Show r rr IJ 11 S E In M u u. 1 II I W I i I s r r r rs I Jr J r 1 f 1 L 44 J Startling Fruits of the II lh R Rival Revival vival i F r. r and Instituted by Bakst 4 P POther Other Oilier Geniuses Geniuses' of Design s Ii 11 r rI I S t b. b o v r. r u j A M. M T- T TN N 1 f t 7 J J. J rJ t tl 4 y t J f tf f. N r. r 7 j vm u. rl id K 1 l l t- t s y i t. 1 w. Vf Rf t. t Jt J Af tl l t d u. u vt M uJ 1 t u. u 1 1 t r h 4 X 1 i u i 10 I if v r I-r r r L lr Yf P 11 i J t. t. t Pj t. t f I d' d 1 T f VP nf 11 1 f f 1 r 11 w.-c- w. It t h ht t i f. f L r J t l i jn v i 1 5 it h 4 P 4 g O Ja irl rr Mr tit t- t A 11 1 l j- j r 41 F- F J. J J i. i f 4 n t. t sf f 1 f fet r. r 4 r j fI 1 t f I F i. i y LA I 1 1 U r. r 1 t 10 f 1 c cJ ft J. 1 lr c i t t j t. t tr c t d it fJ t. t If t 1 i C 1 r t t L J I d f i J t et i f Js A v r 4 1 7 o. o I f 1 J. J G Y h S c J t if c'S 4 S J IJ JP It i l f f 1 J f v- v vJ r f e 4 tl t. t it f 1 t ti 1 t f tt t 3 t r ut t. t t i T. T r- r 1 l t tr t. t t f h r-c.- r tre t. t f tf t I tr- tr tf II Ji f 4 i 1 p. p f 41 1 r G 1 1 tJI f Y- Y i frt r P. P r t. t 1 k i ir r C r J i 4 I. I 1 r 7 t J. J 4 0 n I t. t J w w's s 's sr r I r. r r 1 to w tI 0 Hw 1 r- r r r YI y J. J f q 1 1 J lr J it I h. i f f jl f t 1 t 1 h j If 1 1 t I 1 I r r t o I. I 1 t i i f t i h jj 1 r j i How the Famous Designer Bakst Creates a Costume for the Stage t On the Margin Are AIe Explicit Directions as to Form and Color c 4 MOST He HE MOST CONSPICUOUS FEATURE OF OF MODERN FASHIONS AS WE iff-WE WE T see sec them In the street and drawing room Is the extent to which they reflect clothes worn in the past The military styles called so-called are military reflections of historic costumes History Is being ransacked for f style Inspirations and preferably for or Inspirations of a startling kind f I days the days of the Empire and the Revolution are furnishing circumstantial hints for hats gowns and shoes that women wear with high enjoyment and with littleS little S thought In the average case of their artistic or sentimental origin What Is Ss true of fashions in general Is equally true of the theatre The great operas opens unfold the past in n a fascinating way and md very often they astonish by their thel revelations of the paths followed by the human imagination In fn earlier days Th The great designer Bakst evidently has saturated his fancy with the pictorial effects of the past The amazing head dresses of the eighteenth century followed In all their their Intricate detail are being duplicated for the heroines of opera and spectacle Bah BaP 31 loon dresses thrilling trains fantastically jewelled bodices clinging or sweeping iI robes unroll In the panorama of modern pictorial effects with gorgeous alternations of color In making his design de Bakst Indicates by marginal notes each sh shade de of 0 P color and each uch feature of form In the most exact way and woe to the t i who departs from the directions directions' He knows very well that an effect which may be be Imposing when successful jn In its harmony may be made rid ridiculous culous by a false note In hi Its composition Inevitably certain of these effects seem to many marry a. a as bombastic born bom- bastic unnatural and unpleasing But Bakst has hu a habit of at winning acknowledgment In the end Madame l in One of the Costumes mes Deli Designed ned b by Bakst f fr r J F Y S. S 3 rr Mn t ti i JI 14 F I 1 T 1 S I I i 4 t tr tF w. w r F 6 r r ri ti r rs 4 s G ra JJ TY I N rf 1 a. a J Jr r I N J r r f r r. r J I J V 1 t ut u- u r Q or r t t r r 1 1 t 1 I i l I r 7 l tl- tl r r r l A It t r J i I i wf 4 t S H 1 F. F f 1 firt I ii 1 L r I 1 al t fI i 1 s is y s J r t ts 71 I 41 1 H J. J 0 1 jt I 0 J g ry f l. l r N i i f iS 1 I I. I d 1 r t. t L I t L Jo y I 7 a J 1 I L N Nr j r r 1 f w wa f t JJ tf i a S. S N IT u t y yc I l 1 t J Jj e j h 1 f I c- c r. r 1 t t i c t i t r. r I 1 4 ct f L 1 l t. t I k 1 e I 4 j I 1 J s J 1 i 4 A 1 JR A I H J lt If t I t. t 4 11 I rr f j I Z 1 ili t J f. f r Yr f ill m 1 i f C J ii I r rA I I 1 t c. c 1 J. J H W 3 t I. I 1 f Li f. f k t j d. d I r i k c y l t I 1 i 4 ti t a q v h t. t jr I. I l r 1 wt i o J- J f f I 1 1 i K V i 1 J r J 1 t. t 1 s x v J 1 aJ t 7 t u 1 I t tr r a s t 1 r a t l t Ii q IZ l r. f f P j 4 f V J sk r 4 j. 1 t ai t f tf j Jf f r j u |