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Director Ricahrd Franklin drinks from the same inspirational well without getting nearly so waterlogged and his latest project Coak and Dagger, is glowing proof that this sort of movie kinship can sire refreshing, nonderivative entertainments. Cloak and Dagger quotes The 39 Steps, Vertigo, Rear Window, The Man Who Knew Too Much, Torn Curtain and Sabotage but this doesn't detract or distract from the tale being told. None of these images have that stick resonance ti i t,wf hi 41 f,t't g ftt.-- f Eft 4iS tI tw'j, 4 Ji pi ,tr:o J 4 fft4ft (I tUKft ftur, i, d UI4 4 ei.rf t1 n UV to 41-- I n ft ul 4 ft r, r CVuft titft tt ftteftf 9,k" At rwjeftitft Nil jsve4 r,al -- Eft m4 llRflJMft ft ft.ii-e-;V- 4 tit liift4 ft btft Sftf-- t V.,i4't tft tf5'4-IVfPMf g ftftlafl C tno-fnqvf- l:.rp 5f Cjlifc fl m PrlEerrS ttfvefhf lift f n!A,4 C'4'ftft "5.4114 tM444eft. J tftif tf 0 v.frj'unrf 5.44 Jtfti 471 M5444ft, 1MT? 1 lit) ft tb tft'ta Pe EtMuJe 41 Iphm t. 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IC 44t CJCit.ft.tia ii Nod mry H'JekI fn, tadwsnlsi ben?J lir them amsrf in ea mcftne mnmorKFi tar jtfti 19 came, Nil there is suctst. humor, mftigM. hoaest tfflcliOfl and plenty of good drtnlai Little Davee Osborne (Mmry Thomas) is an average kid whose recent loss of his mother and with hs father (Dabney Ccfcman) has prompted his frequent into fantasy adventure with an ts imaginary, monumental? clever super-spnamed Jack Flack (Dabney Coleman, again), an idealized version of Davey's real father. This very Hitchcockian tale, based on a story by Rear Window author Cornell Woonch, has Davey stumble y upon an intrigue to smuggle secret government plans out of the country in a video game cartridge which suddenly challenges him to grow beyond his years, battle for his very life, and ultimately, come to terms with his Jack Flack creation. At long last, here is a movie that acknowledges the price we pay for our dreams rather than reward a protagonist for his denial of reality. Cloak and Dagger has a firm grasp on the limitations and demands of youth, enriching this highly engaging suspense thriller with the emotional conflicts of its heroes. approve. Hitchcock would surely |