Show japanese art the worshipers of jap iwuona ose art who have become at 86 very nu nil of 0 late into will bo be pleased or tho the reverse according to their by some aonia remarks ou on tho the subject in sir hit edward broodo now lev look book un on japan sir sic read 1601 observes modestly that 11 his own orvii opinion of art r kulil bubl carry but little wei glit willi it no lui ila gives anea instead it notion a 0 aa to which prof ilof anderson Anile raon ul of to klo diio who is a diligent student of 0 tile the subject sab jaet hits haa arrived arrived arri vei prof 0 iders that originality 0 of design is not strongly marked until withie the last years tho the barlier productions being variations of 0 chinese kardels rno kao delB dels tho the composition ho he describes as ai awaya always good and the drawing almost invariably while le la will somo some of tho the tle volois by his that their pera pact ive iva is n always WHO false except in in modera pictures where the artist haa received education from rom europeans 11 any painting he hb says fa a which the iba daivs ol of perspective aro are observed voil is not it specimen ol 01 art Chi aroson ro he ha pronounced absent anil and ho causes sit bir edward reed need to express sawa moua slight dissent by stating that 11 there lira are no shadows in uny any true japanese Ji Ja ale t lature rho older japanese painting prof adderson Au derson declares deo larea to ba chiefly calligraphic tile modern chiefly decorative in old times namoa tho the importance of calligraphy oali erphy wits so BO great thit that in both japan mud aiu china a single character written by a noted calligrapher would often commard a higher bighor price than tho the hnott finnist of art arilon lon don news nawa |