Show TROUBLES OF ACTORS IN STUDYING ROLES Method of o t actors actor In memorising the Imes of ot their purls parts differ materially Certain men mat never do learn IMn them oils era em are litter letter p rf ct almost at the Ih Ural Oral rehearsal Some Bonte get the lines pat PM by ly Dimply walking up and down dOlln to and tin fio 10 te the ward word ni nu and nl M V again In a l singsong way Other Others gesticulate and In a 1 measure follow the business of at the piece while learning the WOrth words To the latter ev ov ery er gesture 1 luro and every elry position petition they the y lake Ink Is le associated with a II line and I he an e n aid to 10 a memory After Aller rehearsals have ha been In III p res reu for or a few lew days dayi the tart stage manager manage r win will Inform P 06 f 1 r bl I win will Inform P 06 the scion actors that they thy must moat 1 be e up in Inthe t the lines linen by a 1 n pertain diy day 0 The novices and the youn younger younger ger gee Thespians The are art duly Im pr and gO eo goback back bacle to 10 their boarding house P prepared to pore pace the tho floor all nil nIght It If need lI ed beto be beto beto to e tel get t the re required reo ree family facility with the Ih words word of ot their parts Old timer timers how however over ever are pretty apt opt to 10 lake take t chances A few tw before rehearsal rehear I they IhlY may be teen seen clustered about ale Ita door Taking nn an I ton eon peep 1 eD at nine Wing the line In lit an art effort to commit t enough of ot them I to 10 m mor to make a lair fait showing When the tho rehearsal pro od they Uti hold their blue covered cove behind their back taking liking train g nn In peep at the lines line whir when the stage ta manager I Is not looking hooking Borne of at the bet best actor aeton Are Art the won went t in U J Henley we was a n 1 notable example He Ue constantly talc fak faked ed eel his line and even ven the loot hunt drIN dries re lies rial always found him with the book boo In hi hand hands H U Hs wan Wall a 1 valuable ad S to any anT production however and an aneo d 10 eo 0 manages manager tolerated much In to hi hl hice i CAM ce that t other others would have ha Ye suffered tor Cor or orOn torOn On opening nights he would watt wait Alt In n the wings wing book In hand while other otha r rt actors actor felt absolutely sure aure of ot their line re nut Hut he seldom muffed when once onee the e scene wa was on Oil Despite his bin Indifference t at rehearsal he was waa In earnest earns at per performance and ind unnecessary bona annoyed him excessively |