Show HE PUT IN THE COLOR NOTE how the artist turner changed on one of his pictures from failure to success thomas shrewsbury parkhurst the toledo artict Is 1 in n milwaukee to visit the milwaukee art an society where an ex exhibition hibi i tion of his paintings is i being held he has found all a busy place and basteen has been whisked from one home to another of the principal members of the art society and others who ho are interested in art in his round of dinners and teas he has established a reputation for story telling not meaning to insinuate of course that he ever departs from the strict letter of the truth many of his stories are of other painters one lie he tells of turner turner had exhibited a nerv painting in in tile ho paris salon ealon and on n the opening night a number of his liens spoke ceroga derogatorily dorily of his work r he said nothing but the next m morning r ing lie invited the same friends to view the painting again the criticism had been directed to ward the grayness gray nets nebs of the scene chich represented 1 a I dead gray sea upon which aich was anchored a somewhat deader gray ship from the background a gray fog rolled in when the critics arrived the next morning a vermillion buoy biloy floated u upon pon the gray waves and the iron hawser that anchored the boat had taken on a red tone the picture sold Immediato immediately ly and Is now known as one of turners best besl mr parkhurst told this as asan an illustration of what forcing a color note will do to a picture milwaukee wisconsin |