Show t amS at the FirM Methodist church last w which ich i ito IS ISto to sn say there that sort music tilt makes ono one glad glud he came und mid wish Jar more It is not easy casy to define the charm or of the singer t Site Is except In the Impression she gives of oC ge gc get t cal good nature and 3 mid aid c she has hns non none o the ces ot of ai great shu singer r slit She Is l or of a 0 bigness fiS as they would H broad her Iter is lArgo large her 1101 figuro is l 1 rge rind una her voice olce Is large Jarge end nd with It aU all she sho hs s n a charm u a dra J force II a way a nr ont and andt t hold of 01 her lter au audience iii hl n Intimate Way stay that Is irresistible One no might be hYP hypercritical ad suggest t to mt In a con concert ert pi the average audi audie au l e ice some or r 1 three of tC simpler ballads would have haye lent interest for the tho unInitiated who are arc not familiar familiars s lUh the purely classical numbers but buttor tor f r music lovers the th selections selection were ad n chosen choson Hanging Banging from the sons songs to the prison scene from lie Prophet from frail the delightfully I fourth song of the rahm cycle to tot the t to impressive Mey eer aria c ery num number f was sties a dell ht un an artistic In the solos sotos of the tho pro program gram grain and encores it would IH not t ho be easy t tp choose the one that than g gap most pl pleas as asure tire ure and ml any would depend t upon JOn the Ule auditors taste she rho Schumann s were given with a restraint am and del dell deli l i ncy acy and feeling that few singers ap approach p pro ro cb The Th des a Liszt song Tho Three Gypsies was great no 1 less 88 Ono who had never heard the words or theme could divine divino f from rom such Interpretation tation the intent of the sonS song so rich was the tho coloring so pr precise the expression and so complete the tho Jon rendition in every phase The Brahms c cycle six Hungarian gypsy gangs dem demanded and Ind received n a whit variance of conception un an exquisite eX luh Ito ite tonal painting of emotions And Ana tIn fin 1 Jl th the 3 great poem for Imm immense power exact tug u aU alt the possibilities pos i s or of n a big voice with the tho most trying necessities or of vo Mme wn wars mOre than thano o op ul to the rC requirements Or of her hor program pro gram Her voice Is rem In Its sonorous breadth and a certain cello quality ity Ih as well as in its range u purity and flexibility nn ease t with which she sho manages aU alike e the tho most difficult dramatic passages and d in 1 lyrical score Is u Q To With ith it nil all she has n a and earnest earnestness ness and infectious infections good humor entirely captivating That she won her audience goes loes without saying and the enthusiasm which greeted hr her every appearance mu must t b been n most gratifying inS i who accompanied the solo soloist Is a pianist of ability an and nut t tonally to the program with three num numbers bars bers fin and an en encore ore Liehe e tum an staS were the program anti and the en encore encore core was Giless SprinG Song The Eighth Hungarian Rhapsody It the mst St Jr pretentious or of the piano solos was ily given IY and the he Gli Grieg b encore was interpreted 1 with fine feeding and effect The glamour of the days when men loan down their lives for a how bow f ribbon a flow n smile the castle WIl wails Is the the court fool with clip cap It and d bells bella the days when th And anal y were wera the centers of a L thousand with thrones and kingdoms as the forfeits the days H when lovers wooed their tiler sweethearts over ball betl this und and much more i is tru tra ed In Dorothy Vernon of n Haul 1 It Is just what the says tt it 18 a aa n a pl lay r Gallatin and Walter Pen make the tle most of It Miss never neer been seen In anything hatt hotter r on the Hie local stage In n the part of Dorothy the tho proud w attl Oft I impetuous spoiled beautiful dauS daugh daughter 1 wr ter a proud house she Is all that canna ho be t S She e runs the open And an bold d of her d fu fuin in fattier to the acme of frivolity hi I t dancing like It a bArmaid before naughty haughty queen J tb Slut She Is ne never r weak Nor Bor of the part is excellent 1 it t could not be b better ha had the entire play Leon Leen written for her hol herIn In ah r Penington liS as Sir John Manners Mss Gallatin furs hus support As the bold and handsome 1 t that has d the fancy of every ry day U dreamer since the world began be began gan he 5 the honors with the hc star starIn In figure voice alee and temperament he fins Into the part admirably In ud lUon to all this Jw he has that personal tf m that is ah absolutely necessary L to the part of the tho ardent lover loer from H He u f vor VIP 1 the UI a from fn the th binning oft e er r re he cola is goo good A the annie t nie It is difficult tt to why wh will expend sums sums og In I costumes lAud and an all te h e other es I and pt nt th the H same tm tame trot hot sir sira IU IUa a lot of frell fr S to represent nobility i when the whole lot Jot wo would la appear to bd ter advantage in a 1 t court i iJames Jam James s K fl as Perkin erkin 1 the foci I waa w aa ec rood In ibis lc final sa l fir love lon of se me master tUl ho received ved th the host bast ap a e of th the evening Con Const I st nc 1 os as lady on s another wig i special mention Her work Is vo of This is ig true of Frank Franl Smith His Hla Sir George Vernon is good in every Wl way l I IOne One of the younger ur of the actors h in inthe I the east cust shows promising ability I Is It H Is hi true th that t J the tho part parr of Davison on the tho servant does not sh him the best of I 1 but he th the best bOft o of the opportunities nl ties offered The Tho costumes a aie esp call or of sits Gallatin and correct N cx I cep oft can be ba taken to the scenery Tie play 1 Is well strayed I A El hJ i every WI way Jt it i 1 Sp eve S ep ovo The w wad fi aI tl l curtain mt n c t tW W Wj Mss U G wilt still the same tole tp afternoon arid toi Mine ci the sang sail last might ht athe at the with n a richness Or of voice and If t I tM her heia to the that she phe was encored repeatedly sung sang direct from ncr ner Jt find fUU PH nit feeling into lato every to tone c uttered nor gestures t w were r o Df he PP eie appo and which conies comes o ly through gh long cp experience ence in lira opera Charles r Semen the narrow fellow Ud did some very ury clever cleer work in comi i and 11 1 While hUe on ona n a cello Semen was wa inter I IJ b n a terrible curiae lh the seene A fter tel Investigating Samon m an iToi cerl t tb t tt It was waa I stir g out The performance was a good ore throughout hiss lIs Lina did work on the bounding wire rite Musical al Avolos two women anti two men played with remarkable shill 8 selections 1 from hits barn TiU and Ind oth ether on eels on I the tone skill in trick bi bic bicycling c cycling cUnG by Palfrey the comedy cyclists slid tale Dillon PUJOl Eroth n sang own oa n songs to the of aU all pr et The Tho 80 sale today for tie i im i m meat nt at tite S I th theatre of th the Count Countess ss Von Van which begins night in The Little Duch f 8 As Told fold ht ih Bills BiBs the he Gr Grands offering he first half r 1 r of the tho week e k will willbe willbe be given at u a matinee aft afternoon in to the evening performance |