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Show 'NIGHT OF LOVE j IS FEATURE AT RIVOLITHEATRE Ronald Colman and Vilma Bank; lovers in tnree films, comes to the Rivoli Theater Sunday and Monday in "The Night of Love," Samual Goldwyn's presentation of George Fitzmaurice's production of a tale based on the feudal "right to the first night." Colman appears in an entirely new character for him, that of a bold Gypsy bandit, a touslBd-haired touslBd-haired fellow with pointed moustaches mou-staches and lengthened "side burns". Vilma plays the role of a beautiful Duchess, victim of the fearful "right to the first night." From Lenore Coffee's scenario, George Fitzmaurice made "The Night of Love" in Hollywood, occupying occu-pying six month of time and employing em-ploying nearly $900,000 of money in the picturization of the romantic tale of the sixteenth century. The entire film was under the personal ! direction of Samuel Goldwyn, veteran veter-an producer of "Stella Dallas, ' "The Winning of Barbara Worth " "The Dark Angel" and other handsome and dramatic films. "The Night of Love' tells a glowing glow-ing tale of a wronged Gypsy prince, Montero. whose bride is t?ken from him by the lord of the domain, the cruel Duke de la Garda and of the poetic revenge of that gypsy prince turned bandit. "V;f :e turns gold digger!" Such is the state of affairs in "Chicken a La King," Fox Films production. The story has to do with a drab little wife, who has been brow-beaten and bullied for nearly twenty years. Then suddenly sudden-ly she is confronted with the startling start-ling facts that her Puritan husband has developed into a gay Romeo and is haunting a burlesque show. The wife, instead of praying for guidance, goes determinedly to bat and enlists the aid of two members Of the chorus, ogether they fleece the old rogue until they make hirn see the error of his ways and he returns home a sadder, poorer but much wiser man. |