| Show 10 t VOGUES I 1 I 1 AND VANITIES JULIA BOTTOMLEY I 1 0 it W 4 Z the slender silhouette here Is a simple but quite original inai evening or dinner dress worn by one of the pretty young women who helped to make inake the boomerang so great a success it almost goes without saying that a play presented by belasco will be correctly staged in every particular ti and that no detail of costuming will be slighted this gown Is among the earliest that proclaimed the return of 0 the slender silhouette it t tip pears to have bowed to the inevitable but with much reserve the dress Is made of crepe georgette with a plain underskirt undershirt trimmed with hands of silver spangles graduated radu in width although it consents lo 10 be long enough to reach the instep it refuses to conceal the auel ankles rind and merely veils them this Is tin an alluring bit of coquetry for you just glimpse them one minute and the next you dont A forerunner of the long tunic appears in the drapery that falls over the underskirt new departure in satin frocks d i ow i mao ar e 1 I by way of variety this plain simple straight hanging gown ot of satin is interesting te and it is a new departure As A s shown in the accompanying picture it Is developed in black but it might be made with almost equal enuel effectiveness in colors As it Is a good name for it would be the chapel dress with less pretentious colln coll rand arund cuffs it Is one of those dignified and quiet gowns that remind one of convents convent 4 cloisters and churches the ru model alel is a new nev departure in ill styles and could hardly be more il iI mple the waist Is short and plain with an easy adjustment to the ile figure and the lie skirt Is gathered on to it so that it Is amply full and has liberal lines line the most noteworthy feature which it will be recognized as nn an innovation in present styles ita itla 18 the bodice is made ith a short pd lurn lum and could hardly be more simply draped the sleeves suggest a searl over the arms and are wide wida at the wrists they are altogether as irresponsible as to shape as the wide girdle of 0 beads Is to its duty which is to confine the waistline the tha wal waistline is ornamented but not restricted strict ed and the model muy may therefore hold its own in point of style with the latest of gowns it a la chemise nothing in the way of a hat could look better with this dress than the tha flinty filmy model which supplements it it Is a sailor of guileless simplicity and has it a transparent brim of crepe and a crown of ribbon there Is a youthful rosette boy bow of ribbon at the fro front of the crown with fishtail ends of ribbon resting on the very unsubstantial support furnished by the crepe brim this is a coNtu cot tume ine for the young mald maid and it becomes her slenderness the elbow sleeve finished with a ruffle moreover this model Is shown with a light ribbon girdle a thing which has haa riot not been in evidence on daytime for sometime some time but the tha gIrd girdle leAsa Is a girlish accessory and not an essential part of the composition of the gown the owner of handsome lace in cape collar or fichu or in sets for fivek and sleeves may rejoice tit at a mode aich which makes these accessories imperative this gown becomes a background for their display and its importance is advanced according to the character of the neckwear or sleeve flounces used they should snatch if possible but where one owns a fine lace collar net flounces for the sleeves may inay ile be edged edg edwith with lace to match it and the collar made to bask in the up of for they till all love lace |
