Show 1 GLACIA CALLA GALLA MAY AY RETURN HEIDIN TO STAGE STALIE t Managers Trying Her Voice for L. L i. i Purpose of Making Her Hera a Star DAUGHTER OF NOBLEMAN Now Believed Italian Count Was Her He- Tells Father Father Tells of Life in Paris New ew York March 14 Mra Paul PaulRoy PaulRoy Roy noy known better belter as G laela Calla arrived arrived ar ar- ar- ar rived tonight from Portsmouth N. N H H. Hr for tor the purpose of ot meeting two of 01 the best known light opera managers manager 4 before whom she will tl try her voice Thur Thursday da with the tho object of taking up the tho profession of or appearing upon tho the stage if matters can be arran arranged ed A more extraordinary statement came caine to light during the day dar however which is jJ from so authoritative a n. source that it Is Indisputable an and 1 that thatIs Is that Mrs Irs Paul Roy noy was not legitimately legitimately Lillian Carkin the name by which she was known as a girl but that In reality reaUl she sho is Calla daughter of an Italian nobleman ll During an Interview while coming L down on the train this thi evening the ther r question cueston of her parentage and the mystery l' l that surrounded the tho name of j Glacia Calla was put directly to Mrs rs Ro Roy and her lips quivered with visible concern an and 1 her delicate oval face tace took on a pained 1 expression as she answered It would break m my mothers mother's heart if she knew such rumors were afloat afloat- I IWho Vho Who could have told it Jt I cannot I r cannot discuss discuS It for tor it wOuld be too cruel to lud my mother whom I love Jove devoted devotedly Practically Confirms Stor Story The manner of the tho young younS' woman and her nervous concern confirmed I K the stor story which ha had 1 come from another another another an an- other source source source-a a story which for tor ro romantic romantic ro- ro mantic mantle interest and p would woul 1 seem to have come out of oC some book of fiction in which her brother George who she alleges was sas murdered 1 by her I husband shared equally Lillian Car- Car kin up to tho the time of the first re- re it is said had hod little rca reason on to believe that sho she was other than Lillian Carkin daughter of an obscure ob- ob but respectable New ew England tam family 11 f When the tho astounding and mysterious ious ious bus letter containing the information 1 that Lillian Carkin an and 1 her brother were In reality Calla b by name and that the they were each to receive shortly shortt a n. large remittance which was theirs by by right of ot birth and name they J were were so astonished that neither be be- lI ved truth of ot tho the statement and st story T. T wits was laughed at b. b by th the young young- I however before the fit It wits was not long Jong promised remittance arrived with another another another an an- other letter Jetter in which tho the young oung woman wo- wo 5 man was tol told 1 a fabulously large dot would 1 come to her In the event that j I she would marr marry a title After her first unhappy marital experience she S took her rightful name Glacia Calla Calm S Affection for Brother t Mrs Ro Roy was asked if she would f explain her great affection for her brother which It is claimed was wast t greater than she had for an any other t I human being understood 1 each It n was because we f ol other er better than anybody could possibly pos- pos sibly understood 1 either of us an and 1 bec because be- be c cause hero here the woman faltered faltered- we we had a strange secret in common What that was wa will not pass m my lips Ups r the Fhe declared I have hao b een cen in Indiscreet I J most awfully In indiscreet at times Umes I know she said but it Is too late to talk of or the mistakes I am reaping the effects of ot it all now I S Paul Roy was the crowning ruin of- of m my life liCe He had a fascination about him that I could scarcely resist t He was clever however and I found foun 1 J myself in the very trap he had laid j for me Rather than be shunned 1 as asI I felt I should be e If It I allowed allowe 1 my name namo to be bandied about with his I married him and what a mistake I Imadel Imado mado madel Ho not only onh succeeded In marrying mar mar- me but he has bas succeeded in ruining m my whole future futuro and has 1 cause caused 1 the death of ot the tho one object in ini i life Ufe to whom I gave out my most b beautiful affection my affection my brother I should have married the Count d at at at least I should have had position and retained my standing In tF French ench society which I lost when I I. I i 1 Roy nO a But what of your acquaintance with tho the Baroness was asked Where here and when did she c came me into your life 1 s Mis-s Us 3 Yaws Yaw's Criticism It oIt was in Paris at a n. concert In which Ellen Beach Deach Yaw was singing for the shah of Persia The baroness who who was a friend of oC MIss Mis Yaw asked who I was and as Miss U s Yaw and I were were both pupils of Mme Mine Marches she she Introduced Introduce 1 us I took a liking to 4 the baroness as I found her to be a woman of or great culture an and 1 with a fondness on for society which we shared Iri In common She knew many distinguished distinguished distin distin- and interesting people and we found many friends In common Through her I met Captain Wheeler the Shermans nn and 1 many other charmIng charm- charm inS Ing and well wen known Americans as well as foreigners In Paris ParisI I see gee that Ellen ElIen Beach Deach Yaw has haR sai said 1 many unkind things of me mo or at least she Is alleged to have said them One paper quotes her as ns saying lying that I was constantly deluging 5 Marchesi with invitations to my house which the madame constantly de de- de dined All AH 1 I can say Bay Is la that I never ne nce asked Marchesi to my house so soL so- so I Ina 1 offended L chilly once Inadvertently t Miss Yaw I IVas was Vas told by the baroness when on the tho occasion of ot a a. tea on the Boise Dolse where we were together b by i 3 asking the baroness barone to drive homo In inS S my carriage and by not including 1 Miss lIss Yaw who was there with another lady it was as an unintentional slight and one ono that hardly deserves cs suchS such S harsh words of me rae in trouble 5 t from m the singer I Po Possibilities of Facial Expression as a an anAid 11 Aid hl to tort Art rt of Acting In his essa essay on A Adrienne Le Couvreur COU rem rem- Sainte Beuve o declares that actress actress actress' actress actress' act act- ress ress' ress finest excellence to have o been not her elocution her eloquence her temperament nor any of oC the hundred and one other attributes Chat go to tomake tomake tomake make up effective acting but her skill In mute mule acting acting- No one ever over so o perfectly understood understood under under- stood the art of mute acting acting the the art artof artor of or listening perfectly an and 1 yet ot acting with ones one's whole person while another character character- Is speaking Titus TInts full of soul an and 1 of feeling an until untiring Ing student stu stu- stu- stu student dent passionately In love lo with her hel art art o everything art everything contributed l to make her the great reproducer of the subtlest subtlest subtlest est an and 1 finest of human emotions emotions- and In 1 this to a degree unsurpassed in her own day 1 a It was by po lo ture h by gesture by facial expression particularly that Adrienne Le La Couvreur she Couvreur-she she who first made queens in the flesh of ot Shakespeare's Shakespeare's Shakes Shake peares peare's queens in poetry poetry attained attained 1 the i stature 0 of an artiste in the affections of or a who had only known act net Mute acting tho the possibilities of or facial tacal expression ion always t side of that invisible line IIno that divides the grimace from the look of eloquence pathos from bathos sentiment from sentimentality is an Instrument of his art ait forgotten b by the actor who complains that he is cast t insignificantly insignificantly insignificantly cantly as It is Is' Is the Is-the the tho glory of or the actor who suddenly ud lifts a n. small part Into a fine prominence Of or living actresses the countenance of ot Marie Doro I Is a mos mot most t striking Instance In In- I stance of or tho the extent that an actress may Improve up upon n nature and through effort obtain a n wide range and an exact power of facial ex ex- ex pre lon These illustrations expressive of emotions induced induce 1 by lines taken at random from froni tho the play pla- The Morals l of Marcus exhibit a range of ot facial play playas as varied an and 1 exact as it Is rare Partly In pia play partly In carn earnestness Miss Doro has developed to the tho full Cull the actors actor's most effective medium of or interpretation interpretation facial facial expression The result Is evident evident the the means of obtaining ob oh- taming is worthy of or record 1 It was as lS a member of the Little Mary company that Miss U s Doro availing availing avail avail- ing her herself of or waits walts between acts or during the scenes cenes of ot other players got gother gother gother her best st practice In fun as she thought she sho vied with another girl actress at making faces as two children children chil chil- dren might 10 do Night I ht after aCter night she sho practiced at this amusing her friend 1 and being amused 1 until it came camo to her hor unawares that she he could almost do what she wished with her hel coun coun- This she sho realized c 1 one night nighton on ou actually frightening her friend m 1 with n a look of terror From that on on Miss USi Doro has given time firms and pains to the furtherance ot of this power Her methods are these two two two-to to memorize mem- mem orize a story preferably one ono built of or several contrasting reflect ideas reflect upon I It t S it it and then tell It entirely b by facial to some one who has nevor never heard it It is is' difficult In n a majority major major- ity of cases as a means of telling the story It is unsuccessful But ut the mere attempt is splendid mental exercise and the finest kind hind of ot practice for or obtaining a n sure muscular control of ot the tho face Her second device devIce of of especial help to Miss In Doro-In in acquiring elasticity about the mouth Is the mastery master and pronunciation of certain sentences In Italian Hallan French an and 1 Spanish h Careful are anticipated 1 and enunciated with a utterance of or even random phrases taken from any of IC the romance languages which when shen well spoken nicety unknown to the tho Saxon Anglo-Saxon speech cannot bo ho too strongly strong commended com corn mended 1 to over every actor an and 1 actress to whom correct speech an and 1 a n. skillful management manns of tho countenance are areas areas areas as Important as af the very ely breath of or life S |