Show tucking Is much in paris fashion plaiting and inlaid work Is also in limelight on gay silk frocks when projected modes for the new spring gowns of various silk materials were under discussion by the cou hurlers turi tur lers ers the first nod roost most important ruling must have ordained tucks ind and more tucks for certainly the hand run tucks of which france Is so fond great emphasis in every collection these minute folds writes a paris fashion correspondent in the new york times vary in width from tho he pin tuck to one inch wide and serve a multitude of uses they may obviate the need of much complicated seaming they rony may be tin an integral it if part of tile the design and often they are anre testimonials to tile the ingenuity of the designer so BO amarina lively are they used they cover the gown completely in straight or horizontal or vertical lines or curve with the lines of the gown as readily they appear filling inlaid triangles circles or U shaped panels on Vlon neta nets gowns they spray down from right or left shoulder to develop into fan plaits on the front fron t skirt or spray from bath shoulders simultaneously crossing in diamonds on the waist before progressing into the skirt plaits on one of the new two color gowns shown by Vl onnet horizontal pin tucks fill a wide front and back panel of beige crepe de chino while tho the side 0 of f the gown are of plain brown attached with A wide straight collar of the beige continues into an end on the left side to form a scarf or co qu ettish bow while wrapped cuffs of the beige are tied perkily about the long brown sleeves inlaid work its popularity uses this difficult medium on a collarless frock of soft gray silk alpaca ile he inserts a two inch strip of gray silk bilk speckled in white and piped on either edge with white into the gown beginning on oil the left sho shoulder ulder and encircling the body twice to fasten nt at the end of the left waistline thus giving two rows of tile the inserted strip across the back of the waist and three in front the skirt Is simply box platted plaited attached upeor a gray suede belt with tho the sleeves long and plain except for an inserted band of the speckled material about tile the wrists with the help of inlaid work dou bets 1 very original interpretation of the familiar gown made by opposing the two sides of crepe satin makes n significant and new two color gown the entire right half of the iho one piece frock Is of black satin while the left side Is of the reversed crepe tile the two halves interlocking in inlaid claw points tile wrapped belt narrows in front under an enameled buckle to give a slight up in front froni line various new shoulder lines have appeared this season bedson advocates a long shoulder continuing a third of the way to the olt elbow low tills this drooped shoulder appears on it elite chic frock of black satin utterly simple in its wrapped surplice effect held in place by a narrow patent belt fastening lon on the left side under a red ornament A band collar of white georgette continues on down as a border ori on the circular rume ruffle forming a jabot on the left side of tho the gown and from there as a border for the skirt quite a different shoulder la Is that on a molyneux Mo lyneus frock of beige crepe do chino chine where tho the sleeves continue up to a point at the neck this gown one piece and straight in back was draped in front in two sections the waist draped to the left with the extra effra width permitted to fall in a jabot end an and the skirt draped in exactly the same manner with end hanging |