Show C Clever llever F Features ea tures in in n Trimmings The fill Fichu Violin Sash There Thero ore are several seve-nl features in both construction and t trimming that t declare de der de- de clare Blare the tho newer mode mod at al a glance to lo thoS th the the- initiated Of or those perhaps most mOll conspicuous anti and the most readily log r I Is the cl clever V touch of or vel- vel vet t. t most moM usually In a contrasting tone w which l lh d decorates so KO many of oC the Im- Im d pt models that grace the tho social The charming that V son gown n mait makes g the subject of Illustration J Ja is isu s sIt u It striking example of this fad and andrt ally rr-ally rt pa II shows It tip tl at ll at-ll most attractive attract t thc tive h b best st st. The gown n proper Is constructed con con- of ono one of those tl dull matte matt In white chiffon velvet el a form if f this modish fabric that flint the man manu manu- fa Ts r h have t only Just presented pl nd at which one ha hu to glance glance- more morA than Iran once td determine what the tho fabric IN II really l IH hi The blouse blo Is fash fash- tm fashioned h- h of an allover N filet lace lace one one of 01 those hose hand made Italian Mallon laces lace In tn which a L netted square q mesh is the tho foundation U Inn tion ln and the th figure or of pattern V Is s wrought In n needlework upon th thI the m h. h Of or course it goes almost almo t with without I out ut saying that lint th there ro is n J backing of chiffon b beneath the time lace Inc the same samo method being followed with the rococo In Insertions on lh the skirt ma made e from flom tho the s m same ame exquisite anti and expensive o l lace luce Tho Them relieved relle skirt follows the thA circular form by hy y the lace entre deux dour an and with cle clever er examples of or Italian coupe posed lIet between But the r real sl feature tt of or the rock frock I Is tho the di fichu sash made of oC f a maroon manor brown chiffon velvet and embroidered In a n. leaf grape and rape leaf aC tic tic- de design sign In tho the palest of pale cre green n silks Ono one hardly knows knaves whether to describe It as a 0 fichu ichu or the ends formIng form form- Ing ig the former Impression lon Jn In n th the front pa passing ing over the shoulder shoulders to meet Ina In let Ina a point in tho tiro center of or the back at al a shortened wal waist t line lino from which wl depond de- de pond end tho the two long anti and broad sash character r to the ends ads th that ll give especial design A Charming Charmin Debutante Co Costume There is a charming simplicity to tore the re lines of this chic little gown goon that the fashionable can ur not fail Coil to Impress i nt of that It is at all Inexpensive n o i to turn turnout out Lit Rather Is 14 It tho tiro charm of or that pensive o simplicity of or which we hear so much but really see set all too little in h. I these thes la frills trills and furbelows A soft Ivory white o ork da silk an aller allover allover all- all over er cJ net and 5 several bolts Continued on l Page PORO lI I 1 ire I Clever Features in Trimmings Continued irony Vom Pa Page e Throe three of or Imitation Mechlin lace both the th edge and the In Insertion of this latter latteri i b being u used ed go to make up the tho smart t The is of or th the allover allo allover all- all little gown 0 corsage o over or r net nM this liberally shirred and with a soft sort white chiffon The sleeves are of or th the silly sill puffed purred and ending ending end end- In ing above the elbow Ih in a n soft oft and narro narrow nar nar- narrow row ro double frill Crill The well boned turo me pre presents a. a special feature taking as I It ft does docs the characteristic tlc 1111 lines 4 of the cor corselet and anil defining the S l svelte It waistline to perfection The sl skirt I Is managed so that the front panel comesup comes comeR comesup up over oer the tho cor corselet elet e thus thUR making for far a straight and unbroken line down the center 0 of of- the gown Th The silk ilk Is IJ u used Nl to halfway above the ankle where K s shaped 11 flounce of the net I h applied This Is ere co covered with n a serifs serif's of silk Rill folds aids deep at the bottom and narrowing to the tho top snowing the embroidered em em- broidered net act plainly between en The Thelast Thelast last fold told Is 18 covered with a bias velvet elvet so o that there is a weighty fabric at atthe atthe the edge c. c this to withstand the wear and aid in the time smart hanging in of th the skirt when In wear Co tie lp Vi Ite In iii Velvet Vl For general afternoon purposes for far luncheon for or calling and especially for reception occasions there Is nothing nothing nothing noth noth- ing on the fashion catalogue that thai car ca c even on n remotely tike take c the of or velvet II velveteen r Where there the tho wardrobe i I must of n necessity ces ity be a limited one the tau velvet elvel gown Is far and away the best het I I Investment that can cnn be made male and th the I handsomer the design n he the more marc strikIng striking ing the success s of oC the costume Few Fe fabrics dl display play even cven the smallest attempt at- at tempt at al trimming to better advantage ud than does dos velvet and the same Mme Is t true ue of its less les expensive cousin the tha chiffon I velveteen The coat and sl skirt t plan Is followed In the smart costume thai than Is I- pictured herewith This affords op-i op opportunity op for the wearing of a lar large variety of blou blouses eg a little feature of nit fashion that really seems to gain aln rath- rath I rr I r than to lose In favor a as the season seasons I roll loll along Although h tho the separate blou blouse e has really dominated the lie field field of oC fashion for or quite n n. few ew years yeal's now l here Is no hint whatsoever of or any le lessening of Its Us vogue The coat shows I Ithe the th e of the short wanted j styles the back being lifted a n ilk ti-ilk and the crushed belt bolt gnat nal tops the fit fitted fitted fit fit- ted skirts defining quite a becoming slope from Om rain the back to the front Broad embroidered black lace Is laid over ovel the shoulders coming coming- in st straight straps from back to front and adding much to the richness s of appearance The rhe skirt Is cut extreme extremely full falling In loose loo o. o artistic folds from tho the hips and I a n t ribbon ruche topping a shirred flounce at the foot this weighting the I 51 skirt hem tent after the de desired style stylo The sleeve I Is disposed In a double puff i I and presents the till modish three quartos I length embroidered laco Jaco making a n i ismart i smart mart finish h above the wrist I The Tho Hind All JJ BJ cl Gon Gown n. n t i f iThe The b black all cl costume Is never ne out 1 of st style stylo lc lcT T Thoro i is a n charm about it s I when worn b by tho the right woman wo wo- man cannot bo be exceeded b by the most beautiful colored costume And AnI p particularly par par- r- r I la is this true of or the black lace Ince gown sown There Is 19 a well boned and e slip of soft ort I fetn over which a foundation of I black Is 15 mounted giving a l soil soft I background for the the open open meshes of the exquisite black silk Renaissance lace laco robe rohe The bodice Is a n simple a affair h i In which the lace Is po posed ed plainly over I Ithe Ithe Ithe the shoulders shoulder and drawn easily Into I the high girdle of black satin which describes the fashionable empire lines 1 I this sonic some three Inches In width and I fastening In back beneath a n. long narI nar- narrow narrow nar- nar I row 10 bucl buckle le of beautiful cut jet Th The neck Is cut In a shallow V Y and filled in with a n high collar and shallow yoke ole of black finely tucked Full Pull puffs to the elbow make malce the arm atm covering an and these like the bottom of the graceful skirt sl en traine several eral inches all around ar are finished f with a frill of black Valenciennes lace made b by posing four rows 11 of oP J one over th the other I each row rou lightly Culled J |