| Show SIMPLICITY THE RULE A V Delightful Lad Liik of Fus Fugues s s' on K cr Su SU C limo tho lotto Coralay A relief relIct from from tIn the big ammu and ancl Hopping hats to which the eye e has lias been ae accustomed uH- uH I tomed tomell when viewing the little f folks folk Is In In lii this lila smart little shape shupe i which clo closely ch approximates I tho Charlotte Chariott Char Char- lotte iott Corday Conlay of iii thou their elders rt a season or ot two We ago nho The Tho straw Is one of or those Italian han pieces which take lake tal e all colors artistically nut and give gin eVer over lasting wear There is a t skeleton headpiece be Inside which mal makes es the lie 1 rest comfortably on iii the he curly heath bead and an this IB lit draped with the the- same samo while satin ribbon that is u used etl sn so liberally for the tho top tOil trimming The Theop lop 0 op ha has a lint Hat crown the lie brim being drooped all aU around aloun Limit mad and generously I ru on un the thc inside with row rots upon rust row ot of Valenciennes lace lac The Tho how bow of satin ribbon art arc posed to apricot appear atthe at tho the loft left side of the lie front and correspondingly cur cor on the lie back while quaint tie lie ti strings are te tacked In at thin tho th back bach quite Ciullo close clos e lo together and drawn awn around carelessly under the then chin UI I Simplicity 1 of or small girls may well w be thankful ul lint thal th the tho of or fashion this season mauds de-mauds that hat all garments h shall a marked degree d de do- gm gree grec ee of or simplicity Plain lines hues unbroken unbroken un un- broken n 11 by frills or oT puffs or t tL L s. s are nto what the time bust st makers make art orl I turning out fur for little custo tu mers Th Iii r who vho prefers re to tomake make those III little lithe lie garments In df has line hasI I i I ni er 1 fou bi-fou- been abb- abb tn to accomplish such a a. smart effect with so 11 little effort as its when following the lie very latest late t stylea But Hut although time the designs art arc la I the lie materials ma nun almost to ti plainness JI 1111 18 arc are usually of the Oil opposite embroideries rule rulo character r. ham Hand the and this his line has brought Into ino lie old fashioned convent con once mure e hue tho nI fa vent t work tui t-tui-l the English eyelet and anti thc In raised blind embroideries ts l Fi d and anil Of or cour course l' l on one can o obtain machine machine- made imitations Imitation of o these and amid so longas long as aN time the n accords with the lie old old- time o of the lie wrought hand pieces really tally the difference in th tho I that hat of cost costis cost cost- gai almont almart mont apart from remit is los Inappreciable A vcr very scry effect effective lye worl flouncing is worked UJ up lo to excellent reV ro- suits hurts in itt time the picture Ill The hue skirt I Is ed to the lie band fo so o that It falls Inca In Ir ca scant fit but fun full till folds fuld tin tho bulk hulk of ss being bell pushed owai tIme the back The waist part parl 1 Is o of plain Ito the coming into u play iday a again aln in lh the shape of or rever lr n The Time sleeve u Is I simply n a big utile i-utile of ot UK the lie and the tho whole frock 1 i ia Is Isa a KOOI example of that lint smart simplic simplicity It ity die dle ll for fOl or the tie younger y oung r folks this OJ ni a j. fashion i 1 which tho lie as W we well Ii 11 a nit Urn lit mother mothe can hind find com com- 1011 Xi v i V pr a vu mice 0 of I I tho I ur w. w In th lie off rt rt to create something lH now 1105 W lu In headwear tot for tho lie juveniles juvenile compelled t ti tho designer has been beon of ot tin thi borrow Inspiration some from coin s li lf by th the tho grownups d a i hape IW i is I that hat Illuv hunted tinto which use of or the Iho famil familiar null bit Income but after a 11 I |
