Show r ODDITY IN STYLES I THAT IS THE KEYNOTE OF THE PRESENT SEASON I What Chat May Well Be Described as as a Fascinating Ugliness Is IB Predominant Ideas Ideas However Still Have a Charm What may be described as a fascinating fas Cas as- as ugliness Is the dominant note displayed by present fashions this stamping a world of at things that would seem hideous were they rot root so distractingly smart In to truth the i host Dost superior nature Is proof noo I J against the wiles of the odd tight I skirts the tho quaint draperies and anti snug I little muo bodices though a change of of j heart may come coma when you OU try them on for these modern follies fames of oC I fashion are only for Cor the nymphs of oC the human race Skirts express the hobble Influence In a hundred and one r t Gr aC oJ b. b pry u D DD DYDO 1 e Y O T Do R h c J c r k ADUr AU t t r I I r p I fiaD oD J Gf tod todor t Pa or a o ot t D 00 D I 1 I e L I Patterned Material the Rear Cut Shows the Plain Veiling ways the jupe short enough to show ankles In the smartest cases and frequently frequently frequently fre fre- with a wide plain bottom attached attached attacked at at- tacked to a gathered top But there Is no set model which must take precedence precedence prece prece- dence over others It Is only 81 for the walking skirt to be brief In length and width and If It puts ones one's neck In danger with the long step that is only a side Issue Alongside the short skirt there are some longer ones for or house or carriage carriage carriage car car- wear that display overskirt effects effects effects ef ef- ef- ef as quaint as any seen In the eighties These fall low Iowan on the bottom bot bat tom am skirt and they are put all round or only about the front and sides In which case the skirt skirt itself itself may be finished with a wide double box plait at the back the sides of the front drapery going under tinder this The polonaise polonaise polonaise polo polo- naise is another r revival from ancient days and It must be admitted that such over-draperies over may be made to express a good deal of attractiveness especially when they are in gauzy textiles textiles textiles tex tex- tiles as the they most often are and are put over o a tightly pulled back silk I I slip sUp As yet these styles appear In the materials of cf summer veiling marquisette marquisette mar mar- I and silk fair fall woman contenting contenting contenting con con- tenting herself with a change of headgear headgear headgear head head- gear and a top topcoat top coat of some sort for forthe forthe forthe the autumn note In In her costuming But soon fall m materials will be employed employed em played and such ash asare are now shown reveal some change in standard materials materials materials mate mate- rials and a n subtle softening or of the i usual autumn colors Some odd colors colors col col- ors which have been influenced by summer styles are a shade of ot yellow bordering on the nicotine shade this called tabac Indro and some violets which recall the darker shades of wisteria wisteria- These are superb In cashmere cashmere cashmere cash cash- mere mere for which there Is to be a are are- renewed re re- hewed vogue and Cor the woman who loves es to wear wash materials till the last last moment there are also superb linens in the same colors The little drapery shown In the Illustration Il- Il Il Is pictured In a patterned material l but the he rear cut shows the plain veiling that would give a a smarter smart smart- er effect The material is a blue and gray graJ veiling black ribbon velvet being used for all the banding The skirt is a short plaited model and a bodice with lace yoke and un- un es Is worn under the polo polo- naise A polonaise of black chiffon in this style put over a princess slip sUp In a lusterless black silk would offer a beautiful evening effect for for for-a a young oung woman oman in mourning for a bias of the silk or else chiffon folds Colds could make the banding ng and the simplicity Of ot the drapery commends Itself for black In this event the could be collarless collarless coll col- col larless and of chiffon gathered over cords at the throat line the same treat treat- went ment to be used at the bottom of the T E L ii V VE |