Show a. a j 1 I l- l c Ie Ier r o. o I. I I do tf taS i. i c h S l a. a Y f 4 One Oney rf y f th thOne e G I r i 4 ll t ii ht s I fia 0 a AV ai 1 0 V J r a r V t j s 1 t c Th The Ele n t tl r rt K t l V Wrap W P Pa h has ria hasa r JJ J Distinction a and D Dignity n ty I II Unrivaled I Black Satin Wraps With Gay Chiffon Linings L Lace Wraps the Aristocrats Aristocrats' of Fashion The Supple Satin Scarf Which is Worn With Decollate Restaurant Frocks paradoxical Is It not that In la a a. s season when straight and STRANGELY scanty gowns prevail and every effort effort ef ef- ef- ef fort tort Is IB made to make the figure as slender and straight as aa possible wraps In e exaggeratedly v voluminous style stylo should be th tho mode Yards and yards of ot the most costly fabrics fabric are used for these huge buge wraps Pleated chiffons are hung huns over OTer rich Persian Per- Per elan sian silks Bilks and liberty satins as ns soft as chiffon and as light as ns thistledown are draped with exquisite grace Wraps inthe In Inthe the true thie sense reuse of or orthe the word are those all all- enveloping cloaks which cover COTer the frock Crock beneath from neck to feet teet and the tho French Frenchwoman Frenchwoman woman knows to the last point of ot coQuetry coquetry coquetry co co- co- co the art of ot wrapping herself In to her ber wrap bow how to stand to give statuesque grace to the long lines bow how to move without causing the draped folds to hellow bellow bel hel low out In ungainly fashion and most and most Important how important how to catch up the lengths of ot silky stun stuff so that the wrap will outline out out- line Hat the most lovely curves of ot the tho tI figure re Every Evert Long Coat n n. Motor Coat In Purl Paris Wraps are wraps and coats coals are coats in Paris There Thera one never fares abroad on OD foot In the evening and nd the sleeved c coat at which American women wear over oyer evenIng even even- lag Ing frocks In street cars and M other public conveyances Is unknown on the oNer olber side Bide The Frenchwoman makes a n toilette for tor forthe forthe the theater the opera pern the restaurant and aDd her artistic and harmonious wrap feas Is fe Isaa Isaa aa as much a part of ot this toilette a os as her ber bodice The long coat close to the figure and with sleeves and buttons li is a motor coat no matter how handsome It may be and end nothing else The Religions Religion Wrap rap tho the La Latest c t Crave Crane effects are now In grand chic and though to the uninitiated the broad circular collars the hoods boods and other details details details de de- de- de tails of ot tho the full satin nUn wraps are merely smart mart and new to the couturiers who have carefully studied the effects s they mean mean something different for many of ot these details are arc copied directly from habits of varl various us religious orders The Tho mO moat t pronounced of or the features is the deep circular collar which lien Iles fiat flat on the shoulders and Is fastened at one side of or the front with huge buttons buttons but ll tons and heavy henvy loops of ot material o or of or orbr br braid ld A cerise cloth mantle recently brought from Paris for tor cnn carriage over light th theater ater tr frocks ba has one ODe of or theae these deep collars I to which liro are attached the full gathered d breadths which form torm the bod body of ot the mantis lUt Prom Crum the knee down tb these e full tull breadths are confined under tinder a II deep straight band of ot cerise velvet et and the four tour buttons which fasten the yoke roke are are of ot the velvet et with loops of ot cerise satin in lieu of ot but but- By Redfern Is ls another stunning rell- rell louse h ulSe mantle mantic which Is IE eo so intricate and ol lo involved in cut that it la is hard bud to de scribe Briefly there is a n straight full tull COAt of ot tucked black black- chiffon hung bung over over brilliant royal blue satin the coat cont having bating havinga a n seamless cut on the shoulder with straight wide sleeves Over Oer the back of ot this black and blue chiffon coat cont hangs a full tull mantle of ot block black satin which is attacked attached at at- tacked straight across from neck to wrists ns as though the wearer fearer had stretched d dout out her arms arms and the breadths of ot satin had bad m merely rely been hung across an and sewed to the outer edge of or the sleeves When the arms are dropped d the satin of ot cou course e falls In most exquisitely graceful lines The satin back falls loosely over the chit chiffon ton Ion coat cott to within six inches of the feet teet where It Is fg draped under uDder to form torm baggy boggy festoons Over O the whole at the top is III laid a 0 flat rel collar made mado of at folds of ot the satin with big buttons of ot royal blue velvet having bl ck satin centers and black satin loops for for tor fastening The Fit Over Ocr the Shoulders a n. Vital Matter It must be something of ot a n trick to nr nr- t WRAPs RAPS Ji or oJ rne ta 7 7 Z Z J s o f tSy r r rr rr f f rY vA r J err iJ P 9 r pl f r Y 3 r r i iy y r g r s sI I sire y I ID It r r of 4 t Z t D cef uI air f i q s y q yf x y 6 p 4 1 A r g gY C r v tv ri t Y 1 l I y uS w A f. f za r r y 1 b E y v irk ry f a r rf r y l ri 4 r J x N I rv r 1 F g yaS 7 ji f i a Sf 7 S f u I x ll ff f ra r Tp n J iS l vt i tt i ir i rr r i 5 s r x rS Gi hir r rl i y Z y v i f rf A. A x r Y y a. a 4 PL q f n r b a r q r I u r X Nf y i 1 d' d h f k Jy r K c o s- s TG r k t f a tf nG 7 t r 6 ya f y i J k fY 3 Ry t 7 r i Y i l j i x 4 1 1 Cn I r r Y fi x A t x S SN f 1 M N w N V f Dark D irk at arid and id en Con wo worn n at t Trou range these voluminous wraps and mantles man ties so that while fitting closely over o the shoulder and outlining to perfection th the lines of ot shoulder and arm the the material will III hang bang In ample folds below An n effect of ot clumsiness must also be avoided and the wrap must be kept as aa light of a as pos pos- sible Ible This Js 16 accomplished by the materials ma mn t used Liberty Libert satins and nud weigh but a trl trifle e even when many maDY yards are ate used the fabrics being draped with seeming carelessness but really with consummate con cnn consummate summate skill so eo that all the wearer wearers wearer's 8 hest heat points will b be accentuated by tb the softly falling folds A satin wrap which has this graceful fall tall from the shoulders Into full folds at atthe atthe the foot toot is Illustrated among today's photographs This wrap Is le made of ot black satin and the light border Is of ot white bite satin veiled welled with stone gray A straight stole of ot the veiled white fa satin tin covered with a n embroidery is set at either side of ot the front of ot the wrap and makes this portion bang hang In straight se severe lines t to the feet while the back flows In undulating ripples ripple Into luto the heavy beny train The Wrap rap With Uh a n Train Appears AppeAr Another paradox In this season of ot abbreviated ab ab- bre frocks and length ankle-length skirts Is s the wrap having a 1 train at the back This train Is lifted when ben one cros crosses es the pavement to step Into motor or brougham but Indoors It s sweeps the carpet and gives the draper draped wrap the dignity and grace which It t needs and which a garment chopped off at nt the floor length never nover possesses Only the very cry hand handsomest om t grades of nt satins may be he employed for the softly draped dr mantles Ch Cheap ell I stiff satin is III abominable when used In would would-be draped ped effect Affect and It Is far tar wiser Iser to have ones one's mantle of or rich wool material material material-It If satin cannot he be afforded than afforded than to attempt a arich arich arich rich effect with a poor material There are new wool backed satins which are as warm as any serge or homespun fabric and many of ot the autumn street suits are being turned out ont In this wool-backed wool satin which tailors as ns cleverly erl and correctly correctly correctly cor cor- as HS wool Itself 1 1 17 y 7 Al f fJ i yr 0 1 y x Y r r 4 r rig f 7 r l j t J 1 I 4 4 f. r ii p. p I v t a n li lir wr 4 r r r f t W 4 I V N F 4 r r rF iI i 4 6 a Y r r r rf ff p vf Y ra S ri yf 4 e Z l a Jr l f rr f 6 f 4 to toI I 4 f 4 fF j 4 F Embroidered for Of Use Over Handsome j Luxurious Linings and Trimming The French dressmaker knows just where to put the scrap of ot Oriental embroidery embroidery em em- to produce a telling effect and the French wraps often otten show bits bite of ot embroidery embroidery embroidery em em- and other like trimming set on onas onas as ns though they bad been added as ns an afterthought but afterthought but an nn inspired afterthought afterthought after litter thought for all that Gold and silver sliver embroideries s are re seen on wraps d do and one may have bare as much embroidery embroider as one con can can afford afford across across the back as aswell aswell well a u as around the neck and down the front or or only around he neck Deck and down the front or merely Just a 4 touch at the front of ot the collar Then there are the tassels wonderful things thing with slides slipped over OTer the long Ions cords for tor ml- ml to twist and fumble tumble with as she talks to you ou And the buttoned A hundred hun bun hundred dred francs worth of ot buttons is 19 not at nt atall atall all 1111 a 1 lavish la B supply ppl for a II smart even evening ug wrap But it is 18 the linings that go straight to the feminine heart beart and aud more evening wraps are sold because of ot their delectable delec delec- delectable table linings than mere man tulln ever dreams of ot Often Otten chiffon Is dropped o over o tb the satin lining with an nn Indescribably ably soft and shimmering effect and as every woman knows the knowledge of ot a chiffon chit chitton ton fon lining IB is much like the Knowledge of If silk silk- III stockings No o one ono mil may see sec It and ami amino no one but ones one's si self lf may know It Is 13 there but there Is Is the serene and satisfied satis tied fied consciousness that It IS there which makes all oil the difference Transparent Wrap rAP Show Oft Off Dean Bean Frocks Frock The wearing of ot dark chiffon and lace wraps over OTer lingerie and other light co coy cos costumes has made mad a this season seaOn notable in wrap annals for tor not since the days orthe of or the Empress Eugenie has baa so much rare lace been teen Keen draped In 11 mantle fashion over ocr pretty frocks Every woman woman who late lace possesses a n chantilly or Spanish shawl or scarf has taken It to her ber dressmaker dress dress- dressmaker maker with the pica plea that It be made Into loto a stunning wrap without cutting It uplAnd upi uplAnd And the dressmakers have risen to the occasion for tor It Is la wonderful what bat they have o accomplished with heirloom pl pieces es of ot lace loco with no DO spoiling of ot rare old patterns patterns pat pat- terns teros with Ith vandal scissors The black lace wrap is 18 rather mature maturo in character for tor the very young woman but there Is a stately dignity and cUI Unction about these lace mantles If make them eminently well Yell suited to tott totts th dowager Jetted net wraps are arc also suit for tor older women and fringed effects s 1 i ti dignified rather than youthful l laDd and aDd nets net while while wb quite as ac transparent lace Ince arc are liked by the younger wor wom and these transparent wraps are or of oft banded in at nt the foot by deep hem ben hems satin to so that they bang hong in stra trail lines over tb the pretty lingerie frock 1 heath neath The more more elaborate the tho costa worn beneath a n transparent wrap 1 t better for tor the p pattern showing the veil Tell of ot sheer heer outer fabric Is don dont fascinating and nid bea beautiful The e Shadow Wrap a New Fre Frei Crave Crane Most rost delicate gradations of tono tone produced by the veiling of ot one ono chi with another in these Uese transparent w wand wand wr and the subtle color harmonies achieved are called by the French con cou couters cout lers mers shadow effects A navy blue seline wrap worn by a young l Frt Fr r rc c countess at Auteuil was draped ov ove s second ond Wrap rap of ot reddish violet which a curiously changeable blue pink tono tone as the light struck the t f tot of ot chiffon The wrap was wal banded from the knee down by a width of or p pj navy blue satin lined with red satin With this wrap was AS worn a ablack a ablack I black hat bat heaped with feathers and d ha Ju one reddish violet Iolet orchid at the side sida gloves were of ot silk in the te o 0 or shade with small embroidered itIn dIn it d' In self color All sleeves are In la length now and long silk gloves glons matching the costume or or orv gloves Io es of a palo pale biscuit tint lint are ara M rule o The Tho Satin Scarf With Muff Mut to M MA Ml MlA A novelty which has bas appeared red it French races this summer Bummer is the soft satin scarf which is worn abo throat with the collarless frock pretending to duplicate te the models have baTe ap appeared ared in some of American shops but these A At Am imitations lack the graco grace and effable chic of ot the tho French scarf and white whit a satin MUn is Js used and the tho three yards long so soo that it i ma thrown over the tho shoulders one ton tOD long falling at nt the tho back a and d one la in troD front 1 |