Show wedding gowns for easter brides A 1 1 7 ew m f k 35 T IS for the faster bride to choose IT whether she will be wedded in a regulation gown or allow her fancy to run after the new modes and depart from accepted costoma la in her adorning there is something attractive in althe ahe thought ot of generations of brides clad in regulation trained princess gowns of white satin more or less elaborated with lace and embroidery and more or less modified to resemble the passing fashions her Is correct aboto tho the influence of every new phase however beautiful which fashion presents from year to year hut but no one will deny the brido bride the privilege of a gown modeled accord ing to the last word in fashions two bridal gowns are pictured here which show the regulation gown as developed for the present season and a gown modeled distinctly on this sea eons modes the bride with the veil wears a long trained princess gown of white satin it is made of satin lace and chiffon As a concession to the fashion I 1 of bf today the skit skirt part cart Is slightly draped falling in irregular folds over the hips and caught up in the front in a series of plaits near the waist line it conforms however rather faithfully to the normal lines of the figure the bodice of chiffon over satin is cut with a round neck the neck opening is outlined with pearl beads and small pendant pearl ornaments there is a very h high agh necked of line lace the sleeves are full at the top but fitted below the elbow where they are slightly wrinkled like a long glove they are very long and a frill of lace like that in the yoke falls over tho the hand almost to the knuckles the train Is long and square such a gow requires a heavy satin to produce the right effect the tullo tulle veil forms the crown ot of a cap which la Is edg edged edwith with a frill of very old lace the cap is made over t ii circle of wire which holds it in place there aro are full clusters of orange blossoms at each side bide and the veil falls to the edge of the train as it should this bride cairned a bridal bouquet of white roses and lilies of the valley and wore a short strand of small pearls about her neck at the baso base of the high collar there is no gain saying the beauty and effectiveness of this costume it Is the apex of stylo style and cannot go out of fashion the bridal dress shown on the standing figure is distinctly lit in tho the mode with little thought to what has gone before it Is a very gorgeous and somewhat oriental looking costume of embroidered crepe de chine and lace the skirt is arranged in draped folds at each side with an overskirt th in the minaret style made of lace there Is a low ot of net and a very wide crushed girdle of the crepe do chine over all Is a small lace coat with kimono sleeves and opening at the bust line there is a hint ota ofa medici collar at the back the handsome bride wears long gloves and instead of a bouquet carries a chiffon and ribbon muff there is not a sint concession to the regulation wedding gown except in tho the train and the color this Is an ivory instead of a cream errara white neither bride wears jewelry except for strands of pearls the train on the crepe do de chino chine gown is covered with really wonderful and beautiful embroidery I 1 JULIA BOTTOMLEY BOTTOM LEY |