| Show i L r rIt I 1 1 a. a I t It f l Y y 1 f I F Fr J T 1 tH 1 r Turquoise Blue I Color y J 1 J. J oJ J G Gf i e t Foundation J r Laid Over Yellow f s UL with Cream Lace x an and d P. P Peach b C Color 0 1 or e 1 and Turquoise Chiffon 1 on 1 e tt tt oat t Chiffon Chiffon Chiffon-Bo Bottom m I 0 of r 0 Over Over Dress vcr D Dress ress 7 y Shown Is l Padded Blue ue House Huse Robes in Art An in to as Fine 4 1 use iii iJ t f Dainty and Devious De Designs igns Em Employing I ing th the t Y t u Newest Textures Dear to F Fashion t Y 1 J I Textures I 1 ii i i r. r i f. f r w I- I J f By Mme Ilme Frances Pink Pinic Flowered n V L' L r ii c f Sill Silk s The Famous Creator o of Fashions Fashio h rJ i i I I IT is a far c cry from rom the calico wrapper Negligee e f ti F I of the early Victorian st stays ys and g primI prim prim- wit with PipinOs PipinO's S A r I to the modern boudoir gown own which f fJ r k I ness c l f Blue of 1 loveliness s in in eve every r line hie l. l y Ip t Ma r rl 1 i rr 3 f r. r d t Ir r i rl J expresses f become fine art InN In- In il ily 1 I Negligee has a 1 fi N I 1 e k I teed deed de d the he robe r d t ante glen 1 of today i- i is C as w ra raj part art of t the well well- r 1 j much a picturesque ores ue e wardrobe her most groomed Doomed w woman's womans mans man's as formal evening gown The desire to dress up up which sends senda children sc scampering to the attic on rainy days is still ramp rampant nt in In the up grown fem female le of the speCIes species who seizes upon J c the picturesque e costume for negligee wear V t j to indulge this fanc fancy left of over el from child child- I hood b AJ 1 When a few years ars back women decided J WI petticoats for the most part were a rf 7 J y t tb that 4 f c it j i. i 1 J Jk Ir J r t I t 1 9 t v. v V I I i. i or 4 1 1 r 4 r k Ar nfl i 4 nf ny n i y f d f I l it r JI d dI Jj II I f. f J I I 1 J f h 1 Ir t y r 1 I 1 r fr I t J JI I 1 I j I I k r I I t f. f 1 k rl t 1 r I I I. I r II I I j I I I 2 I I 3 C CI r t fay t it ft J Jr i I I r fir r f I i 7 I J i L h T f tr I I I I I Ni I I. I J H I i i I IF I ot f o Gocr- Gocr 0 QC- QC Jo it oc tF 1 fI pt j. j 1 I It 0 t o ijo e I 1 Ii i o or r 1 1 I I II ij I r Violet Blue 10 4 l r r I f r 1 1 Foundation Hun with Green Blue n II I Over U C J. J C 4 I 10 eo Q Oc TO J 0 O 0 11 1 I IL 1 L 1 1 11 1 ivic 1 i i 1 J J M L r l i. i i i i ft r r l F t l i nuisance and a badge of the down downtrodden downtrodden downtrodden trodden sex the manufacturers of nain nain- sook and such like from which discreet and useful underwear was made saw financial ruin staring them in the face The narrow short outer skirt introduced by Fashion obviated the necessity for p petticoats pet petticoats pet pet- t- t and called for comparatively little material The silk and cotton manufacturers said What shall we do dp It now takes only four yards of material to make a dress where it used to take from 10 to 15 What shall we do said one wi wise e psychologist Why rhy Vh we will viII make underwear underwear underwear under under- wear so beautiful that women will rush rush- to buy it Forthwith there ther was launched the ex e- exquisitely colored chiffon crepe and silk underclothes which are such a delight to the th eternal feminine today The manufacture manufacture manufacture manu manu- facture of silk has become a afine afine afine fine art and the ilk manufacturers have hn reaped a rich harvest From dainty ti underwear underwear un un- grew dainty negligees until no now no i ithe the greatest artists and designers are busy turning out ideas and and fabrics for the these e exquisite garments The picture of a mother clad in becoming becoming becom becom- ing negligee is a happy m memory of nursery nursey days The beautiful mother radiates the influence of her lo loveliness and implants something in the child accustomed to see her her in such surroundings that he can never forget In spite of of- the idea of practical comfort comfort com corn fort which is the inspiration of the n negligee negligee gli- gli gee ever every woman longs to have ha her tea gown or peignoir or whatever er it may be beas beas beas as soft and lovely and feminine as a n negligee negligee negligee gee should berhe be The rhe simpler silk robes of crepe char char- meuse and Georgette are made up in frilly effects in rose lavender pink and blue Sometimes the colors are used dually one over the other othel as blue over yellow rose over flesh pink or peach pink over yellow Little bows of old blue or silver ribbon find finda a way of appearing tucked under lace ruffles and tiny bouquets of flowers lend j their lovely coloring to these negligees Paris has sent us many quilted robes in palest pinks and and blues and in the darker shades of rose and plum These robes are r I r feature 1019 t it ri if ij r t tx f. f very comfortable for cool days and are welcome to invalids either temporary ov or chronic chroni However the picturesque prevails in all negligees They are inspired by the theart theart theart art of Egypt and Gre Greece ce or again may draw the inspiration of their coloring from yesterdays yesterday's sunset An unusually picturesque negligee is made of pink silk figured in silver The coat might be Chinese the quaint cap Roman Whatever the source of its idea the effect is delightfully charming A kimono coatee is made of this pink bro bio cade The edge is finished with two bands of grosgrain ribbon ohe one vivid blue and the other pale lavender This striking color combination also makes the round collar which is held by a beautifully shaded pin of pink coral A band of the two shades of ribbon turns back on the open three-quarter three sleeve A ruffle of ecru lace outlines these stripes of ribbon The slim skirt of this robe accents the slenderness of the wearer The edge of the skirt is also bound with the two shades blue and lavender l lace ce and chiffon combine tomake to tomake make a wonderful negligee whose edge is weighted with a quilted band of blue char char- meuse mouse in a radiant shade of turquoise In Inthis Inthis Inthis this boudoir gown which achieves a strangely alluring femininity in its lacy folds the foundation is the sheath like slip of turquoise cha meuse It is tied at the o girdle line with a sash and knot of silo silver siler silver sil sil- ver er cloth I V Over th satin slip falls a generous cape of turquoise blue chiffon which is gathered gaUl gath ered at the neck under a garland of pint roses Deep bands of cream lace trin this cape With this exquisite negligee is Is worn a cap of blue net which is held heir closely to the line of the head b by a band banri of silver ribbon A tiny bunch of blue an and ano purple flowers hold this ribbon Peach pink and pale yellow combine tc make a charming robe which depends for fot its loveliness 10 on the grace of its lines Peach pink chiffon is laid over h mon jt-mon mon yellow yellow yel yel- r low chiffon to form a long draped raped gown n that falls over a petticoat of deep cream lace The of the drapery is lift lifted d toward the front to meet a wreath of pink roses that outlines the Long angel sleeves of the two layers of chiffon fall over the arms and reach the floor The lace petticoat of this robe is trimmed with withold withold withold old blue ribbon and pink roses that nestle in iii the filmy ruffle of lace A cap of peach colored chiffon is spanned with a silver ribbon The ruffle of this cap is very scant Silver embroidery is used used with picturesque effect on this ruffle which is weighted with silver balls The ancient cit city of Alexandria might have beheld Hypatia or Thais clad in a robe such as the negligee of violet blue blu of f chiffon which carries an over drapery 0 green blue-green chiffon embroidered in peacock feath feathers rs A long straight robe of blue- blue green chiffon is held by a a. girdle of tarnished tarnished tar tar- silver Over this falls the Greek Greek- like drapery of violet blue chiffon o |
