Show I 1 I 1 y t 1 J il 4 ak r ar e 4 AX 1 Tuning w mn g Radio rh dw I 1 set t i vo oatt oT k 0 Tt t i D F 5 I 1 i A ap W ii bemp v 1 ea o p e ra budh 1 1 aj 6 t 3 i v 1 V V mon i 4 vi t vt i J kor m K W at 4 M to te should bo fainie i V 4 deew N ila fi 4 10 A ST N lAThi V t v jda hS if au Subie su ibi mccu egl j r 14 iz J i i oai 1 iw 4 f i maii I 1 M 51 aree 1 MF M fd d F 1 I N lt i 4 g T TAC fale brt rt t of 1 l th t 0 1 each m of arery amt 01 ol I 1 1 ses of twitting ahe bulj or th ean control heinik lei nik or man the fulleton 61 min 1 I P ua 07 WI A lj t plays playa just 0 a important i a part M tn aratin pr atin a P I 1 ille p tit 1 f br 1 pl I 1 foi afi K a tood panno 1 by coall knew that many i blia aln piano fifi or player piano aiji teja tl paja 4 b i lii m e 16 jj caf tor foi f buc i cay alie th a pi pera 0 1 or I 1 jor ing or operating th j pis aist really A h I 1 t it tbt music ji waa a beil madi 4 00 11 a oo 1 4 feax 1 re meeting ana at t ajel pw iiii eidl rato relate tonn fen d lobil I 1 o al n J A cipy butny ln antik tiK b have no adequate 0 au coi rightly th bt brond cart I 1 programs of collnie com coll fie bethere tio beep antt ft improvement ln a 1 th is trade in this s jre Y ts ie c 1 and a bhatt ai hare are stated taie d s and i nd am h ibo ot to abate ftp 1 da alc plc 11 anter ln W I 1 41 ter ii 1 aw def freeto to the engral en cral ril public 41 y t 4 i as A 4 1 I 1 I 1 4 4 ay I 1 wt what effect tuning vgo wen we halcome haT come I 1 in toa reproduction of true vocal and tam anenia tones wat allty i oti that ie PP I 1 ina if 0 because ln ninny who ftp tune in ineather elther its are I 1 unable to Judee aton tone quality or r elaido alae they want TO 46 i yond the capacity of 0 the cumber of tubes operation e ra e even eren tubes havo their limi and when chih occurs tonly no when weiler inferior ii a are re axe i I 1 k b IT when hen the mari anre powerful ones one az vm t blood with sets etal 1 it te is usually the or of foreleg fo thi the et to IC a greater extent ot than th tubs tuba la ii thi the list lait audio wilt will stand I 1 blits forcing may be dona don a intention in 6 I 1 ally as inthe in the easil casa of teale ettli I 1 I 1 loud lond speak era arld their sto beores wh who i purposely force the appa ratna lnor 0 o der to obtain rather than tone jui quality ally for attention only irk Inot I 1 be word ill mch a 4 dealbera eai efi uc J oton 1 tane e value for aralue tb there ere ik ij no doubt t that the raucous from many such puth out burt aide loudspeakers load aptaker ap create a false fals djoi am p preiton re aaion in the minds 0 of f some borne people especially with w t t b t those h 0 se w who t i i b hire v iii berer ivar had hadan an opportunity ol 01 ap pp 0 r t 6 t y of f 1 t x t en 1 n g in un on der favorable fa conditions then there li 1 the set owna cwi iwi who likes it loud loid and leaves his hi dials in that the lond ton tonea come through ao 90 distorted that the result la 12 6 t ot of no nolby eja an exceedingly simple in method to ro follow in tuning to Is to a adjust your set et to td thi loudest notes of the orchestra go 0 o as to avoid distortion let lat me ex plain how this will work out supposing you had happened to auns tuns in rt ot the moment when according to the particular composition being played I 1 an especially evecia lly soft passage passa was being I 1 rendered maer 4 written ritten ir all well my any to in cat parlance 11 I 1 VW thil coming in wry very softly grantly grant lo that you were were not an accomplished musician you would old turn up the patrol to so as to bring the li louder JS mo miok man I 1 t elsw distortion un may hive haw tet set in but because afif 0 o ILI the i jt act that the eri original ginal I 1 I 1 itself was i abeln e ing II play played pd very softly you would past ass it by unnoticed tia leaving ing the c controls set to happen 6 i a in ow in om eks aliena fortis taita tai tf ii wery viry loud lond pa sn a ia ts I b bythe ya th echt stra recognizable dai 40 op your Tour ear feua ta ts wrong you readjust the dials and goon dpn ayou haje hav a good eod set act and IV I 1 set pt real music and if you know ha bov VW io to tune you will leave the alala att t I 1 in ala manlier cantier Man tier even a few moment sInter the volume iiii ole dies downto to the whisper aroi 7 something else Is t the sta eta your the escom J i of sort son anac I 1 hii I 1 lt it just ju st as aa th concert would jet ritt lin 1 I ll t 1 C top for ton annl ii quality ity ili blui isaio tl roro m the technical p I 1 hii at on in order td to bring in ik a r i I 1 p att blak for a 0 moment that 1 jt requal W sm ai caption ex it to tonal inal quill 11 1 ty 1 ina prope 1 rt 1 l A HorM f I 1 us are able to biow e on noise jow and I 1 auslet 4 I 1 q i as fcc 1 at v bare ex known as annd d pours la in ita a wg 1 Z V 4 4 U 0 me ut ai if othir it foles es CB fahd pa 8 hd id ProPe de aerl b edas pl V a kw re JC acte 61 Te N 1 ineil 00 oo pe allerand and tood tubes wrong bik be bowse pod bet t an annapoor anda id a poor or M u pool 11 1 set egand et J an and d 1 tood but so important li ahe f tunina p r beriy tw ftp 4 cepla p T I 1 S 1 ag in bi ba bettered iva by careful adjustment of 1 th 1 dla wi x a ild every one I 1 I 1 to f alf S ases whore Asom lood combined aln ad with witha 1 i 1 11 thi the taij the st did not focal r and tono tones edmu MU cb ct fe lewent of f brict ia y ad I 1 de W Alfr 41 L ii i 1 art i t V A I 1 I 1 aea eft jq to i j aidie tOll 8 L t i ail tb liap of ic illic bior aai i piotr cit who I 1 froest car in would be b I 1 k 11 ll dod 40 I 1 4 1 l V 41 10 W wp I 1 Y I 1 jt inq at I 1 I 1 IT z 2 1 f 6 ati 41 I 1 1 4 Z Y 5 I 1 4 p 4 p I 1 V J z am J 14 0 V 1 t Y I 1 laizar f i 0 O 1 with poor 00 oil poor raa 63 01 som jve at al arho i iva R e by 1 14 l simplicity 1 too t to bo like lt it abt properly Y 1 14 V maltet TO Tal tet el the of onis oner ti L TO it it donld heter do ild in niest niost leave ave the controls control inobe aben ba c k I 1 ibA 1 i iiii A u 4 1 tatti must ba j for I 1 td 1 m r 1 and I t jofs r 0 T fici your ear be athe aba guide aall tn all any ono one can t ea A a rattle in iri too the loud speaker i aleh agh and loud load note not hii toa a ban ficie 1 t gown i UP til you know ICK lt com coin in alF all I 1 theis there lato tah busl Mish nea iii ll 11 eilf of tuning ur U 4 for tone bitont I 1 10 hyl wi ilki 1 give is not tora tin cla m d dlo to tau tab who hei halt bw bee I 1 1 bit orthe forthe i berago verago tic getting thil the anost ino r bt I 1 i etA cw 1 bf I 1 A 1 |