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Show ST SYMPHONY ti iffl TREAT fhestra Interprets Work & Composer With Ex-L Ex-L quisite Skill glNG IS PLEASING ffiions From Wagner j(lerdel$$ohn Greeted nHBawMewata of Pxorak s KgGSwn tha Mow Worl 1 rfPMfefoe Salt Lake Philhar-jjfffifeywtorty Philhar-jjfffifeywtorty afternoon lffr MkttUtttl. This is nHHKHk ef the tecond moe- IHntf foilowiajt the slow HSmSsT etateaient is that ySBSa'btt watt of a mood ffiyinMr whoa eonteni iflMffifeff's "Hiawatha. The ajsjiJe evidence that firmer been under this RJjMil foMR WMS to he an ex LSCm feelst nore eompre-krfkaa eompre-krfkaa wriMK ffwOa old have hues -oajKMnt parts of this Stat we tgtitteaety performed hlMOThestra. TO ii ariaj much ff a Bn lerstMtt ttet much of it IjMjialv dufifib hi reason of its tJfc, The mor53mj eeherso and rSE although uqnenionably less VSt than the) bwgo, were won tS veil rendefca. The finale, a iHrrsupins of aS that preceded kSsOT magnifieem aa was brave- Stadfc. Folk Scngis "ast movemeaj of the Dvorak Ita, according to the campos-at, campos-at, is an intettntatioa, more or irate of meliijr tedigenons to , so to speaks. Thus it takes ef the songs SUs by negroes uverj dsvs and abe those of In ilSbes. The audience that heard ifprst movement yesterday was .Sdfca ppointed, for the music can X the remotest sense be called 53, aer jet has it even the doubt-aKnt doubt-aKnt of 'ragtime althoi gU t.u so intention here to debase tuto effort so much It i ne r rctrns that with rare exceptions jBsages of tha first movement are iSiit the composer aimed at wh h Si, is not strange since Dvorak sihve of Bohemia and t s u i hi cry from Bobem.a to jrja, eTen for a eompo er w th the ftfi the genius of Dvorak. Si the Dvorak music was the am feg sMeuiME ef the dav on the pa t l nflaanaonie plavers. t not Kjfft te say that, in choc a Sf&jr Ba master effor he or happily The S oak tangr affords opportunity for a iflllet ef wort, and each -remoe tk orchestra showed aretcl p epa fit sat a complete uuderstacdin -Jie tah m hand in Carlos"' Is Pleasing UpAsr a the extreme were he CefforU of Mrs. Agatha Be khc 1 t& She was m spies J d o e a 1 I Titi rare effect Her f r t but f D Fatale from the jrrac 1 p, Don Carlos was mir Jly dose The seleet on is h a tragical and full of passion, all of which were interpreted with surpa.ting ex ellence Her &e onj ele tion, Br n disi from the opera Lu tezia Bor ga was no le a a tr mph for Mrs erkhoel hiegel The song is a rhvth m lassi w th a fundamentally lively air and the 5 nger met the demands of the sprightly acore w th pleasing crace. The first number on the programme was Mende s.ohn s overture to A M d ninmer "ht s Dream It was hihl si cee ul Uartsg exact re Kari for the dehcacv of the p ece the 'or hestra sent the wood n mphs romp and he sprites danc nsr and the other fair e ng'ns; n a manner de 1 c ons to hear The 5 t, ed I vl b Wagner lollowed the Menaelssohn overture It 3 a compo t on den and ng careful at tention an 1 one of those where n a e d or a str ng mav ea lv go wrong b t u e te dtv s rend t on Ihe or he "a was perfe t Many of tho pas as a are entran nglv tender an 1 weet and then too there are Fome of the ra er and the braver sort It was an apt and popular ho re from on" a 1 the Wagner an work Music Lovers Applaud The aad cn e which greeted the or hestra t the Empres was nten elj irp ec at e The keenest of Salr Lake s n sic lo ers fonnd a programme of well selected numbers renderel with the perfected skill of true music ans If any came to criticise adversely thev went awav disappointed for aga nst no part of" any of the work would ad verse cr t c sm lie Therefore thos who came to critic so at all gave cnti sm of the most faiorable kind . thnr Freber the cond ictor was he re f ent of manv happv onrra u lat ons at the close of the performance, and he well merited it Hsasoe ates too were lavishly praised and thev alo wtp deserving of the kind wordi pokeD of and to them |