Show Dress B By r Truce Anne Rittenhouse CoP Copyright 1918 by the McClure McClura Notepaper Syndicate Frock Take n a highe Place In lo Autumn and Simplicity Simplic- Simplic Ity It Is ln the Keynote of or Their There has rarely been a season casort when so many velvet frocks have o been boen offered of ot- offered for day usa usage e. e Velveteen Yel which was onto considered consid ered Bred a A. rather rathor poor substitute for velet velvet velvet vel vel- I vet et has reached a high place In the n r. r I It Iti i I r re e T ty IM IMi i h N J 1 t nud r frock of black I glib nUh n 1 satin veep nud heron tI t. with Hla The he sur- sur lillee blouse Ian IIaN epaulets of 01 beater cr rhe llie skirt M the top per tOJ ell ell- houcHe public esteem possibly being dragged upward ard b by the tho hand of at Its Ils richer sis sis sis- I I ter The Tho prices for the two fabrics are aro not marked by br a. a great gu gulf of or difference differ differ- once ence what wha t Is asked basked depends more mor upon the quality of oC tho the workmanship and the label at the waist valet l than an the mate mate- hat ilal used Strike H Note of ut There are no velvet or velveteen suits There Thero art arc long jackets of or tho latter fabric which are aro used to cover cr up one one-DI piece one ce frocks and are themselves them them- sel selves 14 covered erell up with lart large e patches of ot p paltry but the thc coat and skirt made on i e tailored linos and worn with wash or fancy fan C blouses la I not offered offered of ot- In anything anything- but bul cloth Black velvet v runs ahead o of the other colors when the gown is 15 to be he worn at t various places that cull call for tor a a. touch louch of at dl dignity and formality In the costume CORtume V Wo We have e gone In for ur an all unusually rich style of fit dressing at al restaurant rest luncheons luncheons luncheons' luncheons luncheons' lunch lunch- eons eons eons' and tho the black velvet gown lea leads t there It Il ls la put pUl out b by all ull 11 tho the principal houses and It Is f featured alured b by one place which builds it with an carl early Victorian Victorian Vic Vic- torian or possibly eighteenth century flavor or All 11 of or the gowns from this house arc ar draped lightly tightly around the hips in an nn Egyptian manner maimer with a slightly high waistline a slim lIm bodies and I a a. round or a square deep ago outlined with a ruffle of ot ancient and ind honorable lace Ince and filled 1 In across the tho front with a tucker of laco Taco over O tulle lulle It has boon been a R. long time limo since this type of or neck ornamentation was considered con con- fashionable and nd It is rather Interesting that It comes omes with with the the Inc p-e p press s 8 of or a a. loading lle designer at ut the tho moment moment mo mo- ment when th the n rest t of the tho world Is in insisting nJ 1 upon pon the un m ll neckline no and tho the oblong of ot the ItalIan Italian Malian Ital Mal ian Renaissance There Is nn no doubt In the mind of or the tho onlooker th t the antique laco xen the tho sort soft tucker and aud the deep In front are arc a n fa far I more becoming style to O ul ery l' l typo of American Amerlean face ace than the severity of or uk and Sutin The Tho French houses have have- kept up UI the combination of or white whitt satin at n ind black velvet chet which th they i began Jan gan neatly a n dep- dep ado ago Jonny J Jinn nn Worth Dou el and others of ot their kind o have d turned out these buck black velvet gowns sown with white satin as al the on only orna- orna The sketch shows shown n a t French gown do up lip or of these them two fabrics dud nd colors colors col- col i ors with bunds bands of ur beaver cl to th tiu thu 1 01 I J white satin an a admirable touch by the way The skirt as you ou notice follows follow out the new top peg silhouette which I Is not now new after aCtor all but bu bua a return to Callol's Jupo of or season be before before before be- be fore last There Is in rn apron of tho the white satin which Is a daring trick to put pul on such uch a skirt but It Is In lit keeping with the tho revival hal of or this thin typo o of ornamentation ornamentation orna orna- which always filters Into InlO French fashions In each generation Tho rho apron Is tucked at each sl side e and the tho beaver tr bands weighted at the hem tho slim bodice has has' a handkerchief drapery draper In surplice form of or while white satin salin anti and there aro are beaver bands to 10 outline the shoulders cr Leery Every woman will not cre care to In Indulge In- In In to a n frock with so much white while satin falln at a time when each gown sown must give glye constant and laborious 1 service to Its owner and when whon cleaners' cleaners charges are aro hl high h. h Therefore the Americans 1 have ha copied cople this model with black chiffon and beaver as a il substitute for Cor forthe tho the white satin and thc they have h also us used cd black velvet throughout hout the tho costume costume cos cos- tume giving an ancient touch to lo the neck b by turning backward a Do bertha of ol colored age lace A |