetita of the play are not thate of tbo Kail l,ikooiblli! Unfortunately, Ihetlrami will be perfornitHlajaln tonight. to-night. "niTi.r wiiin ruHTtnt'iv" enmea to tho Theatre with little (Jeorgla Coobcr lenllni fxn oomin), for one uUut only, TUuraday, l)ao. .I1.U lirnituANS. The new year will he o lonoJ at tho Theatre Willi a preaeillallon of the aatontaliliig iwrirmancra of thla renowned re-nowned inagli Ijn. He la a.'latod by Madame Herrmann, and AlalulKhaii, nn 1 ait Indian necromanoer. riila reaaon lili programme Include, ticrldci hla uonditful alelghtif hantl work, "ritroUlka," hla now Illusion, which liaacreatcl auch a eruaalloti lu N.w Yorkclly, at III. own theatre, during lla recent run of 100 nighta, Abdul Khan, tho original fakir, the poetical an I allegorical llltii!on"A alave glrl'a dream," "New black art," "Hoilne, chill of Ihe air," and otliir myitlo noveltlet. |