Show I l. l I l I 1 J a r a rt C L N. N l 4 Y I f C 1 t Few Lon Sl Sleeves A ATkin 1 H ray 1 r 1 r- r l 1 J l rew e juong on ng eves eeves Appear Appear on 1 i j h hr b V p r t T hin G Gowns owns Intended I nten d ed f for or oi I Sh Short i A Are L I c 0 ort KIrts re Longer no t f t. t J fi W Vear ear O On O. n I L i Seen Elaborate te on Many Skirts the Lines a ines' ines o of III 7 I t i t g Gowns Advance Advance Models i i. i a Trimming 1 i Simulate Overskirts i v SH More Lace d v w a ana r Less Cess Embroidery ry r t v t i. i r i t r A 5 l For weeks seeps past the shops hops o ha b cn II t filled with tantalizing articles of summer sum sum- summer 16 v C r r mer met attire hints attire hints of the J i R f 3 t warm Harm weather will bring Into L L tZ full run h t a bloom V uj q Fortunately one docs not have to b bp C I r one ono of or that luck lucky class o of mortals r that fly southward and fl find summer mew In Sn the winter months to take an nn Interest est c ch In hot weather h clothes r 1 j J- J For tor In these days daS of ot super super heated houses muslin n gowns owns need need not be he laid fV t awn away with the I mosquito screens Kor or J d a F i i do we have haye to wait for or apple blossom x season to don the charming now lira lira- lin lingerie 11 1 Ir gerie gerl elt frocks which ore are each da day maltIng malt mak ing their appearance rance in exclusive c dress dress' u y mo making l establishments ts 1 l r j o f. f It has been quite been quite the thins thing during k I t 1 this winter to wear near for nome dinners t 4 a frocks of filmy white Which fillet by reason rca rca- 7 tir t l hi son n of their elaborate and delicate la laciness laci- laci l- l u I U 1 r t i ness Hess can hardly truthfully be called t i f 1 J t washable nut But t lingerie lIns the they are arc c i l' l 9 S v 1 co dubbed a all 11 tho the ame am oven wen though b tho the r e I p ti r d r cleanser and not th the e laundress Is re re- re t 1 tor their renewed freshness tl t Paris designers always tape tale p r 1 I I law lar j jo Joy o 3 in to finding rag new Herr of or a ha laces Inces and embroideries to make the these c crOns t a gowns rO of ot batiste titan things g s o of f real bet ut beauty r N i In the tho lately latch arrived models they ha have hate a t quite outdone themselves and 11 have ve sent V Iii t r i I i ik t k J us over ove- such charm charming charmin In things s of f frosty o v o olace t p C. C lace laco and tine One needlework that their exhibition ex ex- Is hailed b by a chorus 1 C r I of It admiration r I Although h a 1 good many gowns owns of ot delicately deli ie M Pi cately tinted mull and batiste te are Ire ares 1 r. r I r l V L G 0 r 1 Q L fa y n I II ti n C I Y I. I i I rim th f. f fth 9 3 I s s r t y I fri 1 u.- u. u.'S S 'S I i iI I t ai 1 i t 1 r A n Go n of ot JI ll p tv O I r ly I I. I f. I rid mill i ys W V r. r v 2 Embroidered 11 U Trained Drull of 01 il l tc V l- l ll a fis fel 0 nn nf n Luro Lugo n andI and I J french f cr 1 4 s LF I G o r tv 1 ti f Sl V. V SIe eH 1 u. u r C I G-I Sleeves ee Y es Are re Again See on Inn Film White t 1 T n- n n Ore re OL of White no f l With Em Lm- Embroidered ail broidered Str Straus s ir C nail nad Crochet I G knee CC n n f n el 4 C i G C In rv U GO of ur French Frenell t r lace 11 ri null nel Cm fit man I D I I Simulates tin In O cr O r J f. f r or T d 0 I s 's j tr L I 0 j jI I 1 r 47 j. j I t f 7 I q q I r J always talc take first firstI with will as white shown hown wn ln tot toI to r satisfying Is moro more lace Nothing I place of or One fine t- t combination I good taste lace and tho the thea a creamy w white a embroidery dulle white tone lone o of or- hand y duller luxury and an air of f richness richness- It has to come com com- unable ull e l with which color seems seema f. f r pete models model I notice that On the latest embroidery la Is used lace laco and less legs t moro mer o prominent prom L hand rand tucking plays a 0 very v Fine Tine 1 being almost gowns owns nent D Di part art Eom some t i tl l v. v entirely composed of or Ono hoc tucks hand run of or course held together er b by In Insertions Insertions In- In sections and ond motifs of ot Valenciennes lace Again we nc see th the the- com combination of pt many laces filet t cluny cludy hl h cr crochet and French and ad O German Valenciennes ienn s being tI the used DUI Batiste t Irish lace enter of or line Une embroidery nn n Into the Uie c composition of or somo sorno of or the themore pore more simple dresses Alas las for tor or tho the Y s of ot sensible short J skirts or Novar were Cero short skirts mor moro more sc sensible than thai t Then hen made mado of pf r the tho tine w Hp mat materials and laces for tor to them soiling meant nt death to their most necessary necessary essary ary freshness This seasons season's Ho- Ho garbo frocks 8 all have havo skirts which most unquestionably trail trait Only tho the aim sim simplest of or morning froths frocks promise to have havo skirts escaping the tho ground Tho belt seems to bo be a again oln coming into InlO Its own While bile it has haa not Quito succeeded in is encircling th the tho waists waists' of the piece one frocks it has at least sl got of two two- two thirds around Io For o while the princess Is la still evident ont In tho 1 hc In hem unbroken lino from ne to front the tho belt quite frequently starts on either cither side of or the tho front picco and continues continue aroun around tho the back On rare allowed ed to marl mark occasions th the belt Is alln the tho waist line lino all around that around that I is the he natural waist line In this day of ap ap- parent waist lines lines' at any point joint between bo- bo tween hip and arms it is Is necessary SS ry to 1 I Tho empire effect Is seen In the back pt pC many thin owns gowns and anel with t the c softly trailing skirt I it H is very graceful The dress marked A In tho the Illustration tion has this empire hack bad although the lace I Is arranged cd to siva a rather long lone e effect in front This gown very well illustrates man many of at the hc points of ot years year's lingerie dresses although It is difficult for a L LR R sketch etch to give a Il truthful Idea of ot the extreme delicacy u of the materials and of ot tho the effect of or the dress as a whole Made Hade of ot the finest French mull It has hasa a n yoke olce of ot creamy Valenciennes Valenciennes' lace below beloy which h are some tucks to give the th-c necessary necessary Tho sleeves are composed of ot ruffles of tho the same lace which are half concealed by hy lace edged pieces of ot mull beautifully eyed ered which run from the waist line lino over t the e shoulders falling lA low lo over o the arm The rather wido tucked front gore of ot the skirt Is enclosed In pieces of ot embroidery embroider and lace which descend to meet the tho lace laca Insertion which runs around the skirt a little above the tho knee Again there ther Is tucking separating this Insertion from tho the next one which heads the tucked flounce Jounce The bottom of the flounce Jounce is scalloped an and buttonholed buttonholed buttonholed button button- holed over a full ruffle of ot Valenciennes la lace e which makes a n. delightful dells at the edge o of the tho skirt A dress of or quite Culto different lines Is pictured In the sketch lettered C C. C ItIs Itis It ItIs Is a simple frock of ot white batiste The almost Inevitable long line Una In front is s given by a band of or fine fino batiste ins inser insertion r tion edged oi on either cither side b by Valenciennes Valenciennes Valen Valen- s lace ace which runs upward from th the skirt hem and dividing at tho the V- V shaped yoke yole o of Valenciennes lace Ince continues continues con con- over each shoulder The short rt puff sl sleeves arc Are o almost t hidden en by b shaped pieces 0 of lace-edged lace batiste which fall from the tho arm hole The collar collar col col- lar Is high and boned and tho cuffs are o of insertion and lace Tho skirt which touches slightly all allaround allaround around nel has hns a 1 deep flounce with four tu tucks ks' ks about an nn inch and a half hal In width above tho the hem Two rows of or Valenciennes mes me's Insertion head tho the flounce An to to Slate little gown fa own which it would b o Quite possible possible- to copy opy at no ver very great expense Overskirts will be a n. feature o of spring and gowns While tho real overskirt t is not very ery possible on these i I. I hl hate Q gow ns w dp Q n jt ta kindly to t C applied in lines which make a. a a 1 Verj ery good Imitation of at tho real thing The sketch lettered E has an original inal Ina skirt of or overskirt o effect Insertions Insertions Inser Inser- doris an and Valenciennes lace laco are used In n apron shape a a. trimming which Is ro ro- ro peaty 1 d In th the back Tho line of ot loser Inser- tion runs tip lip th the skirt and continues continues con con- to tho the arm arn hole holo Is particularly useful us rul In n creating an nn impression of or that slenderness that thing which h seems above c a all ajl l others to be desired d Just now The neck neel of ot this Princess dress Is cutin cut cutIn cutin in a n shallots shallow V and Is en enclosed In a n. yoke composed of ot Valenciennes late laco Insertion put together with b baby b Irish heading beading A shaped piece of o embroidery cm- cm ry In a n design matching tho pattern pattern pattern pat pat- pat pat- tern of orthe the lace Inca and ed edged with a frill of ot Valenciennes Valenciennes runs down to the thc waistline waist waistline line in lin in front Th There re sleeves slee are are made of or puffs o of batiste baUte caught around In three places with tho bab baby Irish bead bead- ing lag While sleeves on man many French go gowns germs grow smaller there does not seem much m doubt that the picturesque kimono sleeve will bo be seen soen so n on Ourt fluffy gowns owns through at nt least last one moro morn hot bot v weather v se season season son Designers Designers' seem scorn to have o a a. curious curious cu cu- rious objection to disclosing the tho arm arm- hole The Joining of ot the tho sleeve with the of or the waist must be hidden at an any cost Therefore all 1 manner of or lit t f I tie capes pes as s y well cs ls the tho wide Jd Japanese sleeves are in ovid evidence once For ln orate gowns for tor afternoon soar the tho three quarter or elbow sleeve still holds It in very much more mor graceful grace ful tul and pOI poe possible blo of oC variation than the than tho Ion long straight s sleeve ee which will will-be be seen In n linens intended for tor wear during the morning hours Although the tho tho dress Jn tn n the sketch D on DIs DIs onIs Is of linen Inen it it I is somewhat elaborate for morning wear being much trimmed with Irish crochet lac lace and embroidery embroider The straps which join waist and skirt j are a novel no feature They are heavily hand embroidered ana and inset with Irish lace beading on either side sl The yoko and capo cape sleeves H are arc entirely of or Irish crochet laco lace This dress has tho the collar rising rising high high behind the ears In which ono one may look forward to suffering during tho the summer sum summer sum sum- mer mar days For anything which tightly 1 meioses the neck Is bound to add ap apparent apparent ap- ap i parent degrees rees to yo your r temperature when the mercury has hao ha already climbed S unhappily high i iNot Not ot that these collars are uncomfortable able ablo In themselves for tor it if t properly made the they are not If It made of ot linen or r other firm material the they should be bo cu cur cut t out ell under tho the chin and boned up behind th tho thA ears But 11 f lace Is used for 1 tho the collar It t Is best to leave un dt unshaped un- un shaped the tho side honing boning holding UD fl up it-up to tho the required height It wrinkles down under the tho chin II i L' L I r. r u n nI A ul I i I I 1 a I P y yr r I r. r n r I LJ I 41 I 4 r I il t L. 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