Show I i. i U. U IC BO I lorkis onee conet to tour tot of the Now ow York s 8 jf f Oi Ole t choir la Is ended lId cd singers and ad other artists have haye re reo re- re o their homo city ant and the trip 1 Is or of history C choir left lt this city without a 3 nar na- na reputation r a as PI a great musical or- or atlon That Is not meant to Imply the choir was not by I to thousands of musicians ll In all alloL allt loft oL t tho States Whoever hi ead of ot S Salt k City I CY ln In th the other h phad heard I-ard In III the thc came tamo breath of holi It has for I d. many ibe n one COO of the unique musical ortin or- or tin of nf f i tte e Tho rho famo of oc has brn heretofore because of c than from a a. true merits of the choir as a pure- pure odet grea greal grea s an 1 performs q his he ho lives live those thoe who are his form different opinions ot ol r of his worth cf ct his labors man dies a a. summary can canado it ado o of what ho has baa dono done for the to iI-to make It better and brighter Is 5 according to toi I 1 Disposition of or the mind that makes es analysis analI A t general average o of many WilI In the iha long run fix that i tn ns n's tru true place in the world o of of action I m jeSA with the choir and ani Its tour ou Many 1 opinions have hao n 11 In th the many man dUes In Iii which I i as s sung ung as to the tho merits of the ration on in n fl a a. purely musical sense I Ime meT me f ti tse tIse se s the tho singers lingers antI and her who appealed with them I been d TO 10 1 the he skies s. s Other who iwho atten attended ltd the same Fame concerts tle same conditions have havo r ii he al otal musicians and have been In their expressions of or crill- crill In personality or In jI ua of th the critics Is of these thoe differences of I critics who heard the choir heard 1 oM Impersonal feelings not ani- ani bythe spirit that has hns albe albeen al- al be been n lavished upon tho the choir IIII In III It and state by bv any fe i these critics have hav orld their impressions I ases the critics critiC have been so unto un- un alto to say sav that the the hoir should have I be f home than to tempt 4 if In the fa es of audiences sM hat fr u opportunity y to 1 fil fluent admittedly 01 l the fi do- do b Ev organizations In I. existence 00 critics who I had heard e these amous so organIzations 1 a have not heel heel- eel St that the Itan tah singers were i- i iso 1111 of any other organization they I I n rd cannot he 1 right I both hoth need c not ji 1 ob J g r There m must have ha Ia been e an cle- cle m bf In wa what eai class cass o of or crit- crit In view C r of f the fact C t that jat jt t number I b of f criticisms l of t the re friend friendly I in tone and il c. h and It leader u upon f r nl n work rk U it I is p perfectly c safe eafe L that the choir is better than the 11 choir and perhaps not 4 1 J the standard of the finest anal of the tho opinion of the 1 east aH as to the work o of the i i. t that while It is ts not y yet t a great I tion lion In th tb sense sens that it can r df all corners comers In contests V mical musical skill It Is a R poten- poten o prea ireat ea choir It has hag the basis and andI I or r th making of what ma may tie worlds world's greatest choir r lt It of the work I of fl attention to what the lIlt assumed as the fact that the LII 1 behind hind the times times' In the matter Ing One critic o said that it l was for lr for twenty years ears ago Tho The l that th the tho singers singer remote larA from the expressions ij rn thought In fn thi tb art of shading ion Ion and oth other othI r features that go to oral singing beautiful were vere in m a a. U in style I gingers themselves ml el are not slow are many points in Ork In h h they can Improve i ylare determined that their great great- tho future will viIi Ill bo ho directed JI th their lr Improvement nt Tr ey f Uel el t 1 ar at ar II m a mea measure uri handI hand handi- their Inability to hoar the then I of of r h great o r iff- iff n learn l bv means I S of conw con com w II work noi-K with their own the then fi n wat which they l f-l ma may mey be ba In u u. c certain i v eni nt tes h done donI tI ls for the as the members that ilaI it If good it t may become u l' l the members ire UP now lea ready leady Q I better and e eventually the If the thou 1011 had er no gained a a. puts t Ion for foi its Us music the then Ii C n 0 mum inan of the Ule cities In dUes in th the theo I o 0 them in m fart fact were oncIe not rep- rep L of Ih MK- MK musical elements of oft t it t ts If- If was particularly true and fi fiut o i there here eastward In i i. i omaha i lie he bc t known mud mu- mu d 1 nil at of the loading lending t J o 0 us mus' a tended th the concerts I 1 east t U was WUI different The Then A- A n fI genera thing were small maJl f lra draw 11 n mOl rooie by enby enly en- en by ly a u usie use se to listen n to the Sis Sis' I tte P J T Tro t ro the representative lip t e attend j the tho critics critic were es- es U d I. I COd and said Eald many kind hind wor words s tt irs and I the tho I O soloists But in I t r audiences s were i e took that into consid- consid d and n roasted i In- In th choir h Ii JF 0 0 I dId not In sing ing up liP to Its average n at ai ill times time end and could oJ aej 1 rd d upon at all times On 7 gallons 1 the tho v rk was of I an ail al- al l 1 cl lally high character with tt i ir r. r tempo clear clearN N fIl on and i v Client ilent phrasing At t 1 tait falt It was rugged Tl and uncertain 1 ship I s R would be In per- per Iland and oil on occasions tho the 11 b h h- off ciT k Ic ki v. v ii s vi 1 particularly r ties tics es m II t I i Iners now that Jam ionic m nd d 11 ha ha 1 I had hall a day clay or 11 0 o cv admit that th thle the theia eve le ia nv mIll moi- l t than ihan wrong rons The plain tit th t 1 paving eavin that it p caused by bv t the tho he fatI fatigue ue of the tha end novelty nO o of Illation sei b b- the till attitude altitude of flees at when tho the crowds h h small emall 1 than h were expected natural natura that this titis should Jop 00 and anil 1 i Is b not KO so much Sue ue Ce to till te on this his score be ibe Imi igi ll hl 1 I to lO r p ct an all amateur Ion Or 01 ir n s pro prof professional h choir Its ha bi hI s' s work when th there re i tv in the tho box office officer r l' 1 1 ant and hell rent renU akIn c jud sinkers sinkers' Into lion ion lencl r s ti a heard ni-ard ard the Fingers t II u in lori cf 1 tho the cities via via- 10 and there the iy ty g tims tint t I ht h. singers ero and had It not been odit oi oi Ol un under r which the trip tripi i n HIt the the- would have beets been t i t turn li nh md Hid cancel a a. part It t haa 1 not nOl l Ij n fl for the tho guaran- guaran that hat wa was wall pi before the ie trip must have o been aban- aban y T 1 Ir in th tho schedule for tor even the theOtto I Otto J ho ml would not light lO In n to 1 pa- pa 1 their lion out l ron 5 1 i t 11 i 5 tim tho sec and anft tin those i S i t in III n brett bred tave bl bigger ger i In i is cal ca- ca l iwas was not a financial e men whoso whose lo lo c loof of city Is greats greater than their I. I lovo love lI Cy v c 11 each o a mId lenin ff gosi jod tin the j ir fit gr fita 1 a II g. g go o ou y j dov fur tor or the te 6 att I In fy V fl to l t loll hOI jj nt gIet t h ho nit mi n sever 1 b in m ini i a i IP dullar but ut It Wit wu l rca 11 t and it was of a kind hind that benefits The inquiries that are aro already coming into tho the Commercial club dub show that the trip created the desired effect and got many man p people ople talking about Utah and her pos pos- but but that's another story The The- Misses Ella IIa Hazel el Barnes Eva E Crawford and Edna dna Evans known as the Paris four held an nn informal r reception and musicale at the new studio of or Miss and Miss Crawford Stewart apartments First avenue and C Cstreet street Wednesday afternoon The studio studio studio stu stu- dio was filled filed with guests and the young artists gave a delightful program This was the first time the four young oung women ha had been en together since their return from l I Thomas Gl e Giles Cues David Reese and Miss Eva v Crawford o wilt will Il give the he first concer concert e afir of n a series to be gf given in irs a number g of towns of f Utah and Idaho at Tooele on onI I the night of December 10 The Tho second will be given sl at Grantsville on the night of December 12 Da David ld Reese sang for Mr Sheehan of the Sheehan Opera company compan early arly in the week Mr Sheehan promptly rom made a I good offer to Mr Reese Roese for an engagement engagement engage engage- ment but the local singer did not wl wish h to leave the tho city at this timo and do- do dined tho proffered co contract tract Tracy Trac T. T Cannon has been Iii during the greater part of this week but was able to return to isis Ills studio Frida Friday A number of Mr 11 Cannons Cannon's piano pupils will be he heard in a a. studio recital next Friday night Professor J. J J. J McClellan composer of the Irrigation Ode sung by the New NewYork NewYork York chorus horus at Madison Madion Square Garden New York has received a letter front from Robert D. D Heinl editor of Leslie's Week Yeek I ly iy In which the latter hatter sa says s 's I heard your our work the other afternoon and considered considered considered con con- in wonderfully beautiful Mr rr Heinl a asked ked Professor McClellan for a IL astory astory story stern of the tIle composing of the music and for a photograph of oC the composer for use useIn usein usein in Leslie's Weekly Professor McClellan is highly o gratified by the recognition and says Sacs that it was one of the most mOISt appreciated appreciated dated honors that has baa como come to him In addition to the duties devolving upon him hint in the chair chail of ot theory and composition corn com position of the Utah Conservatory ConsEr o ol of Music Mu ic Charles F. F Stayner has found round time Uma to evolve a solution of a a. problem that has always been troublesome to pianoforte teachers That problem Is tomake to tomake tomake make the simple five finger exercises that have i in the past w wearied by their extreme monotony interesting to the younger students He lie has hafi evolved a new system of ot handling the finger five exercises exercises exercises exer exer- In a 11 manner manlier that he believes will meet the needs o of the the- younger students and will appeal to their imagination In Interest Interest In- In terest Is aroused from front the beginning and andIs andis andis is not allowed ed to lag for a moment until the advanced ad work Is well nell 1 developed In the textbook for the very young eung students the exercises s contain the toyIng toying toy toy- Ing or playful element with Its Us absolute thoroughness disguised and though the tho rhythmical figures are repeated many times the work Is so divided between the two hands up and down dowis the lie ke keyboard key key- board that new points o of Interest arc developed d as the practice tle progresses The pt t constant repetitions occur e but in changed form thus th relieving the monotony on ony of five finger exercises in m inthe the old style These ThEe cX exercises are designed d to take tale the place of the tho old stereotyped pe five fluger exercises an and anO it Is Js thought I that they will replace the old style le er very rapidly as their merits become known toI to I th the idl teachers e I Another problem Mr 11 Sta Stayner has solved Is the production of pieces for the piano that 81 are arc realty really suitable to the heeds of ofer very er young beginners and anti little hittle children The trouble has been heretofore heretofore hereto hereto- fore to make snake the tho adult material interesting interesting inter inter- esting sting to the juvenile mind especially the very young The difficulty has been that when pieces are easy enough they lack lak real music and character and when they the are ore musically good the they are aie too difficult dif d dif dif- nc for tho the child In tIle the solution of this problem Mr Stayner ner has lIStS provided music for the children children chil chil- dren then which while easy has bas real character charac charac- ter tel and Is really musical The music program m for tho the huff Methodist Moth Meth ireth- ireth o odist church tomorrow morning Is as follows follows fol fol- foi- foi lows Prelude duet Melody I 1 Jody In fn Mrs 1 Carroll and Miss Hardiman Anthem The Lord In Strength Vie Vie- Nevin evin Choir Choll Solo There Is a a. City Bright Lou Lou-J Miss 1 Morse e. e Offertory violin solo i Will A Anthem Autumn Praise 0 Bassett Choir One of the tile Interesting experiences of the tabernacle choir on lIe ils visit to New NewYork NewYork York is told in an entertaining manner b by the New ew York Times Time as all follows tollow Few yew have not heard of the historic organ In fn th the Mormon tabernacle at u Salt Halt Lake bake City but hut It is not generally generall known that New e York has haa an instrument Its su superior superior su- su perlor In mechanical construction antI and size When hen John r f 1 McClellan organist of or tho the ta who Is now not nother here her with the tire Mormon choir heard about this organ he call called d on r. r 1 A. A of o the Hotel Astor Aslor owner of the thc organ and asked to see ItOn itOn itOn it On the th floor of or the ballroom stood tood a a. simple pimple organ orsan manual with a a. cable of electric wires leading heading rr from I it McClellan McClel McClel- lan han did not 1 like ike t I the hit hI light 1 no so 0 the manual was OMI shifted to another corner a as os it Is no larger than than than-an I upright piano Wheres Where the 01 organ an l' l as asked ell Ian an Oh some ome of or It Is up there said Mr Ir ruti pointing to what appeared to be sonic somo tUP tapestry In one corner of an upper gallery aller and some of it is ov over r there pointing to iv it piece of statuary In Inthe Inthe inthe the first gallery Sit down dowis and play me something The wizard of or this the the tabernacle tabernacle organ g sat il It down dowis at th the manual of or the hidden organ or- or jan gait and played There are aro seventy stops on tho the Salt Ll organ r an and 10 OH tin 11 the Aslor Asor instrument As 8 Mr Ir McClellan op opened nod stop top after stop stol the tones rang Tang forth until he lie forgot eve everything but his lila work and rarely before has such auch music been heard hard in a hotel botel Ho Ito played for or four hours The Tho organist returned d tho the compliment yesterday afternoon b by b taking taking- his ZIO singers up to o call cali on Isis Ills music loving host hoet They quietly tiled filed d Into the big ballroom ball bail room and I nd the doors doom closed behind them th George r B. B RIggs happened I to vp b be on hand rr Ot and he was a s into service e to show what hat the big bis h organ oran could do Only the lI lights ht wr seers r. r s turned on and the tho effect of or th the Invisible music voted artisti Its rising and falling volume olum the treble from on one side ride of ot the big hilt hall hail and th the bass base from another th the lie quaint effect of tho the in interludes in- in and the till grandeur of th the en ensemble ensemble en- en measures s held the western estern musicians musi dans for fOT snore more than an en hour As S Mr Riggs got up fr from the organ th they rose with f him and Mr McClellan played the thi accompaniment nt of The Soldiers Soldier's Sot Sol dl dier's diers Chorus from frons Faust In Intermission Intermission In- In the Mormon 1 hymn Oh My Iy Father was given Mr entertained l all hands handa at dinner How Prof John J. J McCellan was our cur ur tallied d In Denver on th the th occasion o of the concert given in that thai city In ItI one of or the theman man many Interesting little littie tales talea |