Show photographers t diio artistic of a thorough craftsman ol 01 tha camera the number of stops in tho of making a photograph which call for tha of the same artistic that must bo possessed by the painter will be surprising bays a writer in tao new england magazine tho arniat photographer select his picture with reference to its composition of lines masses of light shade and texture by his choice of lens he determines the width of angle or the of tho picture in focusing and dia he divided his definition and his varue nesB to euit the requirements of hir sense of pictorial beauty ilia development is almost as individual as tho painters brush which chooses between the minute exactness of a pre or a dusseldorf DuKs eldorf canvas and the poetic vagueness of a corot in printing he haa a wide of expression he may bec tho gloss of paper tho rough surface of What mans drazine board the lustrous elicon of japanese papers or alio rich depth of a carbon film although confined to monochrome the various toning baths and the pigments pig menta of carbon films open to him an infinite variety of colors comprising the lusters of gold silver platinum and other deep charcoal black and the chalk reds of botticelli it is however not the wealth of materials eo much as the artistic arti itic discrimination in the uee of them which la illustrated by the amateur work of today to day nd in which progress la now being mada |