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Show Salt Lake Sees Swinging Taylor Wedding Rites i f: , -.. l I ' , J P - I ' f 1 ' I ! ' I - i - : ' ' J , n! die I ' - ,: 'is r - ( 4 - th ? as i s -' , . . ; ; V ; - ., 'if I1- H " ' i . f t f - " " ' - ' ' ' ' ( 4? , " ' w f - . , - - v , ; ; I i: , V- " ' - I , ' ; j ",' " ' p ' ? ' -' el I , tt Holden Caufields provided freak-out freak-out music. A little color, noise, and originality, orig-inality, a little less handshaking, and everyone had a blast at a wedding. Wedding invitations were sent via Salt Lake's psychedelic shop walls. The psychedelic posters designed de-signed by Richard Taylor in flour-escent flour-escent yellow, orange and red announced: an-nounced: Nuptial Rites Of Lynne Matthies and Richard Taylor At Phillips Gallery Sunday, October 9 With the Holden Caufields Dress in Hip Gear or Costume. The 'bride walked down the aisle to the music of Sandy Bull, dressed in an elegant white mini-dress. mini-dress. The groom wore a navy blue Sgt. Pepper style uniform. Lynne was given away by her father, Dr. Fred Matthies, and Hugh Gillilan, minister of the First Unitarian Church, performed the ceremony, quoting passages from Walt Whitman. Whit-man. Scarab Ring Lynne's ring was an unusual design de-sign by Philip Morton, associate professor of art at the University, set with an Egyptian scarab. Janet IMatthies, dressed in a purple velvet mini-dres, was bridesmaid; brides-maid; Karen Matthies, dressed in a green velvet mini-dress, was flower girl. Paul McCarthy was best man. The ceremony over, the beer barrel was rolled out and into a bathtu'b. Huge bowls of pretzels were set out and the band began. The first dance was reserved for the new couple. Under the flash of the strobe light, the guests witnessed wit-nessed the most exciting spectacle of the evening. Richard was now wearing a flourescent print shirt and the couple frugged and frugged. It was like watching a flick of the twenties. With each flash of the strobe, the eye took in a separate frame. And click. Time concepts dissolved. The couple cou-ple danced in a wild, unreal dream. The guests were caught in the spectacle. The golden Holdn Cau-filds Cau-filds played on and guests blew their minds. The guests clapped and cheered and then everyone began be-gan to dance. Gallery Shakes Phillips Gallery never had such a shaking. Those who stood still were bobbed up and down by the movement of the floor anyway. There were no mournful faces, no sore paws from standing still in a reception line. For the two senior fine arts majors, ma-jors, the art gallery was an appropriate ap-propriate setting. Blue and green paper flowers were hung from beams. Posters and paintings decorated dec-orated the walls. A man-high aluminum wedding cake, designed by McCarthy and Taylor, was decorated with pyracanthia. Hip Gear, Costumes The gallery was packed with friends and interested spectators dressed in free-man hip) gear and bright costumes. There was a tinkle of bells and beads. There were lost confederate uniforms, costumes in gold brocade, black chiffon, and draped red velvet. There were miniskirts, mini-skirts, body-paint, paisleys, flourescent flour-escent shirts and dresses, attic remnants, gypsy costumes and salvation sal-vation army goodies the most colorful parade of hip gear and costuming cos-tuming of the decade. The bridal couple had planned a honeymoon drive on a motorcycle to Alta. They expected to return for Monday classes. -. f Dressed in gray top hat, striped trousers and flourescent shirt R, ard Taylor holds mini-skirted bride, Lynne Taylor. L |
