Show I I I I I I Wants All Operas Sung in English In st a I recent Interview t Henry W W. HayI Hay Hav- at- at a age age- e the managerial sponsor for Pu Puccini's cini's cinis grand opera The GIrl of the Golden GoldI Gold Gold- en Cu West tit In iii English wild said In part Of O course I 1 1 bellevo o lIc in l n ll h grand The Tho proof o of how much In I believe in It Il Is 11 shown 1 h by the tho I 1 put 11 t Into It In country Th The Tho time tinie will romo roun md mid I 1 expect to ti-i live II to 1 see it when fill all of or the thC grand operas h by old as ell isell 11 n OR cc later Inter one ones will 1 bo be 0 PIl alven by by- th the tue Metropolitan I. n al eli the tho oth American an I era crand uil op opera cou panics MIn In English Wh Why should not nol bo ho In Iii Paris an J an-J 1 tue th Dalian op opera ra rent rs th re are arc rI eighty ht ned ndoi d Iu hu houses utis' utis In tp operas ras of th the I are arc 1 only 1111 In lh hr tongue of lh the city wh rr they 1113 art arc pro pro- Why h should th the lie nJ Americans and th the English listen only to th these c operas It In I Kalian Italian in French or or G German rm Th rh theor theory that the oj ran would in lose If Ie sung In En wan wu exploded d b by the tho success of or Madam and nd P I. I Cal fal We 0 gave gae e in Butterfly for more than 00 I consecutive c ons o nl ht Eng 1111 didn't hurt it its ftH With tIle the op operas ras of the th later composers Puccini Charpentier and D De s BU DU Busy KV KVIt i It Il Js ts almost Impossible to set get et lh r real soul o of th- th opera across the footlights If tr tho audience c cannot understand th tile the words With old Italian Ita composers Ilk s VerdI for Cor Instance Uil lila point point- was wa not tb flOI difficult Ith th the iii arias and r recitative e to help matters mattere olon along Tho TIni Girl of tho Golden 1 t comes to 10 the Colonial February 2 Il and 5 1 with willi a so matinee I February S II |