Show AUDIENCE NEARLY FILLS TABERNACLE TO HEAR HEAK P PLAY PIANO hundred people heard ewski in the tabernacle last heard him with the keenest interest and an appreciation appreciation elation When the last number ws w s fin finished finished finIshed notwithstanding the fact that Pad had been playing almost continuously for tor two hours the audience sat and applauded and applauded allI an Many times P bowed his ac acknowledgments acknowledgments acknowledgments low sweeping compre comprehensive bows that Indicated plainly his heartfelt thanks for the cordiality jf f Ills his reception and his regret at nt leaving an audience that could so thoroughly under understand understand understand stand and sympathize with him It was an audience that must have been an inspiration to the Polish muster tor br he played most brilliantly even for or Ir r ewski Those who remained av away aay a from the impression that the th piano plane could not be heard to advantage in a h building as large as the Uw tabernacle will regret the fact today when they hear from their friends and neighbors neighbor However Ho iu 10 a great many more auditors could have hav b been en comfortably accommodated O lyt a few seats seat were left on the first floor and practically rac every seat eat I In the gallery seemed to be occupied The reputation of Salt Lake City Cit as ns a music center was more snore than upheld In no nono nono nono no city in ill the land and the tile statement is made with full recollection of ot the greatest t of the nations music centers could Pad have drawn a greater audience or orone orone orone one more thoroughly appreciative It wits was an audience of which any an artist might have hao been proud or any city for that matter has grown perceptibly older since his last visit here There lire are tre lines in his face that were not there a year or two ago His hair Is rapidly rapId turning white but his wonderful manipulation of the keys is more wonderful than ever err be before beor fore for or Those who heard and saw him last night for the first time saw a thin ner ncr nervous nervous man of medium height with ith a great shock of hair eyes ees set wide part apart above a shapely nose light mustache and a tuft of beard was not in evening dress wearing a frock coat and white vest He sat down to a piano viano that looked in comparison with the ordinary household piano as big as a battleship It was as big as any three average pianos and was sent out New York especially for this thia concert With the first notes of the open openIng opening opening Ing number his Ms own work it became ap apparent apparent apparent parent that the tabernacle was tas not nor so large that everybody could not hear h ar to ad advantage vantage He started with notes that th t were startlingly loud They produced almost the effect of great organ tones And In Inter Inter Inter ter in the lighter passages the soft sot notes contained a carrying quality that mad them easily audible in their finest shad shadings shadIngs shadings ings to auditors auditor at a distance as well as asto asto asto to those whip were close to the platform Candor compels the statement that Pad own composition was wasP the least popular number on the program It was his hs Opus 23 Variations and Fugue The variations are many in all the th fugue coming last The number runs twenty and apart from its iL splendid splendid splendid did it Is a notable feat oi 01 mem memory memory ory to play it as did without notes His entire program indeed was wa done without notes There was much confusion before the beginning of the second number a Opus 27 No 1 In E flat fiat The pianist started several times tims an ant l leach each time he suspended in order to tn t per permit permit permit mit the seating of ot late comers corners When he finally swept into it he lie gave it grandly This number did not nt t meet the manifesta manifestations of approval though that were ac Re accorded accorded Recorded corded to succeeding ones notably the trio AUf AbC dem Wasser Yasser zu Singen Soiree de VIenne and Erl Er king The Tile first named was received with exceptional enthusiasm enthus m At the conclusion of the trio had planned an in intermission Intermission intermission which was not set down in inthe inthe Inthe the program but the applause was so pro prolonged prolonged prolonged longed that he gave an added number For the opening of the second part he chose a Chopin trio a nocturne F sharp shari major Opus 16 etudes 10 and 5 Opus 10 scherzo B flat fiat minor It has been said of this nocturne that it paints the palm and cypress cypres cypresS the rose thicket and th the great stars burning low in the southern sky There could rould hardly be a more mor apt description for those are the impressions Im one draws from the music The etude in inG InG inG G flat fiat major the first played pla ed was writ written written written ten for the black keys and is a most in interesting InterestIng interesting composition Of ot the tile second etude in A flat it has been said that the pianist who can play pia it in a finished man manner manner manner ner is to be congratulated on having climbed to the highest point of q the pian plan pianists pianIsts Parnassus Certainly can justly lay In claim to this distinction Chant lAmour which followed is brilliant and affords many opportunities for the display of Fader masterly technique It is inter interesting interesting interesting esting to note that the composer is one of pupils who is now a resident of New York City Rhapsodic odle No 13 closed a program that was altogether delightful |